Midrash Vayosha

Rachel S. Mikva undertakes a close examination of Midrash vaYosha, a medieval rabbinic text which explicates the Song at the Sea (Ex 15:1-18) and the events of the exodus from Egypt leading up to that climactic moment. Relatively short midrashim focusing on a brief biblical narrative or theme were composed in large numbers during the medieval period, and their extant manuscripts are sufficient in number to demonstrate the great popularity of the genre. Based on early manuscripts, two different recensions are transcribed and translated with significant annotation exploring variants, parallels, exegetical significance and literary style. A thorough historical analysis suggests that the midrash was performed as explication of the Torah reading at a certain point in its development - part of the gradual attenuation of live Targum. As Midrash vaYosha leaves the synagogue, its narrative dimension grows tremendously, yielding significant insight into the development of medieval Jewish exegesis.

Three hundred Jewish tales in this extraordinary volume span three continents and four millennia. Culled from traditional sources—the Bible, Talmud, Midrash, hasidic texts, and oral folklore—and retold in modern English by Ellen Frankel, these stories represent the brightest jewels in the vast treasure chest of Jewish lore. Beautifully clothed in contemporary language, these classic tales sparkle with the gentle and insightful humor of the Jewish folk imagination. And like so much of Jewish literature, these stories abound in allusions to classic Jewish texts. Biblical cadences, phrases from the prayer book, and ideas from Jewish proverbs and heroic legends resonate in the air when these tales are read or told aloud. In The Classic Tales, history sheds its dust to become as intimate as family memory. While the breadth and depth of this book make it completely unique, three special features also help distinguish it: God appears without gender (though certainly not without personality); women characters, so often nameless in the original biblical text, wear their midrashic names (e.g., Noah's wife Naamah, Abraham's mother Amitlai, Lot's wife Edith); and many tales of Sephardic origin have been included to correct the common American bias toward Eastern European sources. What's more, this volume has been uniquely designed to be of use to educators, rabbis, parents, and students. It features a chronological table of contents as well as six separate indexes?arranged by Jewish holidays, Torah and Haftorah readings, character types, symbols, topics, and proper names and places—to make the tales easily referenced in a wide variety of ways. Anyone who needs a story to inspire a child, to illustrate a point, to develop a sermon, or just to uplift his or her own thirsting soul will find just the right one in The Classic Tales.

In Illuminating Moses: A History of Reception, readers discover the roles of Moses from the Exodus to the Renaissance--law-giver, prophet, writer--and their impact on Jewish and Christian cultures as seen in the Hebrew Bible, Patristic writings, Catholic liturgy, Jewish philosophy and midrashim, Anglo-Saxon literature, Scholastics and Thomas Aquinas, Middle English literature, and the Renaissance. Contributors are Jane Beal, Robert D. Miller II, Tawny Holm, Christopher A. Hall, Luciana Cuppo-Csaki, Haim Kreisel, Rachel S. Mikva, Devorah Schoenfeld, Gernot Wieland, Deborah Goodwin, Franklin T. Harkins, Gail Ivy Berlin, and Brett Foster.

Sacred and profane, public and private, emotive and ritualistic, internal and embodied, medieval weeping served as a culturally charged prism for a host of social, visual, cognitive, and linguistic performances. Crying in the Middle Ages addresses the place of tears in Jewish, Christian, and Islamic cultural discourses, providing a key resource for scholars interested in exploring medieval notions of emotion, gesture, and sensory experience in a variety of cultural contexts. Gertsman brings together essays that establish a series of conversations with one another, foregrounding essential questions about the different ways that crying was seen, heard, perceived, expressed, and transmitted throughout the Middle Ages. In acknowledging the porous nature of visual and verbal evidence, this collection foregrounds the necessity to read language, image, and experience together in order to envision the complex notions of medieval crying.

My People’s Passover Haggadah Traditional Texts, Modern Commentaries In two volumes, this empowering resource for the spiritual revival of our times enables us to find deeper meaning in one of Judaism’s most beloved traditions, the Passover Seder. Rich Haggadah commentary adds layer upon layer of new insight to the age-old celebration of the journey from slavery to freedom—and makes its power accessible to all. This diverse and exciting Passover resource features the traditional Haggadah Hebrew text with a new translation designed to let you know exactly what the Haggadah says. Introductory essays help you understand the historical roots of Passover, the development of the Haggadah, and how to make sense out of texts and customs that evolved from ancient times. Framed with beautifully designed Talmud-style pages, My People’s Passover Haggadah features commentaries by scholars from all denominations of Judaism. You are treated to insights by experts in such fields as the Haggadah’s history; its biblical roots; its confrontation with modernity; and its relationship to rabbinic midrash and Jewish law, feminism, Chasidism, theology, and kabbalah. No other resource provides such a wide-ranging exploration of the Haggadah, a reservoir of inspiration and information for creating meaningful Seders every year. “The Haggadah is a book not just of the Jewish People, but of ordinary Jewish people. It is a book we all own, handle, store at home, and spill wine upon! Pick up a Siddur, and you have the history of our People writ large; pick up a Haggadah, and you have the same—but also the chronicle of Jewish life writ small: the story of families and friends whose Seders have become their very own local cultural legacy.... My People’s Passover Haggadah is for each and every person looking to enrich their annual experience of Passover in their own unique way.”

Medieval Midrash: The House for Inspired Innovation is the first treatment of this curious genre. Illuminating matters of historicity and origin with translations of six Solomon texts, Mehlman and Limmer address questions regarding Medieval Midrash and the need for creative religious expression.