Metaphor And God Talk

Challenge our common images of God by blowing the lid off conventional God-descriptors. “We do not have to let go of one sense of God to take up another. Neither do we need to go about challenging old metaphors. What is crucial is to find a metaphor—or two, or six—that creatively point toward what we believe.” —from Chapter 1 Let Carolyn Jane Bohler inspire you to consider a wide range of images of God in order to refine how you imagine God to have and use power, and how God wills and makes divine will happen—or not. By tapping into your God-given ability to re-imagine God, you will have a better understanding of your own beliefs and how you, God, and the world relate to each other. Wonderfully fresh and down to earth, Bohler uses playful images, moving stories, and solid scholarship to empower you to break free of old habits and assumptions, whatever your faith tradition. She encourages you to explore new names for God that are not only more consistent with what you believe, but will also deepen and expand your experience of God. Think about... God the Choreographer of Chaos God the Nursing Mother God the Jazz Band Leader God the Divine Blacksmith God the Divine Physical Therapist God the Team Transformer ... and more

A fundamental question for theology is the question how we are to understand the claims that we make about God. The only language we can understand is the language we use to talk about human beings and their environment. How can we use that language to talk about God while respecting the infinite difference between God and humanity? The traditional answer has been to appeal to the concept of analogy. However, that appeal has been interpreted in widely different ways. This book aims to clarify the question and this answer by an analysis of the concept. It begins with an exploration of the way the concept was evolved by Aristotle out of Greek mathematics as a technique for comparing "things that were remote"; followed by a critical examination of three very different classical accounts of the way religious language works: those of Thomas Aquinas, Immanuel Kant and Karl Barth. The book finally investigates the way in which analogy could be applied to answer the question initially posed - how is it possible to use human language to talk about God. This is a question of fundamental significance for the whole of religion and theology, concerning as it does our whole understanding of what we mean when we talk about God.

"This book is not only absorbingly readable but important. For its themes engage effectively with main dilemmas not only of formal theology but of current piety and witness." - Amos N. Wilder, Andover Newton Quarterly "This book is immensely valuable for its persuasive illustrations of the parabolic and metaphoric imagination. McFague attends both to the interpretive and the evaluative levels of hermeneutics. Her readings of specific parables, poems, stories, and autobiographies are insightful and relevant to her thesis that what religious language 'says' is 'conceptually imperceivable and inexpressible.'" - Mary Gerhart, Journal of the American Academy of Religion "It is at the very least a fine guide to one important direction that theological hermeneutics might take, and more than that, it testifies confidently to the presence of still unplumbed resources of the biblical word and its secular counterpart that are there for the imagination's appropriation." - Robert Detweiler, Religious Studies Review "Everyone interested in theology will be stimulated by Sallie McFague's mediating theological position and the form of thinking and discourse she espouses. Those interested in the intercourse between theology and literature will be stimulated by the way she links the two and the perceptive way she handles her literary examples. Biblical scholars will undoubtedly note her primacy of the parables as the central corpus of the biblical records. Preachers of the church will be strengthened by the concern McFague has for the Christian community and the importance of the word through the words of the preachers. With this variety of concerns, Speaking in Parables will have a deservedly wide reading and, perhaps even more important, wide discussion." - Ronald E. Sleeth, Perkins School of Theology Journal

"[Wren's] work is fresh, daring, and suggestive, and at the same time informed, critical, and disciplined. . . . Wren has combined an exceedingly thoughtful theoretical presentation of the linguistic problem and a step-by-step practical walk-through of the issues. . . . It takes a poet, not a clerk, to voice what has been disclosed by God. Wren is such a poet; he invites us to fresh evangelical cadences that will themselves liberate." Theology Today "[Wren] makes an inventive effort to help cure the disease that is devastating the worship scene. He himself writes extraordinary hymn texts that are 'beyond patriarchy,' and he hangs them in 'galleries' in his book. . . . He gives us a readable, convincing book centered on the language question but profoundly theological in its implications." National Catholic Reporter "A book of tremendous value to liturgists, theologians, members of the newly forming men's liberation movement, clergy and policymakers, and anyone interested in the issue of inclusive God-language, including those who are curious about why it matters in the first place. . . . Part of the value of What Language Shall I Borrow? is Wren's graceful, imaginative presentation of his facts. Although there is ample cognitive input, it is interspersed with moving hymn texts, practical workshop ideas and fascinating narratives." The Presbyterian Outlook

The analysis of metaphors constitutes an ideal point of entry into the exegesis of Biblical Hebrew poetic texts because it forces the exegete to examine the said text from a variety of perspectives. How can one discern the presence of metaphorical speech? What are the various types of metaphorical speech available to and employed by the biblical poet? How does the structure of a piece of Hebrew poetry carry its metaphorical dimensions? How did the biblical poet make use of the various types of metaphor and to what end? Can we ultimately gain access to the poet's meaning? The present study endeavours to provide at least a partial answer to these questions. In maintaining focus on the biblical text, moreover, the author hopes to anchor some of the abstractions of metaphorical theory with chosen examples taken from the so-called 'Apocalypse of Isaiah'. The Hebrew prophets constitute fertile ground in their use of metaphorical language for speaking the unspeakable, especially concerning the relationship between the people and God.

A New York Times bestseller people can believe in—by "a pioneer of the new urban Christians" (Christianity Today) and the "C.S. Lewis for the 21st century" (Newsweek). Timothy Keller, the founding pastor of Redeemer Presbyterian Church in New York City, addresses the frequent doubts that skeptics, and even ardent believers, have about religion. Using literature, philosophy, real-life conversations, and potent reasoning, Keller explains how the belief in a Christian God is, in fact, a sound and rational one. To true believers he offers a solid platform on which to stand their ground against the backlash to religion created by the Age of Skepticism. And to skeptics, atheists, and agnostics, he provides a challenging argument for pursuing the reason for God.

A fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.