Mavericks Mystics And Misfits

Mavericks, Mystics, and Misfits: Americans Against the Grain takes the reader on a journey across American history through the lives of exemplary men and women whose stories capture the spirit of their time and place and reveal the American character.

How do you use the word "radical?" Committed to the progressive? The cooperative? The communal? The equalitarian? In so far as social, political, and economic power is sought and wielded in malice, just so far is benevolence radical. The history of social, political, and economic power has been mostly the history of malice. The history of benevolence has been mostly the history of radicalism. The sensibility that loves benevolence has been a radical sensibility. In An Essay in the History of the Radical Sensibility in America, L.S. Halprin argues that before the middle of the nineteenth century the work of all American radicals was organized to defend some form of sentimental faith in millennial progress; that the work of the great writers of the middle of the nineteenth century was the first to be fundamentally free of the constraints of sentimentality; that despite that generation’s accomplishments, the old sentimentalities have persisted, perpetuating the cycle in which illusions designed to make radicalism’s chances seem better than they are become the disillusions which make them seem worse. Along the way, Halprin unfolds something of the contribution of Edgar Alan Poe, Nathaniel Hawthorne, Herman Melville, and Walt Whitman to the specific content of the radical sensibility in America. Since the middle of the nineteenth century, the radical’s work has been primarily to accomplish political power. That work and the frustrations of it often leave little energy for the pursuit of a thoroughgoing self-awareness. Halprin's analysis is particularly useful now to remind readers of both the sentimentalities and the wisdoms from which we come.

Collects portraits of Hasidic young women and how they manage conflicts between their regimented society and mainstream American life.

“A lively memoir mixed with short biographies of appealing religious outcasts.” —PUBLISHERS WEEKLY With untested ideals and a thirst for adventure, Christiana Peterson and her family moved to an intentional Christian farming community in the rural Midwest. It sounded like a simple and faithful way to follow Jesus, not to mention a great place to raise kids. In Mystics and Misfits, Peterson discovers that community life is never really simple and that she needs resources beyond her own to weather the anxiety and exhaustion of trying to save a dying farm and a floundering congregation. She turns to Christian mystics like Francis of Assisi, Simone Weil, and Dorothy Day to find sustenance for the everyday struggles and unique hardships of community life. With a contemplative’s spirit and poet’s eye, Peterson leads readers into an encounter with the God of the wild mystics and the weird misfits.

When Quietism was condemned in 1687 it resulted in an antipathy, if not an open hostility to authentic mystical theology. This situation has lasted down to the present day and has been aggravated by many forms of counterfeit mysticism that are self-centred, not God-centred. The consequences have been disastrous. To restore the balance lost to Christian spirituality, the author returns to the profound mystical teaching that Jesus himself lived and handed on to the early Church through his disciples. His research has resulted in a book that details a practical daily spirituality for all, that mirrors that which was lived by our earliest Christian forebears. It emphasises the original balance between personal and communal prayer in such a way that our whole lives become the place where we continually offer our lives through Christ to the Father.

Profiles peculiar characters from biblical times to the present that have shaped the character of the Jewish people.

Henry Miller was one of the most distinctive voices in twentieth-century literature, yet he remains misunderstood. Better known in Europe than in his native America for most of his career, he achieved international success and celebrity during the 1960s when his banned “Paris” books—beginning with Tropic of Cancer—were published here and judged by the Supreme Court not to be obscene. The Unknown Henry Miller recounts Miller’s career from its beginnings in Paris in the 1930s but focuses on his years living in Big Sur, California, from 1944 to 1961, during which he wrote many of his most important books, including The Rosy Crucifixion trilogy, married and divorced twice, raised two children, painted watercolors, and tried to live out a credo of self-realization. Written with the cooperation of the Henry Miller and Anaïs Nin estates, The Unknown Henry Miller draws on material previously unavailable to biographers, including interviews with Lepska Warren, Miller’s third wife. Behind the “bad boy” image, Arthur Hoyle finds a man whose challenge of literary sexual taboos was part of a broader assault on the dehumanization of man and commercialization during the postwar years, and he makes the case for restoring this groundbreaking writer to his rightful place in the American literary canon. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

"By patient accumulation of anecdote and detail, Rustad evolves Shetler’s story into something much more human, and humanly tragic, into a layered inquisition and a reportorial force....suffice it to say Rustad has done what the best storytellers do: tried to track the story to its last twig and then stepped aside." —New York Times Book Review In the vein of Jon Krakauer's Into the Wild, a riveting work of narrative nonfiction centering on the unsolved disappearance of an American backpacker in India—one of at least two dozen tourists who have met a similar fate in the remote and storied Parvati Valley. For centuries, India has enthralled westerners looking for an exotic getaway, a brief immersion in yoga and meditation, or in rare cases, a true pilgrimage to find spiritual revelation. Justin Alexander Shetler, an inveterate traveler trained in wilderness survival, was one such seeker. In his early thirties Justin Alexander Shetler, quit his job at a tech startup and set out on a global journey: across the United States by motorcycle, then down to South America, and on to the Philippines, Thailand, and Nepal, in search of authentic experiences and meaningful encounters, while also documenting his travels on Instagram. His enigmatic character and magnetic personality gained him a devoted following who lived vicariously through his adventures. But the ever restless explorer was driven to pursue ever greater challenges, and greater risks, in what had become a personal quest—his own hero’s journey. In 2016, he made his way to the Parvati Valley, a remote and rugged corner of the Indian Himalayas steeped in mystical tradition yet shrouded in darkness and danger. There, he spent weeks studying under the guidance of a sadhu, an Indian holy man, living and meditating in a cave. At the end of August, accompanied by the sadhu, he set off on a “spiritual journey” to a holy lake—a journey from which he would never return. Lost in the Valley of Death is about one man’s search to find himself, in a country where for many westerners the path to spiritual enlightenment can prove fraught, even treacherous. But it is also a story about all of us and the ways, sometimes extreme, we seek fulfillment in life. Lost in the Valley of Death includes 16 pages of color photographs.