Misfortune And Fame

Paul Berton, Canada’s antidote to the waste and excess of consumer culture, is back with another dose of satire at the expense of the rich, famous and totally miserable There is little argument that having enough money to meet needs is important. But beyond that, what makes us happy? Is a lot of money the answer? Is a glamorous life actually glamorous? Must we have thousands of followers on social media, only to have the internet rabble criticize us at every turn? Amid all the fun and frivolity, there is inevitable misery and madness. A double-edged sword. A poisoned chalice. That’s what this book is about: In ten punchy chapters full of anecdotes about the miseries and misfortunes of the affluent, Berton offers readers ten reasons NOT to wish for fame or fortune. Paul Berton’s previous book about consumerism, Shopomania, was described as “a must-read primer for understanding how our thirst for acquiring and showcasing things has exacted heavy tolls on our psychology, on our society, and on the environment. Cataloguing the symptoms of our shopaholic culture, Berton shares wisdom about breaking the shackles imposed by our possessions.” (Mark Cleveland, PhD, professor and Dancap Chair in Consumer Behavior, University of Western Ontario)

If one Andy Warhol Mini Journal is portable pop fun, a set of three is even better! Galison's Andy Warhol Mini Journal Set holds three different mini journals, each with a photo of a sunglass-wearing Warhol and one of his quotations: "Everybody should like everybody," "The idea of waiting for something makes it more exciting," and "Art is what you can get away with." Andy Warhol (1928-87) was one of the preeminent American artists of the twentieth century. This set of journals was created in conjunction with the Andy Warhol Foundation for the Visual Arts, Inc.

Presents the lives, deaths, and scandals involving the fifty-six signers of the Declaration of Independence, including John Adams, John Hancock, and Thomas Jefferson.

Book jacket unfolds to reveal a full-color reproduction of the U.S. Constitution.

All poetry, no matter what genre, has to come from the heart. For without feeling behind the words then the words are but shallow empty shells upon the page. Poetry has to be felt by the writer in order to pass on that same feeling to the reader of the piece. In Feelings Poetry, author Gary Mclauchlan presents a poignant collection of poems that expresses his innermost feelings deep within his heart.

Beginning with the premise that the biopic is a form of adaptation and an example of intermediality, this collection examines the multiplicity of 'source texts' and the convergence of different media in this genre, alongside the concurrent issues of fidelity and authenticity that accompany this form. The contributors focus on big and small screen biopics of British celebrities from the late twentieth and twenty-first centuries, attending to their myth-making and myth-breaking potential. Related topics are the contemporary British biopic's participation in the production and consumption of celebrated lives, and the biopic's generic fluidity and hybridity as evidenced in its relationship to such forms as the bio-docudrama. Offering case studies of film biographies of literary and cultural icons, including Elizabeth I, Elizabeth II, Diana Princess of Wales, John Lennon, Shakespeare, Jane Austen, Beau Brummel, Carrington and Beatrix Potter, the essays address how British identity and heritage are interrogated in the (re)telling and showing of these lives, and how the reimagining of famous lives for the screen is influenced by recent processes of manufacturing celebrity.