Mester Eckart

This volume features articles which employ source-work research to trace Kierkegaard's understanding and use of authors from the Patristic and Medieval traditions. It covers an extraordinarily long period of time from Cyprian and Tertullian in the second century to Thomas à Kempis in the fifteenth. Despite its heterogeneity and diversity in many aspects, this volume has a clear point of commonality in all its featured sources: Christianity. Kierkegaard's relation to the Patristic and Medieval traditions has been a rather neglected area of research in Kierkegaard studies. This is somewhat surprising given the fact that the young Kierkegaard learned about the Patristic authors during his studies at the University of Copenhagen and was clearly fascinated by many aspects of their writings and the conceptions of Christian religiosity found there. With regard to the medieval tradition, in addition to any number of theological issues, medieval mysticism, medieval art, the medieval church, troubadour poetry and the monastic movement were all themes that exercised Kierkegaard during different periods of his life. Although far from uncritical, he seems at times to idolize both the Patristic tradition and the Middle Ages as contrastive terms to the corrupt and decadent modern world with its complacent Christianity. While he clearly regards the specific forms of this Medieval appropriation of Christianity to be misguided, he is nonetheless positively disposed toward the general understanding of it as something to be lived and realized by each individual.

Although he has long been known primarily as the object of Søren Kierkegaard’s disdain, Hans Lassen Martensen (1808-84) was a celebrated figure in his own time. Recognized as a brilliant scholar and highly successful churchman, Martensen worked in a number of different areas of theology and philosophy, producing an impressive literary corpus over a period of several decades. His authorship is remarkably varied, including philosophical treatises, theological tracts, sermons, eulogies, book and theater reviews, as well as polemical and occasional pieces. During his lifetime, he saw his works translated into German, Swedish, English, French, Hungarian and Dutch. These works were widely read and frequently reprinted in numerous editions throughout the second half of the century. It is unfortunate that to international research he was known for many years only as a central figure in Kierkegaard’s attack on the Danish State Church.

In the past few decades there has, however, been a renewed appreciation for Martensen as an important thinker in his own right. The present anthology attempts to bring together the works of the leading Danish and international scholars responsible for this recent surge of interest.

In order to capture the different aspects of Martensen’s thought, the volume has been organized into three main rubrics: I. Theology, II. Philosophy, and III. Politics and Social Theory. Collectively, the articles featured here treat Martensen’s main works from his dissertation, On the Autonomy of Human Self-Consciousness in 1837 to his monumental, three-volume Christian Ethics from the 1870s. The authors demonstrate that the problems critically addressed by Martensen in the Danish Golden Age are still very much with us today in the twenty-first century.

Jon Stewart is Associate Research Professor at the Søren Kierkegaard Research Centre at the University of Copenhagen.

Interpreting Kierkegaard in the general context of Golden Age Denmark, this interdisciplinary anthology features articles which treat his various relations to his most famous Danish contemporaries. It aims to see them not as minor figures laboring in Kierkegaard's shadow but rather as significant thinkers and artists in their own right. The articles illuminate both Kierkegaard's influence on his contemporaries and their varied influences on him. By means of the analyses of these various relations, aspects of Kierkegaard's authorship are brought into new and insightful perspectives. The featured essays treat some of the most important figures from the time, representing the fields of philosophy, theology, literature, criticism and art.

This is the second volume in a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of the Golden Age culture. This second tome treats the most intensive period in the history of the Danish Hegel reception, namely, the years from 1837 to 1841. The main figure in this period is the theologian Hans Martensen who made Hegel’s philosophy a sensation among the students at the University of Copenhagen in the late 1830s. This period also includes the publication of Johan Ludvig Heiberg’s Hegelian journal, Perseus, and Frederik Christian Sibbern’s monumental review of it, which represented the most extensive treatment of Hegel’s philosophy in the Danish language at the time. During this period Hegel’s philosophy flourished in unlikely genres such as drama and lyric poetry. During these years Hegelianism enjoyed an unprecedented success in Denmark until it gradually began to be perceived as a dangerous trend.

G.W.F. Hegel's so-called speculative logic was revolutionary since it attacked the basic laws of Aristotelian logic - the laws of contradiction and excluded middle - which stood as the foundation for the field for well over a millennium. Hegel replaced these laws with the principle of mediation, which he used to redefine all the key terms of the discipline. In the 1830s, this highly controversial theory was attacked by a number of philosophers in Germany and Prussia. These debates spilled over into Denmark in the late 1830s and early 1840s and represent one of the signal episodes in the Danish Hegel reception. The present volume includes the main texts in this controversy. The debate proper was initiated by the article Rationalism, Supernaturalism by the theologian Jakob Peter Mynster, who attacked Hegel's criticism of the law of excluded middle. The poet Johan Ludvig Heiberg, and the young theologian Hans Lassen Martensen, then came to Hegel's defense with articles which responded to

This is the first of a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of Golden Age culture. This initial tome covers the period from the beginning of the Hegel reception in the Danish Kingdom in the 1820s until the end of 1836. The dominant figure from this period is the poet and critic Johan Ludvig Heiberg, who attended Hegel’s lectures in Berlin in 1824 and then launched a campaign to popularize Hegel’s philosophy among his fellow countrymen. Using his journal Kjøbenhavns flyvende Post as a platform, Heiberg published numerous articles containing ideas that he had borrowed from Hegel. Several readers felt provoked by Heiberg’s Hegelianism and wrote critical responses to him, many of which appeared in Kjøbenhavnsposten, the rival of Heiberg’s journal. Through these debates Hegel’s philosophy became an important part of Danish cultural life.

For over a century, the Danish thinker Søren Kierkegaard (1813-55) has been at the center of a number of important discussions, concerning not only philosophy and theology, but also, more recently, fields such as social thought, psychology, and contemporary aesthetics, especially literary theory. Despite his relatively short life, Kierkegaard was an extraordinarily prolific writer, as attested to by the 26-volume Princeton University Press edition of all of his published writings. But Kierkegaard left behind nearly as much unpublished writing, most of which consists of what are called his "journals and notebooks." Kierkegaard has long been recognized as one of history's great journal keepers, but only rather small portions of his journals and notebooks are what we usually understand by the term "diaries." By far the greater part of Kierkegaard's journals and notebooks consists of reflections on a myriad of subjects--philosophical, religious, political, personal. Studying his journals and notebooks takes us into his workshop, where we can see his entire universe of thought. We can witness the genesis of his published works, to be sure--but we can also see whole galaxies of concepts, new insights, and fragments, large and small, of partially (or almost entirely) completed but unpublished works. Kierkegaard's Journals and Notebooks enables us to see the thinker in dialogue with his times and with himself. Volume 7 of this 11-volume series includes six of Kierkegaard's important "NB" journals (Journals NB15 through NB20), covering the months from early January 1850 to mid-September of that year. By this time it had become clear that popular sovereignty, ushered in by the revolution of 1848 and ratified by the Danish constitution of 1849, had come to stay, and Kierkegaard now intensified his criticism of the notion that everything, even matters involving the human soul, could be decided by "balloting." He also continued to direct his barbs at the established Danish Church and its clergy (particularly Bishop J. P. Mynster and Professor H. L. Martensen), at the press, and at the attempt by modern philosophy to comprehend the incomprehensibility of faith. Kierkegaard's reading notes include entries on Augustine, the Stoics, German mystics, Luther, pietist authors, and Rousseau, while his autobiographical reflections circle around the question of which, if any, of several essays explaining his life and works he ought to publish. Perhaps unsurprisingly, Kierkegaard's more personal reflections return once again to his public feud with M. A. Goldschmidt and his broken engagement to Regine Olsen. Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the extensive marginal comments that he added later. This edition of the journals reproduces this format, includes several photographs of original manuscript pages, and contains extensive scholarly commentary on the various entries and on the history of the manuscripts being reproduced.

Invoking the biblical motif of Jacob's struggle with the Face of God (Genesis 32), Simon D. Podmore undertakes a constructive theological account of 'spiritual trial' (tentatio; known in German mystical and Lutheran tradition as Anfechtung) in relation to enduring questions of the otherness and hiddenness of God and the self, the problem of suffering and evil, the freedom of Spirit, and the anxious relationship between temptation and ordeal, fear and desire. This book traces a genealogy of spiritual trial from medieval German mystical theology, through Lutheran and Pietistic thought (Tauler; Luther; Arndt; Boehme), and reconstructs Kierkegaard's innovative yet under-examined recovery of the category (AnfAegtelse: a Danish cognate for Anfechtung) within the modern context of the 'spiritless' decline of Christendom. Developing the relationship between struggle (Anfechtung) and release (Gelassenheit), Podmore proposes a Kierkegaardian theology of spiritual trial which elaborates the kenosis of the self before God in terms of Spirit's restless longing to rest transparently in God. Offering an original rehabilitation of the temptation of spiritual trial, this book strives for a renewed theological hermeneutic which speaks to the enduring human struggle to realise the unchanging love of God in the face of spiritual darkness.