Meanings And Functions Of The Ruler S Image In The Mediterranean World 11th 15th Centuries

(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.

The book investigates, from different methodological viewpoints, the multiple ways in which medieval rulers in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media.

This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.

The ongoing debates on the present state and the future of the Roman Catholic worship are not confined to specialists, but are clearly of interest to a wider public, as the responses to the Sacra Liturgia UK conference, held in London in July 2016, have shown. This volume contains the proceedings of the conference and raises the question of how to bring to fruition the insights and instructions of the Second Vatican Council and its key document on the liturgy, Sacrosanctum Concilium, in the life of the Church today. The initial contribution from Robert Cardinal Sarah, Prefect of the Congregation for Divine Worship and the Sacraments, calls for a fuller implementation of Sacrosanctum Concilium. Following on from this other leading figures and liturgical scholars, such as Joris Geldhof, David Fagerberg and Alcuin Reid, examine Catholic worship from a variety of perspectives, including historical, pastoral, social, cultural and artistic themes. Taken together, these chapters present another crucial step along the route of authentic liturgical renewal in the contemporary world.

Contributions by 34 scholars are brought together here to create a volume in honor of the long and fruitful career of Guenter Kopcke who is the Avalon Foundation Professor in the Humanities at the Institute of Fine Arts, New York University. Articles pertain to various topics on the ancient art, architecture, and archaeology of the greater Eastern Mediterranean region: from Pre-Dynastic Egypt to the Bronze Age Aegean and Anatolia, Cyprus and the Near East, and Etruscan Italy.

The first comprehensive multidisciplinary analysis of rural cult centres in the Hauran (southern Syria) from the pre-Roman to the Roman period (100 BC-AD 300). This volume re-evaluates the significance of contacts between the elite of the Hauran and other cultures of the Near East in shaping cult sites.

From about 2000 BCE onward, Egypt served as an important nexus for cultural exchange in the eastern Mediterranean, importing and exporting not just wares but also new artistic techniques and styles. Egyptian, Greek, and Roman craftsmen imitated one another’s work, creating cultural and artistic hybrids that transcended a single tradition. Yet in spite of the remarkable artistic production that resulted from these interchanges, the complex vicissitudes of exchange between Egypt and the Classical world over the course of nearly 2500 years have not been comprehensively explored in a major exhibition or publication in the United States. It is precisely this aspect of Egypt’s history, however, that Beyond the Nile uncovers. Renowned scholars have come together to provide compelling analyses of the constantly evolving dynamics of cultural exchange, first between Egyptians and Greeks—during the Bronze Age, then the Archaic and Classical periods of Greece, and finally Ptolemaic Egypt—and later, when Egypt passed to Roman rule with the defeat of Cleopatra. Beyond the Nile, a milestone publication issued on the occasion of a major international exhibition, will become an indispensable contribution to the field. With gorgeous photographs of more than two hundred rare objects, including frescoes, statues, obelisks, jewelry, papyri, pottery, and coins, this volume offers an essential and inter-disciplinary approach to the rich world of artistic cross-pollination during antiquity.

In this latest addition to the esteemed Anchor Bible series, scholar Gary Knoppers examines one of the most neglected books of the Hebrew Bible and establishes its importance to understanding the nation of Israel. What was the place of the monarchy in the history of ancient Israel? Was Israel's first king Saul a hero or a disaster? Was David a highly gifted leader and accomplished king or a murderer and a cheat? Did Solomon preside over the most glorious epoch in Israelite history or did he lead the nation into a fateful decline? Knoppers show how the Bible itself contains a variety of fascinating perspectives on major events and characters. One of the most misunderstood books of the Bible, Chronicles presents a distinctive and important viewpoint on much of Israel's past, especially the monarchy. Knoppers shows how Chronicles defends the transition from Saul to David and upholds the Davidic-Solomonic monarchy as a time of incomparable Israelite achievement and glory, a period in which the nation's most important public institutions--the Davidic dynasty, the Jerusalem Temple, the priests, and the Levites--took formative shape. I Chronicles 10-29, part of a two-volume set on I Chronicles, is the first to employ systematically the witness of the Dead Sea Scrolls to reconstruct the biblical author's text. Knoppers shows how Chronicles is related to and creatively drawn from many earlier biblical books and presents a fascinating look at its connections in both compositional style and approach to historical writings attested in ancient Mesopotamia and classical Greece.