Mauerschau

Through his reading of primary and secondary classical sources, as well as his theoretical writings, Richard Wagner developed a Hegelian-inspired theory linking the evolution of classical Greek politics and poetry. This book demonstrates how, by turning theory into practice, Wagner used this evolutionary paradigm to shape the music and the libretto of the Ring cycle. Foster describes how each of the Ring's operas represents a particular phase of Greek poetic and political development: Das Rheingold and Die Walküre create epic national identity in its earlier and later stages respectively; Siegfried expresses lyric personal identity; and Götterdämmerung destructively culminates with a tragi-comedy about civic identity. This study sees the Greeks through the lens of those scholars whose work influenced Wagner most, focusing on epic, lyric, and comedy, as well as Greek tragedy. Most significantly, the book interrogates the ways in which Wagner uses Greek aesthetics to further his own ideological goals.

Sie sind flüchtige Zeitzeugen, ständig von Demontage und Übermalung bedroht: Ghostletter entstehen überall da, wo Schriftzüge von Portalen demontiert werden und ihre Spuren hinterlassen. Viele von ihnen sind noch jahrelang, einige sogar jahrzehntelang im

In this study the works of Wilhelm Raabe (1831 – 1910) are being discussed, taking into account the emerge of the perspectival narration, culminating in the Braunschweig period (1870-1920). The book starts with a survey of the point of view theory, including the concept of multiple perspective, and then focusses on the works of Raabe in which these various techniques will be demonstrated. Special attention is paid to three works of the Braunschweig period; Der Dräumling, Das Horn von Wanza and Kloster Lugau.

Beyond Thalassocracies aims to evaluate and rethink the manner in which archaeologists approach, understand, and analyze the various processes associated with culture change connected to interregional contact, using as a test case the world of the Aegean during the Late Bronze Age (c. 1600–1100 BC). The 14 chapters compare and contrast various aspects of the phenomena of Minoanisation and Mycenaeanisation, both of which share the basic underlying defining feature of material culture change in communities around the Aegean. This change was driven by trends manifesting themselves in the dominant palatial communities of each period of the Bronze Age. Over the past decade, our understanding of how these processes developed and functioned has changed considerably. Whereas current discussions on Minoanisation have already been informed by more recent theoretical trends, especially in material culture studies and post‐colonial theory, the process of Mycenaeanisation is still very much conceptualized along traditional lines of explanation. Since these phenomena occurred in chronological sequence, it makes sense that any reappraisal of their nature and significance should target those regions of the Aegean basin that were affected by both processes, highlighting their similarities and differences. Thus, in the present volume we focus on the southern and eastern Aegean, in particular the Cyclades, Dodecanese, and the north-eastern Aegean islands.

The works and biography of Heinrich von Kleist have fascinated authors, artists, and philosophers for centuries, and his enduring relevance is evident in the emblematic role he has played for generations. Kleist’s prose works remain “utterly unique” seventy years after Thomas Mann described their singular appeal, his dramas remain “disturbingly current” four decades after E.L. Doctorow characterized their modernity, and twenty-first century readers need not read far before finding the unresolved questions of the current century in Kleist. Heinrich von Kleist: Artistic and Aesthetic Legacies explores examples of Kleist’s impact on artistic creations and aesthetic theory spanning over two centuries of seismic metaphysical crises and nightmare scenarios from Europe to Mexico to Japan to manifestations of the American Dream.