Medievalia Et Humanistica No 47

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 47 showcases a variety of transnational and translingual perspectives, analyzing the works of humanist authors from across Europe, and how language can affect the interpretation of the literature. It expands beyond the Eurocentric appraisal of medieval works and takes into consideration a broader response.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 46 is a special issue presenting the results of an international conference on the Latin Josephus, which was held at the University of Bochum, Germany, in September 2019. It comprises six articles on a wide variety of aspects of the Latin Josephus tradition and a review of a recently published edition of Josephus’s De Bello Iudaico, book 1.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 44 showcases the interdisciplinary nature of the series with articles on the role of women in Old English martyrology, the blending of sacred and mundane subjects in medieval biblical plays (Spiele), the relationship between reality and literary topoi in the humanist praise of cities (Städtelob), and reflections on the absence of the bull in early modern European discourse. Volume 44 also includes five review notices that illustrate the journal’s interdisciplinary scope.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 49 contains four articles ranging from medieval literature (discovery of the Self in the twelfth century) and philosophy (reception of Moses Maimonides in Latin) to Humanist poetry (Boccaccio on leisure) and panegyrics (Nagonio on Henry VII and Prince Arthur, with an appendix containing a couple of poems hitherto unedited, along with an English translation). In addition, there are five book reviews which cover various epochs, genres, and discourses.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Medievalia et Humanistica Editorial Board and Submissions Guidelines

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 42 showcases the interdisciplinary nature of the series with articles on late fifteenth century travel literature (Hans von Waltheym), the fourteenth century reception of a pagan tragedy (Chaucer’s Alexander the Great and the Monk’s Tale), the individuality of the heroes in the Middle English romance Amis and Amiloun, and the emergence of religious language in the Reformation period (Ulrich von Hutten). Volume 42 also includes nine review notices that illustrate the journal’s interdisciplinary scope.

Clogan (English, U. North Texas and fellow of the American Academy in Rome) has brought together five articles that consider the question of reading and the reader in the Roman de la Rose, The Wife's Lament, the Pearl, the work of Jean Gerson, Christine de Pizan, and the Iberian writer and scholar Don Ishaq Abravanel. The last third of the volume contains reviews. c. Book News Inc.