Milton S Imperial Epic

Written during the crucial first phase of English empire-building in the New World, Paradise Lost registers the radically divided attitudes toward the settlement of America that existed in seventeenth-century Protestant England. Evans looks at the relationship between Milton's epic and the pervasive colonial discourse of Milton's time. Evans bases his analysis on the literature of exploration and colonialism. The primary sources on which he draws range from sermons about the New World justifying colonization and exhorting virtue among colonists to promotional pamphlets designed to lure people and investment into the colonies. Evans's research allows him to create a richly textured picture of anxiety and optimism, guilt and moral certitude. The central question is whether Milton supported England's colonization or covertly attempted to subvert it. In contrast to those who attribute to Paradise Lost a specific political agenda for the American colonies, Evans maintains that Milton reflects the complexity and ambivalence of attitudes held by English society. Analyzing Paradise Lost against this background, Evans offers a new perspective on such fundamental issues as the narrator's shifting stance in the poem, the unique character of Milton's prelapsarian paradise, and the moral and intellectual status of Adam and Eve before and after the fall. From Satan's arrival in Hell to the expulsion from the garden of Eden, Milton's version of the Genesis myth resonates with the complex thematics of Renaissance colonialism.

Examines the figure of the cannibal as it relates to cultural identity in a wide range of literary and cultural texts.

There is a crying need for an accessible, comprehensive guide to John Milton for the thousands of students who make their way through his poetry every year on literary survey and seventeenth century literature courses. Where many previous guides have dragged their way through Paradise Lost, Richard Bradford brings Milton to life with an overview of his life, contexts, work and the relationship between these, and of the main critical issues surrounding his work.

This volume is part of a series of comprehensive, user-friendly introductions which offer basic information on an author's life, contexts and works.

A two-volume history of the criticism of John Milton's epic Paradise Lost, tracing the major debates as they have unfolded over the past three centuries.

Faithful Labourers surveys and evaluates existing criticism of John Milton's epic Paradise Lost, tracing the major debates as they have unfolded over the past three centuries. Eleven chapters split over two volumes consider the key debates in Milton criticism, including discussion of Milton's style, his use of the epic genre, and his references to Satan, God, innocence, the fall, sex, nakedness, and astronomy. Volume one attends to questions of style and genre. The first three chapters examine the longstanding debate about Milton's grand style and the question of whether it forfeits the native resources of English. Early critics saw Milton as the pre-eminent poet of 'apt Numbers' and 'fit quantity', whose verse is 'apt' in the specific sense of achieving harmony between sound and sense; twentieth-century anti-Miltonists faulted Milton for divorcing sound from sense; late twentieth-century theorists have denied the possibility that sound can 'enact' sense. These are extreme changes of critical perception, and yet the story of how they came about has never been told. These chronological chapters explain the roots of these changes and, in doing so, engage with the enduring theoretical question of whether it is possible for sound to enact sense. Volume two considers interpretative issues, and each of the six chapters traces a key debate in the interpretation of Paradise Lost. They engage with such questions as whether Paradise Lost is an epic or an anti-epic, whether Satan runs away with the poem (and whether it is good that he does so), what it means to be innocent (or fallen), and whether Milton's poetry is hostile to women. A final chapter on the universe of Paradise Lost makes the provocative argument that almost every commentator since the middle of the eighteenth century has led readers astray by presenting Milton's universe as the medieval model of Ptolemaic spheres. This assumption, which has fostered the notion that Milton was backward-looking or anti-intellectual, rests upon a misreading of three satirical lines. Milton's earliest critics recognized that he unequivocally embraces the new astronomy of Kepler and Bruno.

The Cartographic Revolution in the Renaissance made maps newly precise, newly affordable, and newly ubiquitous. In sixteenth-century Britain, cartographic materials went from rarity to household décor within a single lifetime, and they delighted, inspired, and fascinated people across the socioeconomic spectrum. At the same time, they also unsettled, upset, disturbed, and sometimes angered their early modern readers. Early Modern English Literature and the Poetics of Cartographic Anxiety is the first monograph dedicated to recovering the shadow history of the many anxieties provoked by early modern maps and mapping in the sixteenth and seventeenth centuries. A product of a military arms race, often deployed for security and surveillance purposes, and fundamentally distortive of their subjects, maps provoked suspicion, unease, and even hostility in early modern Britain (in ways not dissimilar from the anxieties provoked by global positioning-enabled digital mapping in the twenty-first century). At the same time, writers saw in the resistance to cartographic logics and strategies the opportunity to rethink the way literature represents space—and everything else. This volume explores three major poems of the period—Edmund Spenser's The Faerie Queene (1590, 1596), Michael Drayton's Poly-Olbion (1612, 1622), and John Milton's Paradise Lost (1667, 1674)—in terms of their vexed and vexing relationships with cartographic materials, and shows how the productive protest staged by these texts redefined concepts of allegory, description, personification, bibliographic materiality, narrative, temporality, analogy, and other elemental components of literary representations.

THE LIFE OF THE AUTHOR An expansive biography of John Milton, including an assessment of his poetry and prose and an account of the ways in which he has been presented over the past three and a half centuries—written by a leading scholar in the field It is hard to overstate the role that John Milton played in the historical, political and literary controversies of seventeenth century England; his writings and very life challenged the status quo. Living through one of the most tumultuous periods in British history, Milton was involved at every turn. Struggling to reconcile his private beliefs with his involvement with a radical political experiment, a republic which involved the killing of the monarch, his star rose and fell several times during his life. Married three times, struck blind at a cruelly early age, he was a famed pamphleteer and political activist whose revolutionary political credos placed him in mortal danger after the Restoration. Milton’s varied life makes for fascinating reading but it also produced some of the most important poetry in the English language. Paradise Lost, the only poem in English recognized as an epic, challenged conventional thinking on widespread topics from religion and gender equality to the fundamental question of why we behave as we do. This fascinating new biography is divided into two parts. The first separates the man from the myth, and elucidates the complicated details of Milton’s life from his early years as a literary artist uncertain of his destiny, through his work as a propagandist for the Cromwellian republic, to his rewriting of the Old Testament story of the Fall as a poetic allegory of more recent history. The second looks at how biographers and critics from the seventeenth century to the present day have distorted and manipulated the personality of Milton to suit their biases. Balancing accessibility with academic rigor, this volume: Examines the significant aspects of Milton’s life and work, including his poetry and prose, his government writings, his travels, and his final years Explores Milton’s Protestant and republican influences in Paradise Lost, Paradise Regained, and his other literary works Highlights the differences and similarities between Milton’s poetry and political prose Follows the history of biographical and critical presentations of Milton from the seventeenth century onwards, including his adoption as a hero of Romanticism and his survival in the twentieth century as, allegedly, a sceptical humanist Addresses modern critiques of Milton in Marxism, Feminism, and other branches of Theory The Life of the Author: John Milton. Poet and Revolutionary is essential reading for undergraduate and graduate students, university lecturers, and academic researchers in relevant fields, particularly seventeenth century poetry and history, as well as literary biography and the history of criticism.