Media Power In Indonesia

Examines the Indonesian media industry in the digital era, examining contemporary 'battlefields' between media owners and ordinary citizens.

h2 style="page-break-after:avoid"Examines the Indonesian media industry in the digital era, examining contemporary ‘battlefields’ between media owners and ordinary citizens.

This book demonstrates the crucial link between gender and structures of power in democratic Indonesia, and the role of the online news media in regulating this relationship of power. Using critical discourse analysis (CDA) as a theoretical framework, and social actor analysis as the methodological approach, this book examines the discursive representation of three prominent female Indonesian political figures in the mainstream Indonesian online news media in a period of social-political transition. It presents newfound linguistic evidence in the form of discourse strategies that reflect the women’s dynamic relationship with power. More broadly, the critical analysis of the news discourse becomes a way of uncovering and evaluating implicit barriers and opportunities affecting women’s political participation in Indonesia and other Asian political contexts, Indonesia’s process of democratisation, and the influential role of the online news media in shaping and reflecting political discourse.

Few general books are currently available on Indonesia despite its enormous human and economic resources. Hence the importance of this book, which offeres the latest research of internationally respected scholars with extensive first-hand experience in the archipelago. Their particular concern is with the realities of power and the patterns of communication in a society distinguished by both its poverty and its great potential. The contributors to the volume span a wide spectrum of viewpoints, and present various interpretation of Indonesian society. Taken together, however, the essays support the thesis that Indonesia is a "bureaucratic polity"--a political system in which power is hierarchically organized, influence is monopolized by an official elite, and individuals outside officialdom have little effect on events. These authorities examine in depth such subjects as the role of the military, the impact of bureaucracy, the importance of political parties, the character of the mass media, and the direction of economic development as well as other matters essential for an understanding of current development in the country. Political Power and Communications in Indonesia is addressed not only to students of Indonesia or specialists in comparative politics and political development but quite as directly to persons seeking basic information about an extremely interesting and complex society. Its broad coverage makes it a veritable handbook about how government functions in Indonesia. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

Media, Culture, and Politics in Indonesia is about the institutions and policies that determine what Indonesians write, read, watch, and hear. It covers the print media, broadcast radio and television, computers and the internet, videos, films and music. This book argues that the texts of the media can be understood in two broad ways: 1. as records of a "national" culture and political hegemony constructed by Suharto's New Order and 2. as contradictory, dissident, political and cultural aspirations that reflect the anxieties and preoccupations of Indonesian citizens. Media, Culture, and Politics, now brought back to life as a member of Equinox Publishing's Classic Indonesia series, explains what has escaped state control, not only by self-conscious resistance, but also because of the ownership patterns, technologies, and modes of consumption of media texts and institutions. The role of the media in the downfall of Suharto is examined and the legacy of his New Order is analyzed. This dynamic and innovative text is suitable for all students of Indonesian languages and culture, Asian studies, Southeast Asian studies, cultural studies, media studies, and contemporary politics. Krishna Sen is Professor of Asian Media and Dean of the Humanities Research Centre at Curtin University of Technology, Perth, Western Australia David T. Hill is Professor of Southeast Asian Studies and Fellow of the Asia Research Centre, Murdoch University, Perth, Western Australia

Every political aspirant and activist knows the media are important. But there is little agreement on how an increasingly diversified media operate in post-authoritarian transitions and how they might promote, or impede, the pathways to a sustainable liberal democracy in the 21st century. This book examines the role of the media during Indonesia’s longest experiment with democratisation. It addresses two important and related questions: how is the media being transformed, both in terms of its structure and content, by the changing political economy of Indonesia after the fall of Suharto? And what is the potential impact of this media in enabling or hampering the development of democracy in Indonesia? The book explores the relation between the working of democratisation, by examining the role of ethnic identity and nationalism; increasingly cheaper and diversified means of media production, challenging state monopolies of the media; the reality of personalised and globalised media; and the challenging of the connection between a free media and democracy by global capitalism and corporate control of the media. The book argues that the dominant forces transforming Indonesia today did not arise from the singular point of Suharto’s resignation, but from a set of factors which are independent from, but linked to, Indonesia’s internal politics and which shape its cultural industries.

This book takes an ethnographic approach to discuss the policy practices within China’s broadcasting industry. Exploring the gap between the contemporary policy regime and its implementation in national broadcasters and streaming services, taking into account the interplay between broadcasters, political bodies, producers and audiences, Zhu explains the contemporary role of Chinese national broadcasters in mediating the public discourse, the collective reimagining of China’s national identity, and the newly-found policy initiative of using state media as a means of nation branding. Cases investigated include China Central Television (CCTV) Documentary, China Global Television Network (CGTN), and the Shanghai Media Group (SMG), as well as co-productions made by CCTV and international media firms, including the BBC, Discovery and the Japan Broadcasting Corporation (NHK), in a book that will interest scholars of Chinese politics, media studies, and sociology.