Medelhavsmuseet

The Mediterranean, or 'Middle Sea', has long been regarded as the symbolic centre of European civilization. The binding water between Turkey, the Middle East, the trading communities of North Africa, and the European powerhouses Italy, France and Greece, a history of this sea is a new and vital way of understanding the history of the societies which have flourished in the region. The Islands of the Eastern Mediterranean charts the story of the water as both connector and border, and analyses the islands role in world history. Covering Mehmed II's efforts to conquer the old Roman Empire, through to the claims of Rhodes and the role of the Aegean Islands in Ottoman international relations, to the British in Cyprus and the present-day tensions, this book's interconnected essays from leading scholars form a tapestry of knowledge. Together, they represent a new frontier in the way in which we look at sea histories. This will become essential reading for scholars of History, International Relations, Trade and Migration.

This book examines the depictions of anthropomorphised animals found on ostraca and papyri from Deir el-Medina and considers their narrative and artistic purpose within the religious environment of New Kingdom Thebes.

This volume collects papers from the symposium 'Body, Cosmos and Eternity: the Symbolism of Coffins in Ancient Egypt', convened at the historical building of the University of Port, February 2013.

Archaeological remains are ‘fragmented by definition’: apart from exceptional cases, the study of the human past takes into account mainly traces, ruins, discards, and debris of past civilizations. It is rare that things have been preserved as they were originally made and conceived in the past. However, not all the ancient fragmentary objects were the ‘leftovers’ from the past. A noticeable portion of them was part and parcel of the ancient materiality already in the form of a fragment or damaged item. In 2000, John Chapman, with his volume Fragmentation in Archaeology, attracted the attention of scholars on the need to reconsider broken artifacts as the result of the deliberate anthropic process of physical fragmentation. The phenomenon of fragmentation can be thus explored with more outcomes for a category of objects that played an important role inside the society: the figurines. Due to their portability and size, figurines are particularly entangled and engaged in social, spatial, temporal, and material relations, and – more than other artifacts – can easily accommodate acts of embodiment and dismemberment. The act of creation symmetrically also involves the act of destruction, which in turn is another act of creation, since from the fragmentation comes a new entity with a different ontology. Breaking contains the paradigms of life: creation and reparation, destruction and regeneration. The scope of this volume is to search for traces of any voluntary and intentional fragmentation of ancient artifacts, creating, improving, and sharpening the methods and principles for a scientific investigation that goes beyond single author impression or sensitivity. The comparative lens adopted in this volume can allow the reader to explore different fields taken from ancient societies of how we can address, assess, detect, and even discuss the action of breaking and mutilation of ancient figurines.

One of the remarkable anomalies of Egyptian History is that the source material for the study of one of the country's principal settlements sites and one of the greatest cities of antiquity-Memphis-is comparatively scarce. The Memphite cemeteries, however, have yielded up masses of material, particularly for the Archaic Period and the Old Kingdom. In the New Kingdom, with which we are concerned in this volume, Memphis was a city of immense administrative and cultural importance, as well as being the seat of the royal court, and there seems little reason to doubt that many of the great officials and courtiers of the Eighteenth, Nineteenth, and to some extent the Twentieth Dynasties were buried in Saqqara, the Memphite necropolis.