Missing Mary

What ever happened to the Virgin Mary in the modern Catholic Church? For the past forty years her presence has been radically minimized. In a groundbreaking work, Charlene Spretnak cuts across the battle lines delineated by the left and the right within the Church to champion the recovery of the full spiritual presence of Mary. Spretnak, a liberal Catholic, sheds new light on the dethroning of the Queen of Heaven at Vatican II, and she traces the rise of a grassroots resurgence of Marian spirituality in recent years. She offers fresh reflections on the meaning of Mary, situating the Marian renewal in the larger context of contemporary efforts to correct the barrenness and sterility of modernity. Spretnak also notes that much of the cosmological symbolism traditionally associated with Mary as the Queen of Heaven and the maternal matrix is simpatico with recent discoveries in scientific cosmology about the profoundly relational nature of the Creation. Moreover, Spretnak asserts that a deep loss ensues for women in particular when Mary's female embodiment of grace and mystical presence is denied and replaced with a strictly text-bound version of her as a Nazarene housewife. Complete with a striking insert of contemporary Marian art, Missing Mary is a deeply insightful reflection on Mary in the modern age.

New York Times Bestseller "Dark and twisty, with white-knuckle tension and jaw-dropping surprises." —Riley Sager, New York Times bestselling author of Home Before Dark In this smart and chilling thriller, master of suspense Mary Kubica, author of Just the Nicest Couple, takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried. People don't just disappear without a trace… Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold. Now, eleven years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they'll find… Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... Look for these other edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie When the Lights Go Out The Other Mrs. Just The Nicest Couple She's Not Sorry

What ever happened to the Virgin Mary in the modern Catholic Church? For the past forty years her presence has been radically minimized. In a groundbreaking work, Charlene Spretnak cuts across the battle lines delineated by the left and the right within the Church to champion the recovery of the full spiritual presence of Mary. Spretnak, a liberal Catholic, asserts that a deep loss ensues for women in particular when Mary's female embodiment of grace and mystical presence is denied and replaced with a strictly text-bound version of her as a Nazarene housewife. Complete with a striking insert of contemporary Marian art, Missing Mary is a deeply insightful reflection on Mary in the modern age.

NEW YORK TIMES BESTSELLER HIGHLY RECOMMENDED BY ENTERTAINMENT WEEKLY · PEOPLE MAGAZINE · MARIE CLAIRE · POPSUGAR · BUSTLE · SHEREADS · HELLOGIGGLES · and more! A woman is drawn into a mysterious web of secrets in this twisty whodunnit from New York Times bestselling author Mary Kubica Sadie and Will Foust have only just moved their family from bustling Chicago to a coastal island in Maine when their neighbor Morgan Baines is found dead in her home. The murder rocks their tiny coastal island, but no one is more shaken than Sadie. But it’s not just Morgan’s death that has Sadie on edge. And as the eyes of suspicion turn toward the new family in town, Sadie is drawn deeper into the mystery of what really happened that dark and deadly night. But Sadie must be careful, for the more she discovers about Mrs. Baines, the more she begins to realize just how much she has to lose if the truth ever comes to light. “Altogether unpredictable.” —Karin Slaughter, New York Times bestselling author Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... And look for the new editions of The Good Girl, Pretty Baby, Don’t You Cry and Every Last Lie featuring brand new covers! More edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie When the Lights Go Out Local Woman Missing Just The Nicest Couple She’s not Sorry

The Western cultural consensus based on the ideas of free markets and individualism has led many social scientists to consider poverty as a personal experience, a deprivation of material things, and a failure of just distribution. Mary Douglas and Steven Ney find this dominant tradition of social thought about poverty and well-being to be full of contradictions. They argue that the root cause is the impoverished idea of the human person inherited through two centuries of intellectual history, and that two principles, the idea of the solipsist self and the idea of objectivity, cause most of the contradictions. Douglas and Ney state that Economic Man, from its semitechnical niche in eighteenth-century economic theory, has taken over the realms of psychology, consumption, public assistance, political science, and philosophy. They say that by distorting the statistical data presented for policy analysis, the ideas of the solipsist self and objectivity indeed often protect a political bias. The authors propose to correct this by revising the current model of the person. Taking cultural bias into account and giving full play to political dissent, they restore the "persons" who have been missing from the social science debates. Drawing from anthropology, economics, political science, and sociology, the authors set forth a fundamental critique of the social sciences. Their book will find a wide audience among social scientists and will also interest anyone engaged in current discussions of poverty. This book is a copublication with the Russell Sage Foundation.

Mary Robinette Kowal stunned readers with her charming first novel Shades of Milk and Honey, a loving tribute to the works of Jane Austen in a world where magic is an everyday occurrence. This magic comes in the form of glamour, which allows talented users to form practically any illusion they can imagine. Shades debuted to great acclaim and left readers eagerly awaiting its sequel. Glamour in Glass continues following the lives of beloved main characters Jane and Vincent, with a much deeper vein of drama and intrigue. In the tumultuous months after Napoleon abdicates his throne, Jane and Vincent go to Belgium for their honeymoon. While there, the deposed emperor escapes his exile in Elba, throwing the continent into turmoil. With no easy way back to England, Jane and Vincent's concerns turn from enjoying their honeymoon...to escaping it. Left with no outward salvation, Jane must persevere over her trying personal circumstances and use her glamour to rescue her husband from prison . . . and hopefully prevent her newly built marriage from getting stranded on the shoals of another country's war. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

On December 4th, 1872, a 100-foot brigantine was discovered drifting through the North Atlantic without a soul on board. Not a sign of struggle, not a shred of damage, no ransacked cargo—and not a trace of the captain, his wife and daughter, or the crew. What happened on board the ghost ship Mary Celeste has baffled and tantalized the world for 130 years. In his stunning new book, award-winning journalist Brian Hicks plumbs the depths of this fabled nautical mystery and finally uncovers the truth. The Mary Celeste was cursed as soon as she was launched on the Bay of Fundy in the spring of 1861. Her first captain died before completing the maiden voyage. In London she accidentally rammed and sank an English brig. Later she was abandoned after a storm drove her ashore at Cape Breton. But somehow the ship was recovered and refitted, and in the autumn of 1872 she fell to the reluctant command of a seasoned mariner named Benjamin Spooner Briggs. It was Briggs who was at the helm when the Mary Celeste sailed into history. In Brian Hicks’s skilled hands, the story of the Mary Celeste becomes the quintessential tale of men lost at sea. Hicks vividly recreates the events leading up to the crew’s disappearance and then unfolds the complicated and bizarre aftermath—the dark suspicions that fell on the officers of the ship that intercepted her; the farcical Admiralty Court salvage hearing in Gibraltar; the wild myths that circulated after Sir Arthur Conan Doyle published a thinly disguised short story sensationalizing the mystery. Everything from a voodoo curse to an alien abduction has been hauled out to explain the fate of the Mary Celeste. But, as Brian Hicks reveals, the truth is actually grounded in the combined tragedies of human error and bad luck. The story of the Mary Celeste acquired yet another twist in 2001, when a team of divers funded by novelist Clive Cussler located the wreck in a coral reef off Haiti. Written with the suspense of a thriller and the vivid accuracy of the best popular history, Ghost Ship tells the unforgettable true story of the most famous and most fascinating maritime mystery of all time.

Auto/biography is currently one of the most popular literary genres, widely supposed to illuminate the study of the individual and his or her personal circumstances. Missing Persons suggests that auto/biography is, in fact, based on fictions, both about the person and about what it is possible to know about any one individual. Organised into chapters which consider particular kinds of auto/biographical writing, such as work on the British Royal Family and auto/biographies of twentieth-century men, this book demonstrates the absences and evasions - indeed the `missing persons - of auto/biography. Mary Evans' book will provide invaluable reading for students of womens studies, sociology and cultural studies courses.