Mendicant Cultures In The Medieval And Early Modern World Word Deed And Image

The Latin Middle Ages were characterised by a vast array of different representations of nature. These conceptualisations of the natural world were developed according to the specific requirements of many different disciplines, with the consequent result of producing a fragmentation of images of nature. Despite this plurality, two main tendencies emerged. On the one hand, the natural world was seen as a reflection of God’s perfection, teleologically ordered and structurally harmonious. On the other, it was also considered as a degraded version of the spiritual realm – a world of impeccable ideas, separate substances, and celestial movers. This book focuses on this tension between order and randomness, and idealisation and reality of nature in the Middle Ages. It provides a cutting-edge profile of the doctrinal and semantic richness of the medieval idea of nature, and also illustrates the structural interconnection among learned and scientific disciplines in the medieval period, stressing the fundamental bond linking together science and philosophy, on the one hand, and philosophy and theology, on the other. This book will appeal to scholars and students alike interested in Medieval European History, Theology, Philosophy, and Science.

Any visitor to Belgium or the Netherlands is immediately struck by the number of convents and beguinages (begijnhoven) in both major cities and small towns. Their number and location in urban centres suggests that the women who inhabited them once held a prominent role. Despite leaving a visible mark on cities in Europe, much of the story of these women - known variously as beguines, tertiaries, klopjes, recluses, and anchoresses - remains to be told. Instead of aspiring to live as traditional religious, they transcended normative assumptions about religion and gender and had a very real impact on their religious and secular worlds. The sources for their tale are often fragmentary and difficult to interpret. However, careful scrutiny allows their voices to be heard. Drawing on an array of sources including religious rules, sermons, hagiographic vitae, and rapiaria, Fictive Orders and Feminine Religious Identities traces the story of pious laywomen between the thirteenth and sixteenth centuries. It both emphasizes the innovative roles of women who transcended established forms of institutional religious life and reveals the ways in which historiographical habits have obscured the dynamic and fluid nature of their histories. By highlighting the development of irregular and extraregular communities and tracing the threads of monasticisation that wove their way around pious laywomen, this book draws attention to the vibrant and dynamic culture of feminine lay piety that persisted from the later middle ages onwards.

Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.

Monasticism has a special position in the history of pastoral care. It produced innovations in various aspects of pastoral care despite, or more precisely, because of its isolation in legal or social terms from the secular world. The thirteen papers contained in this volume will reveal that there was a great variety in the ways pastoral care continued to be practised by monasticism, depending on time, space, and the nature of each religious order. Adopting a comparative approach, their historical and geographical range of investigation is not limited to medieval Europe but expands to the Americas and even to Japan in the early Modern Age. This volume bases on a conference held on 1 and 2 March 2019 at Okayama University, Japan, as part of the close collaboration between a Japanese research group on Christian/Buddhist religious movements and the Research Project "Monasteries in the High Middle Ages: Innovation Laboratories for European Life Designs and Regulatory Models" of the Saxon and the Heidelberg Academies of Sciences and Humanities, as well as the Research Center for Comparative History of Religious Orders (FOVOG, Dresden).

The book investigates the aesthetic theology embedded in the Franciscan artistic tradition. The novelty of the approach is in applying concepts gleaned from Franciscan textual sources to create a deeper understanding of how art in all its sensual forms was foundational to the Franciscan milieu. Chapters range from studies of statements about aesthetics and the arts in theological textual sources to examples of visual, auditory, and tactile arts communicating theological ideas found in texts. The essays cover not only European art and textual sources, but also Franciscan influences in the Americas found in both texts and artifacts.

In this book, Diana Bullen Presciutti explores how images of miracles performed by mendicant saints-reviving dead children, redeeming the unjustly convicted, mending broken marriages, quelling factional violence, exorcising the demonically possessed-actively shaped Renaissance Italians' perceptions of pressing social problems related to gender, sexuality, and honor. She argues that depictions of these miracles by artists-both famous (Donatello, Titian) and anonymous-played a critical role in defining and conceptualizing threats to family honor and social stability. Drawing from art history, history, religious studies, gender studies, and sociology, Presciutti's interdisciplinary study reveals how miracle scenes-whether painted, sculpted, or printed-operated as active agents of 'lived religion' and social negotiation in the spaces of the Renaissance Italian city.

A People's Church brings together a distinguished international group of historians to provide a sweeping introduction to Christian religious life and institutions in medieval Italy. Each essay treats a single theme as broadly as possible, highlighting both the unique aspects of medieval Christianity on the Italian peninsula and the beliefs and practices it shared with other Christian societies. Because of its long tradition of communal self-governance, Christianity in medieval Italy, perhaps more than anywhere else, was truly a "people's church." At the same time, its exceptional urban wealth and literacy rates, along with its rich and varied intellectual and artistic culture, led to diverse forms of religious devotion and institutions. Contributors: Maria Pia Alberzoni on heresy; Frances Andrews on urban religion; Cécile Caby on monasticism; Giovanna Casagrande on mendicants; George Dameron on Florence; Antonella Degl'Innocenti on saints; Marina Gazzini on lay confraternities; Maureen C. Miller on bishops; Agostino Paravicini Bagliani and Pietro Silanos on the papacy and Italian politics; Antonio Rigon on clerical confraternities; Neslihan Şenocak on the pievi and care of souls; Giovanni Vitolo on Naples.