Mississippi Morning

Set in 1933 Mississippi, this thought-provoking story about a young boy who lives in an environment of racial hatred will challenge young readers to question their own assumptions and confront personal decisions. Full color.

From an acclaimed short-story writer, a blazingly intelligent and humorous debut novel that is set in New Orleans and tells the story of two strangers whose paths first cross on the remarkable banks of the Mississippi. Cleo, a Canadian on holiday in New Orleans, is sitting alone in the French Quarter late one night, dreamily watching the river’s lazy progress. Suddenly, a woman clad in full evening dress, from rhinestone tiara to high heels, takes a running leap off the wharf into the Mississippi. Cleo watches, astonished, then turns and runs, mistakenly assuming the jumper is dead — a suicide. But Madeline, it turns out, is not bent on suicide. She is irresistibly drawn to water, as is Cleo, who was conceived during the great flood in Florence in 1966. Perhaps it is this shared obsession with the murky depths that fuels Cleo’s determination to find Madeline. She pounds the quaint streets of New Orleans, city of cheap bourbon, rich turtle soup, the scent of magnolias and A Streetcar Named Desire. Spelling Mississippi is filled with all the bristling energy of Fall on Your Knees. Told with great humour and affection, it is a seductive, liberating story about ties that bind and those that simply restrain, and a lesson not in spelling but forgiveness.

Creators and Context. Starting in the mid-1980s, a talented group of comics creators changed the American comic industry forever by introducing adult sensibilities and aesthetics into popular genres such as superhero comics and the newspaper strip. Frank Millers Batman The Dark Knight Returns 1986 and Alan Moore and Dave Gibbonss Watchmen 1987 in particular revolutionized the genre. During this same period, underground and alternative genres began to garner critical acclaim and media attention, as best represented by Art Spiegelmans Maus. The Rise of the American Comics Artist is an insightful volume surveying the

With contributions from Elizabeth Aydelott, Fred Banks, Jimmy Buffett, Edward Cohen, Maggie Wade Dixon, Ellen Douglas, W. Ralph Eubanks, Richard Ford, Gwendolyn Gong, Carolyn Haines, Lorian Hemingway, Samuel Jones, Robert Khayat, B. B. King, John Maxwell, Alberto Mora, Donald Peterson, Noel Polk, Jerry Rice, George Riggs, Robert St. John, Sid Salter, Constance Slaughter-Harvey, Elizabeth Spencer, Clifton Taulbert, Keith Tonkel, Sela Ward, Wyatt Waters, Jim Weatherly, and William Winter Growing Up in Mississippi shares experiences and impressions from a multifaceted group representing all areas of the state and many professions, talents, and temperaments. Parents, teachers, churches, communities, landscape, and historical context profoundly influenced these men and women when they were young. In his revealing foreword, Richard Ford explores the very essence of influence and illustrates his conclusions by recalling an indelible incident between his mother and himself in the front yard of their home on Congress Street in Jackson, Mississippi. The volume then showcases poignant memories of other distinguished individuals: a governor and statesman, journalists, a news anchor, a playwright, novelists, memoirists, a publisher, a minister, educators and scholars, judges and lawyers, a test pilot and astronaut, a renowned watercolorist, a celebrated actress, and many more. Spanning more than five decades, these essays give us a glimpse of the people and places that nurtured these outstanding individuals and their remarkable gifts.

Mississippi is a state with a rich and diverse history. This book explores the intriguing features of the state, including its rich literary history. Sidebars support the narrative and readers will enjoy the resource section, which encourages further exploration.

"Natchez, Mississippi, once had more millionaires per capita than anywhere else in America, and its wealth was built on slavery and cotton. Today it has the greatest concentration of antebellum mansions in the South, and a culture full of unexpected contradictions. Prominent white families dress up in hoopskirts and Confederate uniforms for ritual celebrations of the Old South, yet Natchez is also progressive enough to elect a gay black man for mayor with 91 percent of the vote"--

Raised under the racial segregation that kept her family's southern country hotel afloat, Norma Watkins grows up listening at doors, trying to penetrate the secrets and silences of the black help and of her parents' marriage. Groomed to be an ornament to white patriarchy, she sees herself failing at the ideal of becoming a southern lady. The Last Resort, her compelling memoir, begins in childhood at Allison's Wells, a popular Mississippi spa for proper white people, run by her aunt. Life at the rambling hotel seems like paradise. Yet young Norma wonders at a caste system that has colored people cooking every meal while forbidding their sitting with whites to eat. Once integration is court-mandated, her beloved father becomes a stalwart captain in defense of Jim Crow as a counselor to fiery, segregationist Governor Ross Barnett. His daughter flounders, looking for escape. A fine house, wonderful children, and a successful husband do not compensate for the shock of Mississippi's brutal response to change, daily made manifest by the men in her home. A sexually bleak marriage only emphasizes a growing emotional emptiness. When a civil rights lawyer offers love and escape, does a good southern lady dare leave her home state and closed society behind? With humor and heartbreak, The Last Resort conveys at once the idyllic charm and the impossible compromises of a lost way of life.