Mazzeri

It is the last summer of the twentieth century in Calvi, northern Corsica, and an old man sits watching the kites fly. The festival of the wind is a lively and colourful celebration, but the old man's heart is heavy, he has heard the Mazzeri whisper his name. He accepts that people prefer to believe the dream hunters belong to the past and yet he knows only too well that at night they still roam the maquis in search of the faces of those whose time has come. Ten years later in the high citadel of Bonifacio, in the southern tip of the island, Richard Ross, armed with only the faded photograph of a Legionnaire standing beneath a stone gateway, finds the locals curiously unwilling to help him uncover his family's roots. He rents a villa on the coast and meets the singularly beautiful Manou Pietri, who enchants him with tales of the megalithic isle, its folklore and the Mazzeri - the dream hunters. For a while Ric's life beneath the Corsican sun is as close to perfect as he could wish. Then a chance encounter with a feral boy turns Ric's life upside down, and he is drawn deep into a tangled web of lies and deceit. On an island where truth and legend meet, where murder is commonplace and most crimes go unsolved, only the Mazzeri know who will live... Set in Corsica, Mazzeri is a contemporary novel about this complex mediterranean island, its people and its traditions, which has been influenced by the author's own experiences.

One of the Mediterranean's most accessible, yet least spoilt islands, with some of its best beaches and most beautiful mountain scenery, Corsica is an increasingly popular holiday destination. This guide features detailed town write-ups, as well as fully up-to-date hotel and restaurant listings. This edition includes a new chapter on long-distance walks, including a full account of GR20 - regarded as Europe's leading haute route.

A study of vendetta and banditry, applying insights from the field of social anthropology.

Weaving early accounts of witchcraft—trial records, ecclesiastical tracts, folklore, and popular iconography—into new and startling patterns, Carlo Ginzburg presents in Ecstasies compelling evidence of a hidden shamanistic culture that flourished across Europe and in England for thousands of years.

From Ovid’s Lycaon to Professor Lupin, from Teen Wolf to An American Werewolf in Paris, the lycanthrope, or werewolf, comes to us frequently on the page and the silver screen. These interpretations often display lycanthropy as a curse, with the afflicted person becoming an uncontrollable, feral beast during every full moon. But this is just one version of the werewolf—its origins can be traced back thousands of years to early prehistory, and everything from Iron Age bog bodies and Roman gods to people such as Joan of Arc, Adolf Hitler, and Sigmund Freud feature in its story. Exploring the role of this odd assortment of ideas and people in the myth, The White Devil tracks the development of the werewolf from its birth to the present day, seeking to understand why the wolf curse continues to hold a firm grip on the modern imagination. Combining early death and burial rites, mythology, folklore, archaeological evidence, and local superstitions, Matthew Beresford explains that the werewolf has long been present in the beliefs and mythology of the many cultures of Europe. He examines prehistoric wolf cults, the use of the wolf as a symbol of ancient Rome, medieval werewolf executions, and the eradication of wolves by authorities in England during the Anglo-Saxon period. He also surveys werewolf trials, medical explanations, and alleged sightings, as well as the instances in which lycanthropes appear in literature and film. With sixty illustrations of these often terrifying—but sometimes noble—beasts, The White Deviloffers a new understanding of the survival of the werewolf in European culture.

In 1691, a Livonian peasant known as Old Thiess boldly announced before a district court that he was a werewolf. Yet far from being a diabolical monster, he insisted, he was one of the “hounds of God,” fierce guardians who battled sorcerers, witches, and even Satan to protect the fields, flocks, and humanity—a baffling claim that attracted the notice of the judges then and still commands attention from historians today. In this book, eminent scholars Carlo Ginzburg and Bruce Lincoln offer a uniquely comparative look at the trial and startling testimony of Old Thiess. They present the first English translation of the trial transcript, in which the man’s own voice can be heard, before turning to subsequent analyses of the event, which range from efforts to connect Old Thiess to shamanistic practices to the argument that he was reacting against cruel stereotypes of the “Livonian werewolf” a Germanic elite used to justify their rule over the Baltic peasantry. As Ginzburg and Lincoln debate their own and others’ perspectives, they also reflect on broader issues of historical theory, method, and politics. Part source text of the trial, part discussion of historians’ thoughts on the case, and part dialogue over the merits and perils of their different methodological approaches, Old Thiess, a Livonian Werewolf opens up fresh insight into a remarkable historical occurrence and, through it, the very discipline of history itself.

The confessions of Isobel Gowdie are widely recognised as the most extraordinary on record in Britain. Using historical, psychological, comparative religious and anthropological perspectives, this book sets out to separate the voice of Isobel Gowdie from that of her interrogators.

'Get away from here before you're completely bewitched and enslaved...' Dorothy Carrington was told, while sitting in a fisherman's cafe at the magically quiet midday hour. But enslaved she was. GRANITE ISLAND, much more than a travel book, grew out of years spent in Corsica and is an incomparably vivid and delightful portrait. For the first time Corsica is brought to light as a vital element in Europe: a highly individualistic island culture whose people have nurtured their love of freedom and political justice, as well as their pride, hospitality and poetry.