Medievalism In England Ii

Twelve essays discuss how the middle ages are reflected in English culture from the sixteenth century to the present day.

Annual volumes of interdisciplinary investigation of the influence of the middle ages on modern Western society and culture in a variety of areas, a field of increasing scholarly preoccupation.

Medieval England presents the political and cultural development of English society from the Norman Conquest to the end of the Wars of the Roses. It is a story of change, progress, setback, and consolidation, with England emerging as a wealthy and stable country, many of whose essential features were to remain unchanged until the Industrial Revolution. Edmund King traces his chronicle through the lives of successive monarchs, the inescapable central thread of that epoch. The momentous events of the times are also recreated, from the compiling of the Domesday Book, through the wars with the Scots, the Welsh, and the French, to the Peasants' Revolt and the disastrous Black Death.

Cover page -- Halftitle page -- Title page -- Copyright page -- Dedication -- Contents -- Illustrations -- Preface -- Acknowledgements -- Chronology -- Introduction -- Plates -- chapter 1 The Advent of the Goths the medieval in the 1760s -- chapter 2 Chivalry, Romances and Revival chaucer into scott: the lay of the last minstrel and ivanhoe -- chapter 3 Dim Religious Lights the lay, christabel and 'the eve of st agnes' -- chapter 4 'Residences for the Poor' the pugin of contrasts -- chapter 5 Back to the Future in the 1840s carlyle, ruskin, sybil, newman -- chapter 6 'The Death of Arthur was the Favourite Volume' malory into tennyson -- chapter 7 History, the Revival and the PRB westminster, ivanhoe, visions and revisions -- chapter 8 History and Legend the subjects of poetry and painting -- chapter 9 The Working Men and the Common Good madox brown, maurice, morris, hopkins -- chapter 10 Among the Lilies and the Weeds hopkins, whistler, burne-jones, beardsley -- chapter 11 'I Have Seen ... A White Horse' chesterton, yeats, ford, pound -- chapter 12 Modernist Medievalism eliot, pound, jones -- chapter 13 Twentieth-century Christendom waugh, auden, inklings, hill -- epilogue 'Riding through the glen' -- Notes -- Bibliography -- Index

This anthology brings together medieval documents and narratives illustrative of the political, social, economic, and cultural history of England during the Middle Ages. Authors and subjects included are both secular and clerical, male and female, mighty and low. Along with classic texts, such as the Domesday Book and Magna Carta, the collection also contains materials on less frequently addressed topics, such as the persecution of Jews, and the writings of a number of women, such as Margery of Kempe and Queen Isabella of Angoul?me.

Explains the methods and knowledge to understand how and why paper was used in medieval writing and beyond.

Middle English devotional compilations – consisting of a series of texts or extracts of texts that have intentionally been put together to constitute new and unified devotional texts – have often been approached as complex collections of source texts that need to be linked with their originals. This book argues that the study of compilations should move beyond the disentanglement of their sources. It approaches compiling as a literary activity and an active way of shaping the medieval text, with the aim to nuance scholarly discussion about compiling by putting greater emphasis on the literary instead of the technical aspects of compiling activity. In addition to describing the additions, omissions and other types of adaptations that compilers made to their source texts, Middle English Devotional Compilations highlights the nature and function of compiling activity in late medieval England, and examines three major but understudied Middle English devotional compilations in depth: The Pore Caitif, The Tretyse of Love and A Talkyng of the Love of God.

Uses the life of Richard I to argue that medieval England's public talk was essential to the production of texts and was a fundamental part of the transmission and reception of literature.