Metamorphosis Of The Memory In The Life After Death

A single lecture taken from the volume Life Beyond Death.

Although western humanity has conquered the outer world with the aid of technology and science, death remains an unsolved and largely unexplored mystery. Rudolf Steiner, an exceptional seer, was able to research spiritually the question of what happens to human consciousness after the physical body passes away. In these remarkably matter-of-fact lectures he affirms that life continues beyond death. Far from being dissipated, the individual's consciousness awakens to a new reality, beginning a great journey to the farthest expanses of the cosmos. Here it embarks on a process of purification and preparation. Rudolf Steiner indicates that one of the most important tasks for our present civilization is the reestablishment of living connections with those who have died. He gives suggestions as to how this can be done safely, and describes how the dead can be of help to those on earth.

What is the meaning of memory in the information age? When all knowledge is seemingly digitised and available for reference at any time, do we actually need human memory? One consequence of the proliferation of digitization is the deterioration of our capacity to remember – a symptom that is apparent in a steady increase in dementia within contemporary society. Rudolf Steiner indicates that memory is the determining factor in awareness of oneself. Even a partial loss of memory leads to loss of self-consciousness and the sense of our 'I'. Thus, memory is crucial for the development of I-consciousness – not only for the individual, but for humanity as a whole. Rudolf Steiner's research on memory, recollection and forgetting has many implications for the way we learn, for inner development and spiritual growth. This unique selection of passages from his works offers insights into how consciousness can remain autonomous and creative in a digital environment. It also provides ideas for improving education and emphasizes the importance of life-long learning. Chapters include: 'The Development of Memory Throughout Human History'; 'The Formation of Memory, Remembering and Forgetting in the Human Individual'; 'Remembering and Forgetting in Connection with Education'; 'How Remembering and Forgetting are Transformed by the Schooling Path – Imagination and Inspiration'; 'Remembering Backwards (Rückschau) and Memory Exercises'; 'Subconscious Memories of the Pre-birth Period and of Life Between Death and a New Birth'; 'Memory and Remembering after Death'; 'The Development of Memory in the Future'.

Dr. Michael Newton, best-selling author of Journey of Souls and Destiny of Souls, returns with a series of case studies that highlight the profound impact of spiritual regression on people's everyday lives. Edited by Dr. Newton, these fascinating true accounts from around the world are handpicked and presented by Life Between Lives hypnotherapists certified by the Newton Institute. After recalling memories of their afterlife, the people in these studies embarked on life-changing spiritual journeys—reuniting with soul mates and spirit guides, and discovering the ramifications of life and body choices, love relationships, and dreams by communing with their immortal souls. As gems of self-knowledge are revealed, dramatic epiphanies result, enabling these ordinary people to understand adversity in their lives, find emotional healing, realize their true purpose, and forever enrich their lives with new meaning.

- How do the living maintain ongoing relationships with the dead in Western societies? - How have the residual belongings of the dead been used to evoke memories? - Why has the body and its material environment remained so important in memory-making? Objects, images, practices, and places remind us of the deaths of others and of our own mortality. At the time of death, embodied persons disappear from view, their relationships with others come under threat and their influence may cease. Emotionally, socially, politically, much is at stake at the time of death. In this context, memories and memory-making can be highly charged, and often provide the dead with a social presence amongst the living. Memories of the dead are a bulwark against the terror of forgetting, as well as an inescapable outcome of a life's ending. Objects in attics, gardens, museums, streets and cemeteries can tell us much about the processes of remembering. This unusual and absorbing book develops perspectives in anthropology and cultural history to reveal the importance of material objects in experiences of grief, mourning and memorializing. Far from being ‘invisible', the authors show how past generations, dead friends and lovers remain manifest - through well-worn garments, letters, photographs, flowers, residual drops of perfume, funerary sculpture. Tracing the rituals, gestures and materials that have been used to shape and preserve memories of personal loss, Hallam and Hockey show how material culture provides the deceased with a powerful presence within the here and now.

This book explores the integration of narratology with posthumanism by examining a large scope of narratives in science fiction over nearly half a century in a range of major Anglophone countries. Based on the rhizome of posthumanism, analysis of the posthuman narrative embodiments in selected contemporary Anglophone science fiction, it investigates Ursula K. Le Guin’s The Left Hand of Darkness (1969), Ian Watson’s The Jonah Kit (1975), Iain Banks’ The Bridge (1986) and Richard Powers’ Galatea 2.2 (1995) as exemplifying various aspects of posthuman becoming-other. The book shows that, in the reactive logic of nihilism, the becoming-other posthuman, rather than posing a threat, proves to be the companion and savior of human beings, whose apocalyptic sacrifice brings back the all-too-human humanity to the chaotic world of presence.

This book examines phenomena from Finnish and Finnish-Swedish literature written in the years between the 1980s and the first decade of the new millennium. Its objective is to study this interesting era of literary history in Finland and to sketch some possible directions for future development by identifying literary turning points which have already occurred.

This book argues that Gao Xingjian's Idea of Theatre can only be explained by his broad knowledge and use of various Chinese and Western theatrical, literary, artistic and philosophical traditions.