Military Band

This manual serves as a guide to commanders in the training and utilization of an Army band as a marching, concert, and dance/stage unit in connection with military ceremonies, formal concerts, and recreational activities. Users of this manual are encouraged to submit recommended changes and comments to improve the manual. Comments should be keyed to the specific page, paragraph, and line of the text in which the change is recommended. Reasons will be provided for each comment to insure understanding and complete evaluation. This manual prescribes approved procedures for the overall functioning of an Army band. Commanders will use this manual as a reference for the organization and training of an Army band.

Squire's Warren Junior Military Band had an emotional appeal that endeared it to audiences of all ages. Considered one of northeastern Ohio's richest artistic assets, the band's members, who hailed from the entire region, were filled with pride, tradition, patriotism, and a sense of discipline. The original VFW Boys Band was formed in 1927, with Donald W. "Squire" Hurrelbrink becoming director in 1930. In 1957, the name changed to the Warren Junior Military Band. Travels took the band from the East Coast to the West Coast, from Canada to the Gulf of Mexico, and to audiences abroad, amassing an impressive record of Midwest, Canadian, European, American Legion, and VFW National Championships. Throughout the years, the band performed at numerous prestigious events and for an impressive number of dignitaries, as well as a phenomenal number of local, civic, and patriotic festivities. Members were privileged to have Squire's leadership for 66 years. Alumni continued to lead, direct, and pass on the values they learned under Squire's guidance. Finally, in 2010, the band ended its long legacy.

During World War II, the U.S. military employed all-female bands to support bond drives. These bands drew such attention that they were placed on tour, raising money for the war and boosting morale. Even after the war ended, the bands would last for some 60 years. Based on Jill Sullivan's interviews with over 70 surviving band members, Bands of Sisters: U.S. Women's Military Bands during World War II tells the tale of this remarkable period in the history of American women. The opportunities presented by military service inevitably promoted new perspectives on what women could accomplish outside of the home, resulting in a lifetime of lasting relationships that would inspire future generations of musicians.

Describes the skills, attitude, and practice required to be in a marching band and includes a history of the marching band and their competitions.

As part of the mission of The Donald Hunsberger Wind Library, the 1994 hardcover edition (University of Rochester Press) of The Wind Ensemble and Its Repertoire has now been published in a paperback edition. This compendium of research includes "must have" information on the history and execution of the wind ensemble repertoire.

This is the first book to consider the relationship between British imperialism and music. With its unique ability to stimulate the emotions and to create mental images, music was used to dramatize, illustrate, and reinforce the components of the ideological cluster that constituted British imperialism in its heyday: patriotism, monarchism, hero-worship, Protestantism, racialism, and chivalry. It was also used to emphasize the inclusiveness of Britain by stressing the contributions of England, Scotland, Wales, and Ireland to the imperial project.