Miss Morton And The English House Party Murder

Bridgerton meets Agatha Christie and Downton Abbey in this beguiling new Regency set series, as drastic circumstances compel Lady Caroline Morton, the penniless daughter of a deceased earl, to join the “downstairs” working class as a lady’s companion… whose duties soon involve solving a murder! Following the suspicious death of her father, the Earl of Morton, and the discovery that she and her much younger sister have been left without income or home, Lady Caroline takes a post as a lady’s companion to wealthy widow Mrs. Matilda (Matty) Frogerton. Eager to introduce herself and her rather wild daughter to the ton, Mrs. Frogerton is pleased when they are invited by Caroline’s aunt, Lady Eleanor Greenwood, to a house party in the countryside. For her part, Caroline is eager to see her little sister, who now lives with their aunt. But all is not well at the Greenwood estate . . . For one thing, Lady Caroline’s former fiancé, Lord Francis Chatham, is a guest and refuses to speak to her. Worse, after a series of troubling harassments of the staff, an elderly family member is found fatally stabbed by a knitting needle. . . . As Caroline and an unexpected ally—Mrs. Frogerton—attempt to solve the chilling crime, they discover bizarre clues in the nursery as to who will be next. But they must make haste, for this heartless killer is engaged in anything but child’s play . . .

The options for the penniless daughter of a deceased Earl are few indeed in Regency England. So, following the suspicious death of her father, the Earl of Morton, and the discovery that she and her much younger sister have been left without income or home, Lady Caroline takes a post as a lady's companion to the wealthy widow Frogerton. Just as Caroline is getting accustomed to her new position, her aunt, Lady Eleanor Greenwood, invites her and her employer to a house party. Mrs Matilda (Matty) Frogerton sees this as an opportunity to introduce her own rather wild daughter, Dorothy, to the ton, and Caroline is eager to see her sister, who as a child lives with their aunt. But all is not well at the Greenwood estate. For one thing, Lady Caroline's former fiance, Lord Francis Chatham, is a guest and refuses to speak to her. Far worse, an elderly family member is found stabbed by a knitting needle.

From the author of the critically acclaimed Kurland St. Mary series, this new historical mystery series is “a charming cross between a Regency romance and a well‐constructed detective story” (Kirkus Reviews), and will appeal to fans of Victoria Thompson and Deanna Raybourn. Lady Caroline is happy to be back amid the swirl of London society, guiding her employer’s daughter, Dorothy Frogerton, through her first Season. Dorothy has been declared “an original” by a patron of the exclusive social club, Almack’s, and is sifting through potential suitors. Mrs. Frogerton, meanwhile, finds her own diversions, including spiritualist gatherings at the home of Madam Lavinia, and begs Caroline to come along. Caroline is skeptical of Madam’s antics and faux French accent—until she slips a note into Caroline’s hand, which contains intimate family knowledge. Even as Caroline tries to discern whether the spiritualist’s powers are real, a much darker mystery presents itself. Madam Lavinia is found lifeless in her chair, a half-empty glass of port at her elbow. In her desk is a note addressed to Caroline, entreating her to find her murderer. Caroline needs no psychic abilities to determine a motive, for it seems that Madam was blackmailing some of her clients and has left a trail of aggrieved aristocrats behind. But as Caroline and Mrs. Frogerton investigate further, they find other suspects, and a litany of deceptions, some very close to home. Now Caroline will need to keep all her wits about her if she is to stop others from joining Madam Lavinia in the afterlife . . .

Social standing is everything in Regency England—and no one knows better than Miss Caroline Morton, a lady’s companion from a disgraced line. But when she has a chance to claim what’s rightfully hers, the one obstacle in her way is a dangerous murder mystery . . . Miss Caroline has doubts when she receives an urgent invitation from a London law firm to discuss her late father’s estate. After all, the dishonored Earl of Morton died without a pound sterling to pass on to his two daughters. But while immersing herself in helping Mrs. Frogerton’s capricious daughter navigate the high social season, Caroline meets with a cagey lawyer, Mr. Smith, who shares life-altering news—the earl composed a second will, leaving behind an undisclosed fortune. Mrs. Frogerton, however, is thoroughly unimpressed with the firm’s conduct and suspicious of their true motives. Her instinct proves right when the two ladies find the office ransacked, staff in turmoil, and Mr. Smith missing. The full weight of the situation doesn’t sink in until Mr. Smith dies following a brutal attack on the street—discovered with an empty envelope bearing Caroline’s name in his pocket. With a connection forming between two deaths at the firm, Caroline can’t imagine why anyone would kill twice over the contents of a will. Further complicating matters is the amorous Mr. DeBloom—who claims his mother goaded the earl into making bad investments and promises to link Caroline to her inheritance—and the disappearance of Susan, her younger sister. As Caroline unwittingly becomes the center of both a criminal case and a sordid love triangle, she must tread with caution while seeking the truth . . . because someone is waiting to reduce her to nothing more than a signature on a dotted line.

Withdrawing from a family party to the solitude of her tree house, 16-year-old Laurel Nicolson witnesses a shocking murder that throughout a subsequent half century shapes her beliefs, her acting career and the lives of three strangers from vastly different cultures. By the best-selling author of The Distant Hours. Reprint. 200,000 first printing.

Frances Wynn, the American-born Countess of Harleigh, returns in Dianne Freeman’s charming, lighthearted mystery series set in Victorian England, and finds her wedding day overshadowed by murder . . . On the eve of her marriage to George Hazelton, Frances has a great deal more on her mind than flowers and seating arrangements. The Connors and the Bainbridges, two families of American robber barons, have taken up residence in London, and their bitter rivalry is spilling over into the highest social circles. At the request of her brother, Alonzo, who is quite taken with Miss Madeline Connor, Frances has invited the Connor family to her wedding. Meanwhile, Frances’s mother has invited Mr. Bainbridge, and Frances fears the wedding may end up being newspaper-worthy for all the wrong reasons. On the day itself, Frances is relieved to note that Madeline’s father is not among the guests assembled at the church. The reason for his absence, however, turns out to be most unfortunate: Mr. Connor is found murdered in his home. More shocking still, Alonzo is caught at the scene, holding the murder weapon. Powerful and ruthless, Connor appears to have amassed a wealth of enemies alongside his fortune. Frances and George agree to put their wedding trip on hold to try and clear Alonzo’s name. But there are secrets to sift through, not just in the Bainbridge and Connor families, but also in their own. And with a killer determined to evade discovery at any cost—even if it means taking another life—Frances’s first days as a newlywed will be perilous indeed . . .

An English spa town is not beneficial to everyone’s health in this Regency-era mystery by the author of Death Comes to the School. After Major Sir Robert Kurland’s injury from the battle of Waterloo begins troubling him again, his wife Lady Lucy insists they relocate from the village of Kurland St. Mary to Bath, along with her sister Anna, so that Robert can take the waters and recover. At the Roman baths, Robert befriends an elderly and pugnacious businessman, Sir William Benson, ennobled by the Crown for his service to industry. Their acquaintance is short-lived, however, when the man is found drowned in the baths. Robert vows to find his killer, with Lucy’s aid. The members of Sir William’s family seem the most obvious suspects to benefit from the wealthy man’s death, but his will has gone missing. To deduce who sent Sir William to a watery grave, Robert and Lucy must investigate with the utmost discretion—before they too find themselves in over their heads… Praise for Death Comes to Bath “Well-crafted…. The couple’s complementary investigative skills shine in a plot that balances colorful characters and lively action.”—Publishers Weekly “An amusing combination of Regency mores, romantic aspirations, and a clever mystery makes this one of Lloyd’s best.”—Kirkus Reviews