Media Representations Of Homosexuality

Roger A. Sneed offers an alternative approach to black homosexuality for black religious scholars who have traditionally viewed homosexuality as a problem. Instead, by drawing on a range of black gay writers, Representations of Homosexuality points black religious scholarship towards an ethics of openness.

A half century ago gay men and lesbians were all but invisible in the media and, in turn, popular culture. With the lesbian and gay liberation movement came a profoundly new sense of homosexual community and empowerment and the emergence of gay people onto the media's stage. And yet even as the mass media have been shifting the terms of our public conversation toward a greater acknowledgment of diversity, does the emerging "visibility" of gay men and women do justice to the complexity and variety of their experience? Or is gay identity manipulated and contrived by media that are unwilling—and perhaps unable—to fully comprehend and honor it? While positive representations of gays and lesbians are a cautious step in the right direction, media expert Larry Gross argues that the entertainment and news media betray a lingering inability to break free from proscribed limitations in order to embrace the complex reality of gay identity. While noting major advances, like the opening of the Oscar Wilde Memorial Bookstore—the first gay bookstore in the country—or the rise of The Advocate from small newsletter to influential national paper, Gross takes the measure of somewhat more ambiguous milestones, like the first lesbian kiss on television or the first gay character in a newspaper comic strip.

From "Perverts" to "Fab Five" tracks the dramatic change in how the American media has depicted gay people. The media, Streitmatter argues, has not merely reflected the American public's shift to a more enlightened view of gay people, but they have been instrumental in propelling that change.

Seminar paper from the year 2005 in the subject Communications - Movies and Television, grade: 1,0, University of St. Thomas, course: Communication Studies 340, language: English, abstract: Queer Eye for the Straight Guy (hereafter Queer Eye) is a television series which was first aired in July 2003 on Bravo Cable Network. Basically, the main content of each episode is that five gay men, each of them an expert in their field, make over a person, most often a straight man, for a special occasion, such as a proposal to a girlfriend or even a wedding. The series was an instant, and somewhat unexpected, success. It is especially remarkable for the way homosexual and heterosexual men are presented. My paper raises, and partially answers, questions such as: What is so different here about the way sexual orientation is presented? Through which symbols is homosexuality conveyed? and, What might be the effect of these representations on the audience? I argue that even though the symbols and stereotypes have not changed, their implications on Queer Eye make them a more positive representation of homosexuality than ever before seen on television. In order to understand why Queer Eye is revolutionary, I will first give a short overview about the presentation of homosexuality on television in the past five decades. After that I depict the symbols, and particularly visual and aural symbols, through which homosexuality is conveyed in the show by giving specific examples from single episodes. Then I describe the stereotypes which are presented on Queer Eye, followed by the influence of these representations of homosexuality on the audience.

“Tillie Walden is the future of comics, and On a Sunbeam is her best work yet. It’s a ‘space’ story unlike any you’ve ever read, with a rich, lived-in universe of complex characters.” —Brian K. Vaughan, Saga and Paper Girls Two timelines. Second chances. One love. A ragtag crew travels to the deepest reaches of space, rebuilding beautiful, broken structures to piece the past together. Two girls meet in boarding school and fall deeply in love—only to learn the pain of loss. With interwoven timelines and stunning art, award-winning graphic novelist Tillie Walden creates an inventive world, breathtaking romance, and an epic quest for love. LA Times Festival of Books 2018 Book Prize Winner, Graphic Novel/Comics A Publisher's Weekly Best Book of 2018 One of The Washington Post's "10 Best Graphic Novels of 2018" A School Library Journal Best Book of 2018 A YALSA Top Ten Great Graphic Novel A 2019 Hugo Award Nominee, Best Graphic Story A Harvey Award Nominee, Book of the Year A Harvey Award Nominee, Best Children's or Young Adult Book

Queer Media Images: LGBT Perspectives presents fifteen chapters that address how the gay, lesbian, bisexual, and transgendered communities are depicted in the media. This collection focuses on how the LGBT community has been silenced or given voice through the media. Through a study of queer media images, this book scrutinizes LGBT media representations and how these representations contribute to a dialogue about civil rights for this marginalized community. While the communication discipline has been open to the LGBT community, there has been an absence of published research and a marginalizing or tokenizing of the queer voice. Through a study of media representations, this unique collection provides a snapshot into the issues surrounding LGBT identity during a time when the Defense of Marriage Act is called into question and explores what it means to study images through a queer lens.