Memories Of A Catskill Hotelkeeper

Gonifs, tumlers, fressers, along with a cast of waiters, busboys, chambermaids, chefs, counselors, gardeners, dishwashers, musicians and even family-Carrie Komito encounters them all in a more than a half century of presiding over a thriving Borscht Belt. In this collection of stories, she shares with readers her memories, often touching and ironic, but always filled with the humor and vitality that characterized that now historic era.

Gonifs, tumlers, fressers, along with a cast of waiters, busboys, chambermaids, chefs, counselors, gardeners, dishwashers, musicians and even family-Carrie Komito encounters them all in more than a half century of presiding over a thriving Borscht Belt hotel. In this collection of stories, she shares with readers her memories, often touching and ironic, but always-always filled with the humor and vitality that characterized that now historic era.

Memories of the Catskills: The Making of a Hotel, by Alvin L. Lesser, with a foreword by John Conway, Sullivan County Historian, takes the reader back to a time and place that was like no other. Families wishing to get out of the stifling heat of a New York City summer and other nearby crowded areas, found the perfect escape in "the Catskills." By sharing an insider's view of one person's life in this magical arena, Lesser lets readers experience the fun and the work that went into creating a place that people came back to year after year. Memories of the Catskills is a candid and charming memoir about the rise and fall of the "Borscht Belt." Lesser Lodge, a small hotel where the author spent the better part of his childhood, lies at the center of the heartfelt tale. Famous stars of yesteryear came to entertain in the Borscht Belt at Lesser Lodge. The Lodge survived the depression era and then flourished during the years of economic recovery and growth. Not just the story of the Lesser family, but the warmth of people who made others welcome by providing a respite which made them all family-- entertainers and guests alike.

Less than a day's drive from New York City, Boston or Philadelphia, the Catskills have long been a popular weekend and summer retreat for city folk. The area offers fine accommodations, top-notch dining and spectacular surroundings. This book profiles hundreds of hotels and restaurants, with an emphasis on the very best places. Daytime activities - shopping, antique-hunting and more - are featured.

At one time, according to the Catskill Institute, there were more than a thousand hotels spread across the mountains of Greene, Ulster, Delaware, and Sullivan Counties. The Catskills were an exciting world full of pleasures to be enjoyed, with summer and winter activities characterized by entertainment, food, sports, card playing, and food again. Catskill Hotels, with a collection of some two hundred images, tells the story of this world, which began with America's first resort hotel, the Catskill Mountain House, continued with places such as the world-famous Grossinger's, and can still be found today at Kutsher's Country Club, the Mountain House at Lake Mohonk, and a few other hardy resorts.

For over two hundred years, the Catskill Mountains have been repeatedly and dramatically transformed by New York City. In Making Mountains, David Stradling shows the transformation of the Catskills landscape as a collaborative process, one in which local and urban hands, capital, and ideas have come together to reshape the mountains and the communities therein. This collaboration has had environmental, economic, and cultural consequences. Early on, the Catskills were an important source of natural resources. Later, when New York City needed to expand its water supply, engineers helped direct the city toward the Catskills, claiming that the mountains offered the purest and most cost-effective waters. By the 1960s, New York had created the great reservoir and aqueduct system in the mountains that now supplies the city with 90 percent of its water. The Catskills also served as a critical space in which the nation's ideas about nature evolved. Stradling describes the great influence writers and artists had upon urban residents - especially the painters of the Hudson River School, whose ideal landscapes created expectations about how rural America should appear. By the mid-1800s, urban residents had turned the Catskills into an important vacation ground, and by the late 1800s, the Catskills had become one of the premiere resort regions in the nation. In the mid-twentieth century, the older Catskill resort region was in steep decline, but the Jewish "Borscht Belt" in the southern Catskills was thriving. The automobile revitalized mountain tourism and residence, and increased the threat of suburbanization of the historic landscape. Throughout each of these significant incarnations, urban and rural residents worked in a rough collaboration, though not without conflict, to reshape the mountains and American ideas about rural landscapes and nature.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large. A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.