Medieval Jerusalem

A compelling consideration of Jerusalem during the formative period of Islamic civilization

An original study of the political, religious and literary uses of representations of the holy city in the fourteenth century.

What do the bursar of Eton College, a canon of Mainz Cathedral, a young knight from near Cologne, and a Kentish nobleman's chaplain have in common? Two Germans, residents of the Holy Roman Empire, and two Englishmen, just as the western horizons of the known world were beginning to expand. These four men - William Wey, Bernhard von Breydenbach, Arnold von Harff, and Thomas Larke - are amongst the thousands of western Christians who undertook the arduous journey to the Holy Land in the decades immediately before the Reformation. More importantly, they are members of a much more select group: those who left written accounts of their travels, for the journey to Jerusalem in the late Middle Ages took place not only in the physical world, but also in the mind and on the page. Pilgrim authors contended in different ways with the collision between fifteenth-century reality and the static textual Jerusalem, as they encountered the genuinely multi-religious Middle East. This book examines the international literary phenomenon of the Jerusalem pilgrimage through the prism of these four writers. It explores the process of collective and individual identity construction, as pilgrims came into contact with members of other religious traditions in the course of the expression of their own; engages with the uneasy relationship between curiosity and pilgrimage; and investigates both the relevance of genre and the advent of print to the development of pilgrimage writing. Ultimately pilgrimage is revealed as a conceptual space with a near-liturgical status, unrestricted by geographical boundaries and accessible both literally and virtually.

Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithstanding often devastating circumstances—from the earthquake of 1033 to the fierce battles of the Crusades. So strong a magnet was Jerusalem that it drew out the creative imagination of even those separated from it by great distance, from as far north as Scandinavia to as far east as present-day China. This publication is the first to define these four centuries as a singularly creative moment in a singularly complex city. Through absorbing essays and incisive discussions of nearly 200 works of art, Jerusalem, 1000–1400: Every People Under Heaven explores not only the meaning of the city to its many faiths and its importance as a destination for tourists and pilgrims but also the aesthetic strands that enhanced and enlivened the medieval city that served as the crossroads of the known world.

"Medieval Jerusalem and Islamic Worship" provides fascinating new information about the Muslim holy places in Jerusalem, rituals and pilgrimage to these places during the early Muslim period. It is based primarily on early primary Arabic sources, many of which have not yet been published.

Paints a panorama of Jerusalem in all her glory, from medieval times and the era of the Crusaders, through the poverty-stricken Jewish communities of the last centuries and their strength and heroism, ending with a look at Jerusalem today. Carefully researched, with stories, biographies, an index, charts, and photographs.

Medieval Jerusalem and Islamic Worship treats of the holy sites of the Muslims in Jerusalem and the ceremonies and pilgrimage to these places during the early Muslim period. It is based primarily on primary Arabic sources, some of which have been used for the first time. Emphasis is given to the works of “Literature in Praise of Jerusalem”, an important and unique source for the history and topography of the city. Many of the topics in this book have never been dealt with before, e.g. the detailed description of the first known guide for the Muslim pilgrim to Jerusalem, that dates from the 11th century, and the supplementary discussion of the 16th-century guide. Both guides are still in manuscript and have never been published.

Miriam Goldstein examines the commentary on the Pentateuch authored in the late tenth century by Yusuf ibn Nuh, a leader of the Karaite scholarly community in Jerusalem, and revised and updated by his student Abu al-Faraj Harun. Goldstein examines the work ́s historical background and reception, as well as its exegetical method, a combination of traditional Jewish techniques with methods inspired by the Arabic-Islamic environment. The resulting examination serves as a general introduction to the Karaite school of Judeo-Arabic exegesis (10th/11th c. C.E.), a crucial link between traditional rabbinic literature and the Jewish Bible exegesis of Europe. This book is intended for students of the Bible and biblical exegesis and of medieval Jewish and Middle Eastern history, as well as those simply curious to learn more about this vibrant period of creative composition in Judeo-Arabic.