Melbourne House Complete

A little girl was coming down a flight of stairs that led up from a great hall, slowly letting her feet pause on each stair, while the light touch of her hand on the rail guided her. The very thoughtful little face seemed to be intent on something out of the house, and when she reached the bottom, she still stood with her hand on the great baluster that rested on the marble there, and looked wistfully out of the open door. So the sunlight came in and looked at her; a little figure in a white frock and blue sash, with the hair cut short all over a little round head, and a face not only just now full of some grave concern, but with habitually thoughtful eyes and a wise little mouth. She did not seem to see the sunlight which poured all over her, and lit up a wide, deep hall, floored with marble, and opening at the other end on trees and flowers, which showed the sunlight busy there too. The child lingered wistfully. Then crossed the hall, and went into a matted, breezy, elegant room, where a lady lay luxuriously on a couch, playing with a book and a leaf-cutter. She could not be busy with anything in that attitude. Nearly all that was to be seen was a flow of lavender silk flounces, a rich slipper at rest on a cushion, and a dainty little cap with roses on a head too much at ease to rest. By the side of the lavender silk stood the little white dress, still and preoccupied as before a few minutes without any notice.

This book brings together the surviving texts of the 113 talks on art and architecture that we know of, given by the art historian Sir Nikolaus Pevsner on radio and television between 1945--1977. It includes the seven texts of the 1955 Reith Lectures in their original broadcast form, as well as lectures that Pevsner gave in German (for the BBC in London and RIAS in Berlin) and on the radio in New Zealand. These talks are important as an example of the attempt by the BBC in particular to provide intellectual programming for the mass population. The talks are important for what they reveal about changing tastes in the treatment of the arts as a broadcast topic, as well as offering a case study of the development of one particular historian's approach to a subject that was gaining ground in universities as a direct result of his popularisation of it. They show what topics were thought to be central to the artistic agenda in the mid-years of the last century, whether from an academic or journalistic perspective, and reveal the mode and manner of academic engagement with the public over the period. Forty-six of these talks were published in 2002, on the centenary of Pevsner's birth, in a trade edition. At the time, his reputation as an active force in architectural thinking had long been eclipsed and interest in him had waned. Since then, there has been a turn-around in tastes and Pevsner's role within his chosen field is now being actively studied and discussed by a new generation for whom he is central to an understanding of the 20th century. There is therefore a real need for this book. In addition to containing twice the number of talks as the previous volume, it is supplemented with explanatory introductions, footnotes and citations. It also reveals, as far as this is possible, alternative versions of Pevsner’s texts, as they appeared at different stages in the original production process. As such, this edition can be relied on by academics as scholarly and

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

With alphabetical indexes of firms and trade specialties.