Memoirs Of A Basque Cow

One dark and stormy night, Mo hears her Inner Voice urging her to begin writing her memoirs. Having ignored her Inner Voice’s advice once before, with near-fatal consequences, she decides, this time, to do as she is told. Mo looks back on her life, beginning with the crucial moment when she met another cow, who introduced herself as La Vache qui Rit, and assured Mo that there was nothing more stupid in this world than a stupid cow. Mo spends her life trying to prove to her friend that, despite being a cow, she is not at all stupid. Besides, she has her Inner Voice and a great desire to live! Set in the aftermath of the Spanish Civil War, in which defeated Republican supporters are still being persecuted by victorious Nationalists. Memoirs of a Basque Cow paints a funny, touching portrait of friendship and freedom and the sometimes difficult process of finding oneself. Translated by the UK's finest translator of Spanish, Margaret Jull Costa.

Laura Mintegi's Nerea and I provides a unique viewpoint from which to examine women's role in the world of Basque nationalism, and Linda White's translation gives us a rare example in English of this late twentieth century novel by a prominent Basque writer and political activist. This volume also includes White's examination of the role of women in Basque society, and the rise of the women's movement in the Basque country of Spain.

Vivaldo Bonfim was a bored book-keeper whose main escape from the tedium of his work was provided by novels. In the office, he tended to read rather than work, and, one day, became so immersed in a book that he got lost and disappeared completely. That, at least, is the version given to Vivaldo’s son, Elias, by his grandmother. One day, Elias sets off, like a modern-day Telemachus, in search of the father he never knew. His journey takes him through the plots of many classic novels, replete with murders, all-consuming passions, wild beasts and other literary perils. *The Book that Devoured my Father is, at once, a celebration of filial love, friendship and literature. Translated by the UK finest translator of Portuguese, Margaret Jull Costa

The book methodicallly graphs the direction of the English novel from its rise as the chief scholarly class in the mid twentieth century to its mid twenty first century status of unpredictable greatness in new media conditions. Precise parts address 'The English Novel as a Distinctly Modern Genre', 'The Novel in the Economy', 'Genres', 'Gender' (performativity, masculinities, woman's rights, eccentric), and 'The Burden of Representation' (class and ethnicity). Broadened contextualized close readings of more than twenty key writings from Joseph Conrad's Heart of Darkness (1899) to Tom McCarthy's Satin Island (2015) supplement the methodical approach and energize future research by giving reviews of gathering and hypothetical points of view. Expanding specialization inside the teach of English and American Studies has moved the concentration of insightful dialog toward hypothetical reflection and social settings. These improvements have profited the train in more courses than one, yet they have likewise brought about a specific disregard of close perusing. Therefore, understudies and scientists inspired by such material are compelled to swing to grant from the 1970s, quite a bit of which depends on dated methodological and ideological presuppositions. The handbook means to fill this hole by giving new readings of writings that figure unmistakably in the writing classroom and in academic level headed discussion aE ' from James' The Ambassadors to McCarthy's The Road.

The stories included in this collection are classics of children's literature and have been cherished by generations of Portuguese children. This is the first time these stories have been translated into English. The author is one of Portugal's greatest poets and, like her poetry, these stories are filled with her delight and pleasure in nature, gardens and the sea, as well as her keen sense of the magical. Among other things, we encounter dwarves, diminutive little girls who live on the sea bed, plants that come alive at night, a tree that lives on long after it has been felled, and a pilgrim who discovers much more than the Holy Land. Her themes are, above all, loyalty and friendship.

"This analysis of the writings of Bernardo Atxaga is inspired by his image of the Basque language as a hedgehog that has "survived ... by withdrawing," but that has now emerged - preeminently in the work of this most international of Basque authors." "Following the trail of the hedgehog reveals the riches of contemporary Basque literature and Atxaga's central position in the Basque literary world. The book explores the enthusiastic global reception of Atxaga's fiction - in particular Obabakoak, which has been translated into twenty-six languages - but also his short stories, drama, poetry, and writings for children and young people. It focuses on the preeminence of the fantastic in Atxaga's work, the experimental style of his hybrid poetic texts, and the "heterotopias" of his realist novels."--BOOK JACKET.

"Collection of stories by modern Basque writers about the Civil War of 1936 to 1939 and postwar conflict in the Basque Country"--Provided by publisher.

In this provocative, darkly funny, and unique novel—a mix of Lord of the Flies and The Royal Tenenbaums—a dictator's former right-hand man becomes housebound and a family power struggle erupts. Growing up on a Cuba-esque Caribbean island, Casandra, Calia, and Caleb endure life under two tyrannies: that of their parents, and the Island’s authoritarian dictator, Pop-Pop Mustache. Papa was the dictator's former right-hand man. Now, he’s a political pariah and an ugly parody of a tyrant, treating his home as a nation which he rules with an iron fist. As for Mom, his wife and hateful second in command, she rules from the mind. Obsessed with armchair psychoanalysis, she spends her days reading self-help books and seeks to diagnose the kids, and perhaps even herself. But within these walls, a rebellion is fomenting. Casandra, a cynical, self-important teenager with the most unlikely of attractions, recruits Caleb, meek yet gifted with a deadly touch, to join her in an insurrection against their father’s arbitrary totalitarianism. Meanwhile, Calia, the silent, youngest sibling who just wants to be left alone to draw animals, may be in league with the flies—whose swarm in and around the house grows larger as Papa’s violence increases. Equal parts Greek tragedy and horror, with a touch of J.D. Salinger and Luis Buñuel, The Tyranny of Flies is a biting and wholly original subversive masterpiece that examines the inherent violence of authority and the frightening and indelible links between patriarchy, military, and family. Translated from the Spanish by Kevin Gerry Dunn