Meme Wars

From the editor and magazine that started and named the Occupy Wall Street movement, Meme Wars: The Creative Destruction of Neoclassical Economics is an articulation of what could be the next steps in rethinking and remaking our world that challenges and debunks many of the assumptions of neoclassical economics and brings to light a more ecological model. Meme Wars aims to accelerate the shift into this new paradigm that takes into account psychonomics, bionomics, and other aspects of our physical and mental environment that are often left out in discussions of economics. Like Adbusters, the book will be image heavy and full-color throughout. Lasn calls it "a textbook for the future" that provides the building blocks, in texts and visuals, for a new way of looking at and changing our world. Through an examination of alternative economies, Lasn hopes to spur students to become "barefoot economists" and to see that a humanization of economics is possible. Meme Wars will include contributions from Nobel Prize winner Joseph Stiglitz, Paul Samuelson, George Akerlof, Lourdes Benería, Julie Matthaei, Manfred Max-Neef, David Orrell, Paul Gilding, Mathis Wackernagel and the father of ecological economics Herman Daly, among others. Based on ideas that were presented in a special issue of Adbusters entitled "Thought Control in Economics: Beyond the Growth Paradigm / An Activist Toolkit," Meme Wars will help move forward the Occupy Wall Street movement.

A groundbreaking investigation into the digital underworld, where far-right operatives wage wars against mainstream America, from a masterful trio of experts in media and tech. Memes have long been dismissed as inside jokes with no political importance. Nothing could be further from the truth. Memes are bedrock to the strategy of conspiracists such as Alex Jones, provocateurs like Milo Yiannopoulos, white nationalists like Nick Fuentes, and tacticians like Roger Stone. While the media and most politicians struggle to harness the organizing power of the internet, the “redpill right” weaponizes memes, pushing conspiracy theories and disinformation into the mainstream to drag people down the rabbit hole. These meme wars stir strong emotions, deepen partisanship, and get people off their keyboards and into the streets--and the steps of the US Capitol. Meme Wars is the first major account of how “Stop the Steal” went from online to real life, from the wires to the weeds. Leading media expert Joan Donovan, PhD, veteran tech journalist Emily Dreyfuss, and cultural ethnographer Brian Friedberg pull back the curtain on the digital war rooms in which a vast collection of antiesablishmentarians bond over hatred of liberal government and media. Together as a motley reactionary army, they use memes and social media to seek out new recruits, spread ideologies, and remake America according to their desires. A political thriller with the substance of a rigorous history, Meme Wars is the astonishing story of how extremists are yanking our culture and politics to the right. And it's a warning that if we fail to recognize these powerful undercurrents, the great meme war for the soul of America will soon be won.

This book explores the question of whether and how meme theory or “memetics” can be fruitfully utilized in evolutionary economics and proposes an approach known as “economemetics” which is a combination of meme theory and complexity theory that has the potential to combat the fragmentation of evolutionary economics while re-connecting the field with cultural evolutionary theory. By studying the intersection of cultural and economic evolution, complexity economics, computational economics, and network science, the authors establish a connection between memetics and evolutionary economics at different levels of investigation. The book first demonstrates how a memetic approach to economic evolution can help to reveal links and build bridges between different but complementary concepts in evolutionary economics. Secondly, it shows how organizational memetics can help to capture the complexity of organizational culture using meme mapping. Thirdly, it presents an agent-based simulation model of knowledge diffusion and assimilation in innovation networks from a memetic perspective. The authors then use agent-based modeling and social network analysis to evaluate the diffusion pattern of the Ice Bucket Challenge as an example of a “viral meme.” Lastly, the book discusses the central issues of agency, creativity, and normativity in the context of economemetics and suggests promising avenues for further research.

The Great Meme War, known colloquially as The The 2016 election cycle, was a revolutionary time, yielding some of the most productive memes the world has ever seen. But among those new memes, older ones also saw the chance to blossom and grow. The greatest of these was of course Pepe, the avatar of the ancient egyptian chaos god KEK. As the election went on, KEK became the patron of his chosen one, Trump, ultimately securing him a victory over his opponent Hillary Rodham Clinton, a servant of the demon Moloch. Although the battle was at times fierce, by the power of KEK and the combined effort of the meme battalions Trump prevailed. Now is our opportunity to reflect, and so presented here is a commemorative summary of the role of KEK and memetics in the election of Donald J. Trump.

Shared, posted, tweeted, commented upon, and discussed online as well as off-line, internet memes represent a new genre of online communication, and an understanding of their production, dissemination, and implications in the real world enables an improved ability to navigate digital culture. This book explores cases of cultural, economic, and political critique levied by the purposeful production and consumption of internet memes. Often images, animated GIFs, or videos are remixed in such a way to incorporate intertextual references, quite frequently to popular culture, alongside a joke or critique of some aspect of the human experience. Ideology, semiotics, and intertextuality coalesce in the book’s argument that internet memes represent a new form of meaning-making, and the rapidity by which they are produced and spread underscores their importance.

Joshua Ali Quare wakes in 2019 at the age of 140 in a strong youthful body with no memory of his past, to find he is at the center of a vast and deadly conspiracy. The only clues to his identity are the records he has left--messages from the man he once was... As Quare journeys through his past, he discovers he has been a key figure in the history of a turbulent, violent century--soldier, criminal, assassin, spy. A century filled with killing plagues and warring cults, ruthless corporations and dying nations. A century where treachery is often the only way to survive. Now someone is looking for him. Someone from his past. And Quare must learn the terrifying secret of his history before it unleashed devastating consequences for the future of the human race. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A groundbreaking investigation into the digital underworld, where far-right operatives wage wars against mainstream America, from a masterful trio of experts in media and tech.

At the end of the twenty-first century, Earth is under the control of a single intelligence, the apparently benign One True. Mars, meanwhile, is slowly terraforming, and the human settlers there are still free of One True's control...but they need a pressure suits to survive outside, and it will be a century or more before the planet's fit for terrestrial life. Terpsichore Murray is growing up on Mars. She wants to quit school and become, like her father, an ecoprospector. He has other ideas: he wants her to stay in school. He does want her along on his next long trip but only to conduct a group of younger kids from the highlands at Mars's equator back to school in Wells City. What happens next will change Terpsichore, will change Mars, and will open the door to a new chapter in the history of intelligent beings in the solar system . . . all of them. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.