Mayhem In Memphis

The writers of Malice in Memphis understand that any time you get a big group of people together to go hog wild, there's a perfect opportunity for crime. Each of the tales in Mayhem in Memphis deals with murder or theft or some other action, polite - and not so polite - that society frowns on.Needless to say, the stories are fiction, and so are all the characters, but the settings are quite real.This is the fourth Malice in Memphis anthology of crime-ridden short stories set around the Memphis bluff.Read them all, why don't you?You'll have a blast.Contributing authors: Phyllis Appleby, Mary Balsamo, Kristi Bradley, Barbara Christopher, Juanita D. Houston, Larry Hoy, Lynn Maples, Carolyn McSparren, Elaine Meece, Geoffrey Meece, James C. Paavola, PhD, Jackie Ross Flaum, Angelyn Sherrod, and Dr. Susan Wooten.

Memphis gave birth to music that changed the world — Memphis Mayhem is a fascinating history of how music and culture collided to change the state of music forever “David Less has captured the essence of the Memphis music experience on these pages in no uncertain terms. There's truly no place like Memphis and this is the story of why that is. HAVE MERCY!” — Billy F Gibbons, ZZ Top Memphis Mayhem weaves the tale of the racial collision that led to a cultural, sociological, and musical revolution. David Less constructs a fascinating narrative of the city that has produced a startling array of talent, including Elvis Presley, B.B. King, Al Green, Otis Redding, Sister Rosetta Tharpe, Justin Timberlake, and so many more. Beginning with the 1870s yellow fever epidemics that created racial imbalance as wealthy whites fled the city, David Less moves from W.C. Handy’s codification of blues in 1909 to the mid-century advent of interracial musical acts like Booker T. & the M.G.’s, the birth of punk, and finally to the growth of a music tourism industry. Memphis Mayhem explores the city’s entire musical ecosystem, which includes studios, high school band instructors, clubs, record companies, family bands, pressing plants, instrument factories, and retail record outlets. Lively and comprehensive, this is a provocative story of finding common ground through music and creating a sound that would change the world.

A journey through Memphis’ troubled past: the shocking crimes and the brutal killings that led to it being dubbed the “Murder Capital of the World.” With its alluring hospitality, legendary cuisine and transcendent music, Memphis is truly a quintessential Southern city. But lurking behind the barbeque and blue suede shoes is a dark history checkered with violence and disarray. Revisit the mass murder of 1866 that took more than fifty lives, the infamous Alice Mitchell case of the 1890s and a string of unthinkable twentieth-century sins. Author and lifelong Memphian Teresa Simpson explores some of the River City’s most menacing crimes and notorious characters in this riveting ride back through the centuries. Includes photos!

Time Will Tell: Mayhem in Memphis unfolds the compelling narrative of Autumn a resilient young girl raised amidst the harsh realities of the mean streets of Memphis. Born into adversity, Autumn's life takes an unexpected turn as she faces a series of trials and tribulations that force her to confront the shadows of her past and navigate the uncertain path to her future. From the vibrant streets of Memphis to the mystic allure of New Orleans, Autumn's journey becomes a poignant exploration of survival, strength, and self-discovery. As she strives to break free from the chains of her tumultuous upbringing, Autumn discovers an unwavering determination within herself. Haunted by the echoes of her troubled past, Autumn finds solace in the rich tapestry of New Orleans, a city steeped in history, culture, and an undeniable sense of magic. Guided by mentors and unexpected allies, she begins to unearth the hidden potential within her, transcending the limitations imposed by her upbringing. As Autumn builds new relationships and embraces the diverse communities of both cities, she discovers the power of resilience and the ability to rewrite her own narrative. The story delves into themes of identity, love, and the transformative nature of human connection, painting a vivid picture of a young girl's triumph over adversity against the backdrop of two iconic American cities. Time Will Tell: Mayhem in Memphis is an emotionally charged tale of strength, redemption, and the indomitable spirit that can rise even from the darkest corners of life. Through Autumn's journey, the narrative invites readers to reflect on their own capacity for growth and the possibility of finding light in the midst of life's most challenging storms.

Twin sisters Tiffany and Tara were seperated at an early age. Both twins trying to make it in this Dog eat Dog world. Tiffany being raised by a mother who does not want her and Tara being raised in the streets. After mutual friends introduce them to each other, they bond and devise a plan to make major money whoring doing freak shows. However after Tara's friend Terry falls in love with Tiffany, tension, jealousy and hatred develops between Tara and Terry. Follow the Drama of Mayhem and Intrigue of the sub-culture of Freak shows as Tara has to decide to save her twin she may have to sacrifice their friendship or even her life

Memphis is a city that uses any excuse to party down.When times were hard after the Civil War, our response was to crank up the blues. When that nasty bug, the Boll Weevil, infested our lush fields of cotton, a group of tricksters put on boll weevil costumes and invaded parties, drank the hosts' bourbon, and danced with the ladies (whether they wanted to or not.)One week mid-May was chosen as a blow-out in praise of cotton and the money it brought to us. With the advent of other crops, however, the party became known merely as "Carnival." More recently it has expanded to laud the whole area during May, our last coolish month until October. Even with air conditioning, nobody can celebrate in high summertime down here.The stories in this anthology are centered loosely around this party that has kept our spirits up in one form or another through yellow fever epidemics, boom times and depressions, wartimes and peace times.The writers are members of our local mystery-writers group, Malice in Memphis. We understand that any time you get a big group of people together to go hog wild, there's a perfect opportunity for crime. Each of these tales deals with murder or theft or some other action, polite-and not so polite-that society frowns on. Needless to say, the stories are fiction, and so are all the characters.This is our fourth Malice in Memphis anthology of crime-ridden short stories set around the Memphis bluff. "Mayhem in Memphis" received the Imaginarium Convention's 2020 Imadjinn Award for Best Anthology.

'Judge for Yourself' is a series that presents in-depth accounts of the lives of historically important people. Extensive primary evidence is quoted, both for and against the subjects, and readers are invited to make their own judgement.

Red, Black, White is the first narrative history of the American communist movement in the South since Robin D. G. Kelley's groundbreaking Hammer and Hoe and the first to explore its key figures and actions beyond the 1930s. Written from the perspective of the district 17 (CPUSA) Reds who worked primarily in Alabama, it acquaints a new generation with the impact of the Great Depression on postwar black and white, young and old, urban and rural Americans. After the Scottsboro story broke on March 25, 1931, it was open season for old-fashioned lynchings, legal (courtroom) lynchings, and mob murder. In Alabama alone, twenty black men were known to have been murdered, and countless others, women included, were beaten, disabled, jailed, “disappeared,” or had their lives otherwise ruined between March 1931 and September 1935. In this collective biography, Mary Stanton—a noted chronicler of the left and of social justice movements in the South—explores the resources available to Depression-era Reds before the advent of the New Deal or the modern civil rights movement. What emerges from this narrative is a meaningful criterion by which to evaluate the Reds’ accomplishments. Through seven cases of the CPUSA (district 17) activity in the South, Stanton covers tortured notions of loyalty and betrayal, the cult of white southern womanhood, Christianity in all its iterations, and the scapegoating of African Americans, Jews, and communists. Yet this still is a story of how these groups fought back, and fought together, for social justice and change in a fractured region.