Medieval Iberian Crusade Fiction And The Mediterranean World

Reading crusader fiction against the backdrop of Mediterranean history, this book explains how Iberian authors reimagined the idea of crusade through the lens of Iberian geopolitics and social history. The crusades transformed Mediterranean history and inaugurated complex engagements between Western Europe, the Balkans, North Africa, and the Middle East in ways that endure to this day. Narratives of crusades powerfully shaped European thinking about the East and continue to influence the representation of interactions between Christian and Muslim states in the region. The crusade, a French idea that gave rise to Iberian, North African, and Levantine campaigns, was very much a Mediterranean phenomenon. French and English authors wrote itineraries in the Holy Land, chronicles of the crusades, and fanciful accounts of Christian knights who championed the Latin Church in the East. This study aims to explore the ways in which Iberian authors imagined their role in the culture of crusade, both as participants and interpreters of narrative traditions of the crusading world from north of the Pyrenees.

In The Cutting Edge of the Poet’s Sword Osman Latiff assesses anti-Frankish Muslim poetry during the crusades, specifically the topic of faḍāʾil al-Quds (‘merits of Jerusalem’) and jihād as they relate to the occupation and reconquest of Jerusalem.

The Book of the Knight Zifar (or Cifar), Spain's first novel of chivalry, is the tale of a virtuous but unfortunate knight who has fallen from grace and must seek redemption through suffering and good deeds. Because of a curse that repeatedly deprives him of that most important of knightly accoutrements -- his horse -- Zifar and his family must flee their native India and wander through distant lands seeking to regain their rank and fortune. A series of mishaps divides the family, and the novel follows their separate adventures -- alternatively heroic, comic, and miraculous -- until at length they are reunited and their honor restored. The anonymous author of Zifar based his early fourteenth-century novel on the medieval story of the life of St. Eustacius, but onto this trunk he grafted a surprising variety of narrative types: Oriental tales of romance and magic, biblical stories, moralizing fables popular since the Middle Ages, including several from Aesop, and instructions in the rules of proper knightly conduct. Humor in the form of puns, jokes, and old proverbs also runs through the novel. In particular, the foolish/wise Knave offers a comic contrast to the heroic Knight, whom he must continually rescue through the application of common sense. Zifar was to have an important influence on later Spanish literature, and perhaps on Cervantes' great tale of a knight and his squire, Don Quixote. All those with an interest in Spanish literature and medieval life will be grateful for Mr. Nelson's excellent translation, which brings to life this extraordinary early novel.

A finalist for World Magazine's Book of the Year! Scholars, journalists, and even politicians uphold Muslim-ruled medieval Spain—"al-Andalus"—as a multicultural paradise, a place where Muslims, Christians, and Jews lived in harmony. There is only one problem with this widely accepted account: it is a myth. In this groundbreaking book, Northwestern University scholar Darío Fernández-Morera tells the full story of Islamic Spain. The Myth of the Andalusian Paradise shines light on hidden history by drawing on an abundance of primary sources that scholars have ignored, as well as archaeological evidence only recently unearthed. This supposed beacon of peaceful coexistence began, of course, with the Islamic Caliphate's conquest of Spain. Far from a land of religious tolerance, Islamic Spain was marked by religious and therefore cultural repression in all areas of life and the marginalization of Christians and other groups—all this in the service of social control by autocratic rulers and a class of religious authorities. The Myth of the Andalusian Paradise provides a desperately needed reassessment of medieval Spain. As professors, politicians, and pundits continue to celebrate Islamic Spain for its "multiculturalism" and "diversity," Fernández-Morera sets the historical record straight—showing that a politically useful myth is a myth nonetheless.

Why did capitalism and colonialism arise in Europe and not elsewhere? Why were parliamentarian and democratic forms of government founded there? What factors led to Europe’s unique position in shaping the world? Thoroughly researched and persuasively argued, Why Europe? tackles these classic questions with illuminating results. Michael Mitterauer traces the roots of Europe’s singularity to the medieval era, specifically to developments in agriculture. While most historians have located the beginning of Europe’s special path in the rise of state power in the modern era, Mitterauer establishes its origins in rye and oats. These new crops played a decisive role in remaking the European family, he contends, spurring the rise of individualism and softening the constraints of patriarchy. Mitterauer reaches these conclusions by comparing Europe with other cultures, especially China and the Islamic world, while surveying the most important characteristics of European society as they took shape from the decline of the Roman empire to the invention of the printing press. Along the way, Why Europe? offers up a dazzling series of novel hypotheses to explain the unique evolution of European culture.

An innovative study which explores how the presence of Muslim communities transformed Europe and stimulated Christian society to define itself.

From the bestselling author of The Templars. 'Voyages, battles, sieges and slaughter: Dan Jones's tumultuous and thrilling history of the crusades is one of the best' SUNDAY TIMES. 'A powerful story brilliantly told. Dan Jones writes with pace, wit and insight' HELEN CASTOR. 'A fresh and vibrant account of a conflict that raged across medieval centuries' JONATHAN PHILLIPS. Dan Jones, best-selling chronicler of the Middle Ages, turns his attention to the history of the Crusades – the sequence of religious wars fought between the late eleventh century and late medieval periods, in which armies from European Christian states attempted to wrest the Holy Land from Islamic rule, and which have left an enduring imprint on relations between the Muslim world and the West. From the preaching of the First Crusade by Pope Urban II in 1095 to the loss of the last crusader outpost in the Levant in 1302-03, and from the taking of Jerusalem from the Fatimids in 1099 to the fall of Acre to the Mamluks in 1291, Crusaders tells a tale soaked in Islamic, Christian and Jewish blood, peopled by extraordinary characters, and characterised by both low ambition and high principle. Dan Jones is a master of popular narrative history, with the priceless ability to write page-turning narrative history underpinned by authoritative scholarship. Never before has the era of the Crusades been depicted in such bright and striking colours, or their story told with such gusto. PRAISE FOR THE TEMPLARS: 'A fresh, muscular and compelling history of the ultimate military-religious crusading order, combining sensible scholarship with narrative swagger' SIMON SEBAG MONTEFIORE. 'Dan Jones has created a gripping page-turner out of the dramatic history of the Templars' PHILIPPA GREGORY. 'The story of the Templars, the ultimate holy warriors, is an extraordinary saga of fanaticism, bravery, treachery and betrayal, and in Dan Jones they have a worthy chronicler. The Templars is a wonderful book!' BERNARD CORNWELL. 'Told with all Jones's usual verve and panache, this is a dramatic and gripping tale of courage and stupidity, faith and betrayal' MAIL ON SUNDAY. 'This is another triumphant tale from a historian who writes as addictively as any page-turning novelist' OBSERVER. 'The Templars is exhilarating, epic, sword-swinging history' TLS. 'Jones carries the Templars through the crusades with clarity and verve. This is unabashed narrative history, fast-paced and full of incident... Jones tells their story extremely well' SUNDAY TIMES.