Meiji Modern

This is an insightful and intelligent re-thinking of Japanese art history & its Western influences. This broad-ranging and profoundly influential analysis describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century. In the 1870-80s, artists and government administrators in Japan encountered the Western 'system of the arts' for the first time. Under pressure to exhibit and sell its artistic products abroad, Japan's new Meiji government came face-to-face with the need to create European-style art schools and museums - and even to establish Japanese words for art, painting, artist, and sculpture. "Modern Japanese Art" is a full re-conceptualization of the field of Japanese art history, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.

The Meji Japanese Who Made Modern Taiwan describes the story of Japan's involvement and administration of Taiwan in the pre-war era, with a focus on the period from 1895, when Taiwan was made a part of the Japanese Empire, to 1945, when the Pacific War ended. It introduces the policies pursued and equally important, the personalities, philosophies, and ambitions of the administrators, engineers, and technicians behind those policies. In particular, the unique thinking, leadership styles, and contributions of Kodama Gentaro, Goto Shinpei, Hatta Yoichi, Iso Eikichi, and Sugiyama Tatsumaru, among others who contributed to the development of modern Taiwan, are introduced in great detail. Their accomplishments remain with Taiwan today, which helps explain the extremely close relationship between Taiwan (officially known as the Republic of China) and Japan maintain today.

In the late Nineteenth-century, the Japanese embarked on a program of westernization in the hope of building a strong and modern nation. Science, technology and medicine played an important part, showing European nations that Japan was a world power worthy of respect. It has been acknowledged that state policy was important in the development of industries but how well-organized was the state and how close were government-business relations? The book seeks to answer these questions and others. The first part deals with the role of science and medicine in creating a healthy nation. The second part of the book is devoted to examining the role of technology, and business-state relations in building a modern nation.

The first anthology of its kind, The Modern Murasaki brings the vibrancy and rich imagination of women's writing from the Meiji period to English-language readers. Along with traditional prose, the editors have chosen and carefully translated short stories, plays, poetry, speeches, essays, and personal journal entries. Selected readings include writings by the public speaker Kishida Toshiko, the dramatist Hasegawa Shigure, the short-fiction writer Shimizu Shikin, the political writer Tamura Toshiko, and the novelists Miyake Kaho, Higuchi Ichiyo, Tazawa Inabune, Kitada Usurai, Nogami Yaeko, and Mizuno Senko. The volume also includes a thorough introduction to each reading, an extensive index listing historical, social, and literary concepts, and a comprehensive guide to further research. The fierce tenor and bold content of these texts refute the popular belief that women of this era were passive and silent. A vital addition to courses in women's studies and Japanese literature and history, The Modern Murasaki is a singular resource for students and scholars.

Charting Japan's unique engagement with modernity during the Meiji era, through an extraordinary selection of objects in American collections This exhibition catalogue takes a fresh look at the art of Japan's Meiji era (1868-1912), through a vivid selection of approximately 175 objects drawn from early public and private collections across the United States, including newly discovered prints, photographs, textiles, paintings, and craft objects. Featuring motifs such as the sea and nature, Buddhist deities, contemporary life, and mythical animals, Meiji Modern highlights these themes and their transformation with the introduction of newly imported techniques and materials at the intersection of art, industry, and society. The Meiji era was a complex period of unprecedented cultural and technological transition that played out in the context of intense global competition. The objects assembled in this stunning catalogue also document the history of American collections of nineteenth-century Japanese art. Highlighting the active role of art in the construction of the Japanese nation-state, the works in a variety of mediums capture the hopes and aspirations of Japanese modernization along with its challenges. Building upon this perspective, essays emphasize modern Japanese artists' engagement with both European and Asian trends. With its focus on Japan's often overlooked non-Western modernity, this publication also addresses the role of art in both constructing and reflecting identity. Distributed for the Japanese Art Society of America Exhibition Schedule Asia Society, New York (October 3, 2023-January 7, 2024) Smart Museum of Art, University of Chicago (March 21-June 9, 2024) Museum of Fine Arts, Houston (June 30-September 15, 2024)

Writing Technology in Meiji Japan boldly rethinks the origins of modern Japanese language, literature, and visual culture from the perspective of media history. Drawing upon methodological insights by Friedrich Kittler and extensive archival research, Seth Jacobowitz investigates a range of epistemic transformations in the Meiji era (1868–1912), from the rise of communication networks such as telegraph and post to debates over national language and script reform. He documents the changing discursive practices and conceptual constellations that reshaped the verbal, visual, and literary regimes from the Tokugawa era. These changes culminate in the discovery of a new vernacular literary style from the shorthand transcriptions of theatrical storytelling (rakugo) that was subsequently championed by major writers such as Masaoka Shiki and Natsume Sōseki as the basis for a new mode of transparently objective, “transcriptive” realism. The birth of modern Japanese literature is thus located not only in shorthand alone, but within the emergent, multimedia channels that were arriving from the West. This book represents the first systematic study of the ways in which media and inscriptive technologies available in Japan at its threshold of modernization in the late nineteenth to early twentieth century shaped and brought into being modern Japanese literature.

"In this volume, Wert traces the shifting portrayals of Restoration losers and the supporters who promoted their legacy. By highlighting the overlooked sites of memory and legends, Wert illustrates how the process of commemoration and rehabilitation allows individuals a voice in the formation of national history"--Provided by publisher.