Mel Bay S Complete Book Of Celtic Music For Appalachian Dulcimer

Mark Nelson's knowledge and love of Celtic music is immediately evident through his choice of tunes for this comprehensive book. Harp music, the piper's repertoire, and fiddle tunes from Ireland, Scotland and Breton are all well-represented here, and a thorough historical foundation is carefully laid. Mark provides samples of Reels, Jigs, Hornpipes, Strathspeys, Polkas, Mazurkas, Slides, Marches, Piobaireachds, Set Dances, Airs, Plaxties, Country Dances, Morris Dances, as well as music from Breton in northwestern France. the CD contains 20 of the 109 songs from the book.

Mark Nelson's knowledge and love of Celtic music is immediately evident through his choice of tunes for this comprehensive book. Harp music, the piper's repertoire, and fiddle tunes from Ireland, Scotland and Breton are all well-represented here, and a thorough historical foundation is carefully laid. Mark provides samples of Reels, Jigs, Hornpipes, Strathspeys, Polkas, Mazurkas, Slides, Marches, Piobaireachds, Set Dances, Airs, Plaxties, Country Dances, Morris Dances, as well as music from Breton in northwestern France. The CD contains 20 of the 109 songs from the book.

This book is designed to help fretted dulcimer players at all levels grow in their technical abilities by developing strength, precision, control and flexibility in both the right and left hands. Acquiring a solid technical foundation provides a base upon which to build strong musicianship, enabling one to play more satisfying music regardless of style. Explore flatpicking, fingerpicking, slurs, chords, strumming, left hand precision and placement, right hand strength and control, volume, tone, articulation, and more using both dulcimer tablature and standard music notation. In this book, Mike has used ideas drawn from classical guitar study plus years of teaching dulcimer to develop exercises that will inspire and challenge players at all levels. the tunes and exercises are in the common dulcimer tuning of D-A-D, with a few exceptions. Some exercises are included for the four-string and five-string dulcimers, and a 6+ fret is required. the accompanying CD demonstrates key exercises and most of the tunes in the book.

A collection of songs, jigs, hornpipes, airs, polkas, and marches from the Celtic lands of Scotland, Ireland, and England. the songs are arranged for mountain dulcimer primarily in 1-5-8 (Mixolydian) tuning, along with a few tunes in 1-5-5 (Ionian) tuning. the arrangements make use of the capo, as well as playing tunes in Em and Bm, and include a Part II for a suggested harmony on selected songs.. the book is accompanied by a CD recording of each tune. Song titles include: George Brabazon, Off She Goes, Irish Lamentation, Keel Row, Water Is Wide, Loch Lomond, Foggy Dew, and many more. Intermediate playing level suggested.

Turlough O'Carolan is the most revered of all Irish harpers and composers. This collection, expertly transcribed in notation and tablature, presents 30 beloved O'Carolan medoldies featuring a uniquely Irish collection of moods and meditations. The arrangements are designed for the intermediate to advanced player, performing on a dulcimer with a 6 and 1/2 fret. The book also includes playing tips and a biographical sketch of Turlough O'Carolan.

Of all the mountain dulcimer books published over the past 20 years, this book is the jam-session standard. Contains 40 favorite fiddle tunesthat can easily be played in the regular keys and upto speed. In notation and tablature. Level of difficulty - intermediate. (Arranged for the beginner to advanced player intraditional keys fo they can be played with other instruments. Accompaniment chords included.)**Note - only 25 songs of the 40 total from the book are on online audio

Songs transcribed from eight of Maggie Sansone's CDs available from her website.

This sizeable collection of hammered dulcimer tunes brings together over 225 old-time and Celtic traditional tunes that are commonly heard at gatherings of old-time musicians. This is music that has been passed down vocally, or learned by ear instrumentally, and derived from countries where many of our ancestors originated. Trying to separate American and Celtic traditional music is an impossible task, as so many of the tunes we consider our own are adapted versions of tunes passed on to us from other countries and would fit into either category. This book therefore features favorite selections from both American and Celtic traditions. These instrumental arrangements are written in standard notation only with chord symbols.