Maurice

*The book that inspired the big-hit new film starring Emilia Clarke, Himesh Patel, David Tennant, Hugh Laurie and Joe Sugg, coming 16th December. Read before you see! With amazing content, from scripts to film art* Even wizards produce leftovers. But a wizard's rubbish is laced with magic, and for the rats that forage this rubbish, the magic has changed them - they can speak and read, and have rather grand ambitions for a comfortable retirement. Which is perfect for a con-cat like Maurice. He has his own magical talents, and wants to get rich quick. Together with the rats, and young Keith, the 'piper', they work the towns to create their very own plague of rats - then lure them away for cash. But in the run-down town Bad Blintz, this little con goes wrong, and suddenly these educated rodents aren't playing to the piper's tune . . . 'An astonishing novel' Financial Times

A graphic novel that tells a refugee story about education and hope

NEW YORK TIMES EDITORS’ CHOICE • A collection of raucous stories that offer a “vibrant and true mosaic” (The New York Times) of New Orleans, from the critically acclaimed author of We Cast a Shadow SHORTLISTED FOR THE ERNEST J. GAINES AWARD • LONGLISTED FOR THE STORY PRIZE • ONE OF THE BEST BOOKS OF THE YEAR—Garden & Gun, Electric Lit • “Every sentence is both something that makes you want to laugh in a gut-wrenching way and threatens to break your heart in a way that you did not anticipate.”—Robert Jones, Jr., author of The Prophets, in The Wall Street Journal Maurice Carlos Ruffin has an uncanny ability to reveal the hidden corners of a place we thought we knew. These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture. In “Beg Borrow Steal,” a boy relishes time spent helping his father find work after coming home from prison; in “Ghetto University,” a couple struggling financially turns to crime after hitting rock bottom; in “Before I Let Go,” a woman who’s been in NOLA for generations fights to keep her home; in “Fast Hands, Fast Feet,” an army vet and a runaway teen find companionship while sleeping under a bridge; in “Mercury Forges,” a flash fiction piece among several in the collection, a group of men hurriedly make their way to an elderly gentleman’s home, trying to reach him before the water from Hurricane Katrina does; and in the title story, a young man works the street corners of the French Quarter, trying to achieve a freedom not meant for him. These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian, written by a lifelong resident of New Orleans and one of our finest new writers.

A Royal encounter. An enduring love. A bungalow in Penge. For 60 years Helena has been Queen of Maurice's heart. But his Great Love is another Queen. The Queen Helena says he's never met. Maurice's Jubilee, a new play by award winning actress and writer Nichola McAuliffe, is a funny and poignant exploration of one man's enduring commitment to a dream. And an eternal love triangle fallen on hard times...

Henry Handel Richardson's debut, published in London in 1908, is set in the music scene of turn-of-the-century Leipzig, a cosmopolitan centre for the arts drawing students from around the world—among them Maurice Guest, a young Englishman, who falls helplessly in love with an Australian woman, Louise Dufrayer.

This book seeks to place Halbwachs in his historical and intellectual context, showing that his work was sensitive to the events of his time, and that the development of his analysis could be influenced by happenstance. The book does this, not by summarizing or synthesizing his thinking, by the growing literature embodied by many sociologists and historians of social sciences, published for the most part in scientific journals, that focus on the sociological thought that Halbwachs developed in his writings. Then come many studies that emerge from the history of ideas and epistemology: these are entirely devoted to a particular facet of Halbwachs’ work, either to place it in its scientific context or to discuss it on the basis of fundamental cognitive issues.

Explores the work of Maurice Kenny, a pivotal figure in American Indian literature from the 1950s to the present.