Miss Witherspoon And Mrs Bob Cratchit S Wild Christmas Binge

From one of theater’s most outrageous comic talents, two plays—one a Pulitzer Prize in Drama finalist, the other a twisted take on Christmas classics. In this book, Christopher Durang, the criminally funny author of Sister Mary Ignatius Explains It All for You, presents two plays about death, religion, and a creamy Christmas pudding. In Miss Witherspoon—named one of the Ten Best Plays of 2005 by both Time and Newsday—Veronica, a recent suicide whose cantankerous attitude has not improved in the afterlife, discovers that the one thing worse than the world she left behind is having to go back for seconds. Ordered to cleanse her “brown tweedy aura,” Veronica resists being reincarnated (as a trailer-trash teen or an overexcited Golden Retriever), only to find that she may be mankind’s last, best hope for survival. In Mrs. Bob Cratchit’s Wild Christmas Binge, a sassy ghost once again attempts to shake Scrooge from his holiday humbug, but the whole family-friendly affair is deliciously derailed by Mrs. Cratchit’s drunken insistence on stepping out of her miserable, treacly role. Morals are subverted, starving yet plucky children sing carols, and somebody’s goose is cooked as Durang lovingly skewers A Christmas Carol, It’s a Wonderful Life, and many more to create a brand-new, cracked Christmas classic.

THE STORY: Veronica, already scarred by too many failed relationships, finds the world a frightening place. Skylab, an American space station that came crashing down to earth, in particular, haunts and enrages her. So she has committed suicide, and

Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.

The Theatre of Christopher Durang considers the works of one of the foremost comedic writers for the American stage. From Durang's early success with the controversial Sister Mary Ignatius Explains It All for You (1974) to his recent Tony Award-winning play, Vanya and Sonia and Masha and Spike (2012), he has been an original theatrical voice in American theatre. Edith Oliver, long-time theatre critic for The New Yorker, described Durang as “one of the funniest men in the world.” Durang challenges traditional dramatic idioms with his irreverent comedies that are as shocking as they are prescient and compassionate. This volume provides the first comprehensive examination of Durang's works and incorporates comedic theory to examine how laughter in performance subverts social conventions and hierarchies. Through a clear, detailed discussion of the plays, Miriam Chirico considers Durang's use of black comedy, satire, and parody to explode such topics as: western literature, religion, dysfunctional families, and American social malaise. Robert Combs and Jay Malarcher provide additional critical perspectives about Durang's works, detailing his use of alienation techniques and locating his place within the American parodic tradition. The book also includes a warm introduction by Durang's former student, Pulitzer Prize-winner, David Lindsay-Abaire. The Theatre of Christopher Durang, in demonstrating how Durang has shaped contemporary theatrical possibilities, offers a valuable guide for students of American drama and comedy.

“[A] hilarious and disturbing new comedy about all-American violence” and other whip-smart political satires by the Tony Award-winning playwright (Ben Branley, The New York Times). Christopher Durang, who The New York Observer called “Jonathan Swift’s nicer, younger brother,” became one of America’s most beloved and acclaimed playwrights by marrying gonzo farce with incisive social critique. Now collected in Why Torture Is Wrong, and the People Who Love Them and Other Political Plays are Durang’s most revealing satirical plays. Why Torture Is Wrong, and the People Who Love Them is the story of a young woman in crisis: Is her new husband, whom she married when drunk, a terrorist? Or just crazy? Or both? Is her father’s hobby of butterfly collecting really a cover for his involvement in a shadow government? Does her mother frequent the theater for mental escape, or is she just insane? Add in a minister who directs porno, and a ladylike operative whose underwear just won’t stay up, and this black comedy will make us laugh all the way to the waterboarding room. Also included in this volume are: Excerpts from Sex and Longing Cardinal O’Connor The Book of Leviticus Show Entertaining Mr. Helms The Doctor Will See You Now Under Duress: Words on Fire An Alter Boy Talks to God The Hardy Boys and the Mystery of Where Babies Come From

The title play tells the story of a young woman who wakes up to find herself in bed with a man she does not know, and to whom she has apparently got married while drunk the previous night. And to make matters worse, it seems like he might be a terrorist.

Tony Award Winner, Best Play: “Hugely entertaining...deliciously madcap...offers some keen insights into the challenges and agonies of 21st-century life.”—USA Today Nominated for six Tony Awards, Vanya and Sonia and Masha and Spike is one of the most lauded and beloved Broadway plays of recent years. Vanya and his adopted sister Sonia live a quiet life in the Pennsylvania farmhouse where they grew up, but their peace is disturbed when their movie star sister, Masha, returns unannounced with her twenty-something boy toy, Spike—and a weekend of rivalry, regret, and raucousness begins... Winner of the Outer Circle Critics Award for Best Play Winner of the Drama League Award for Best Production of a Play Winner of the Drama Desk Award for Best Play Winner of the New York Drama Critics Circle Award for Best Production Winner of the Off-Broadway Alliance Award for Best Play