Mithras

Mithras explores the history and practices of the ancient mystery religion Mithraism, looking at both literary and material evidence for the god Mithras and the reception and allure of his mysteries in the present. The genesis and spread of Mithraism remain highly controversial. This book examines our current state of knowledge on the pre-classical Indo-Iranian god, Mitra, and argues that Mithraism was a product of Mitra’s encounter with the religious thought of the classical world. It then charts the life history of Mithraism in the Roman Empire, exploring the social background of its initiates and the reasons for their attraction to the religion. The rituals and beliefs of the cult are as mysterious as its origins; in studying Mithraic "caves" and paintings found in some Mithraic temples, we can better understand and reconstruct the rituals the Mithraists practiced. While "bull-slaying", or tauroctony, lies at the core of the Mithraic mythos, this volume explores other incidents in the god’s life depicted in ancient art, including his miraculous birth and his banquet with the sun, as well as the disconcerting lion-headed "enveloped god". After a fall from grace in the post-classical world, Mithras has resurrected himself in the present, establishing himself as one of the most recognisable if elusive gods of antiquity. Mithras provides a fascinating study of this complex god that will be of interest to scholars and students of Roman and Late Antique religion, mystery cults, as well as those working on society and religion in antiquity more broadly.

The Mysteries of Mithras presents a revival of this ancient Roman mystery religion, popular from the late second century B.C. Payam Nabarz reveals the history and tenets of Mithraism, its connections to Christianity, Islam, and Freemasonry, and the modern neo-pagan practice of Mithraism today. Included are seven of its initiatory rituals.

Known as Mitra to the Indians, Mithra and Zarathustra (Zoroaster in Greek) to the Iranians, and Mithras to the Romans, this is the oldest of all living deities. Mithras was recognized as the greatest rival of Christianity, a greater threat even than the religion of Isis. If Rome had not become Christian, it would have become Mithrasian. Mithraisians had a sacrament that included wine as a symbol of sacrificial blood. Bread in wafers, or small loaves marked with a cross, was used to symbolize flesh. The priestly symbols were a staff, a ring, a hat, and a hooked sword/ members were called brothers, and priests were called "Father." Mithras was born on December 25th. He offered salvation based on faith, compassion, knowledge, and valor. He appealed to the poor, the slave and the freeman, as well as to the Roman aristocracy, the militia, and even to some emperors. The Christians sacked his temples, burned his books, and attacked his followers--they desecrated his temples, and built their own churches on the same foundations as the old Mithraic temples. Cooper examines Mithras and his religion in the most complete study ever done. He explores the various forms of this godworshiped from Lisbon to modrn Bangladesh, from the Scottish border to the Russian Steppesand investigates the worship. This is an exciting journey into living mythology, the history of a living god, and will fascinate modern Western readers who want to know more about the spiritual pathwhether they want to better understand contemporary Christianity, the basis of many contemporary ideaologies, mythology, or the Western Mystery Tradition.

This volume sets forth a new explanation of the meaning of the cult of Mithraism, tracing its origins not, as commonly held, to the ancient Persian religion, but to ancient astronomy and cosmology.

Attilio Mastrocinque explains the mysteries of Mithras in a new way, as a transformation of Mazdean elements into an ideological and religious reading of Augustus' story. The author shows that the character of Mithras played the role of Apollo in favoring Augustus' victory and the birth of the Roman Empire.

Section 1 academic papers: Factors determining the outside projection of the Mithraic Mysteries by Dr. Israel Campos Méndez. The Mithras Liturgy: cult liturgy, religious ritual, or magical theurgy? Some aspects and considerations of the Mithras Liturgy from the Paris Codex and what they may imply for the origin and purpose of this spell by Kim Huggens. Section 2 Arts: 'For example Mithras' part II exhibition by Farangis Yegane: The Suncircle, The Wind, Mithras slaying the Bull, The Sacrifice in the Abrahamic Religions. Mithras-Phanes art piece by James Rodriguez. Temple of Mithra in Garni, Armenia, photos by Jalil Nozari. Mithras artistic depiction by Robert Kavjian. Section 3 Religious articles: MITHRAS SOL INVICTUS Invocation by M. Hajduk. Ode to Aphrodite by Sappho, translated by Harita Meenee. Norooz Phiroze by Farida Bamji. Disappearing Shrines and Moving Shrines by S. David. The Sleeping Lord by Katherine Sutherland. The right handed handshake of the Gods by Payam Nabarz.

Since its publication in Germany, Manfred Clauss's introduction to the Roman Mithras cult has become widely accepted as the most reliable, as well as the most readable, account of its elusive and fascinating subject. For the English edition the author has revised the work to take account of recent research and new archaeological discoveries. The mystery cult of Mithras first became evident in Rome towards the end of the first century AD. During the next two centuries, carried by its soldier and merchant devotees, it spread to the frontier of the western empire from Britain to Bosnia. Perhaps because of odd similarities between the cult and their own religion the early Christians energetically suppressed it, frequently constructing churches over the caves (Mithraea) in which its rituals took place. By the end of the fourth century the cult was extinct.Professor Clauss draws on the archaeological evidence from over 400 temples and their contents including over a thousand representations of ritual in sculpure and painting to seek an understanding of the nature and purpose of the cult, and what its mysteries and secret rites of initiation and sacrifice meant to its devotees. In doing so he introduces the reader to the nature of the polytheistic societies of the Roman Empire, in which relations and distinctions between gods and mortals now seem strangely close and blurred. He also considers the connections of Mithraicism with astrology, and examines how far it can be seen as a direct descendant of the ancient cult of Mitra, the Persian god of contract, cattle and light. The book combines imaginative insight with coherent argument. It is well-structured, accessibly written and extensively illustrated. Richard Gordon, the translator and himself a distinguished scholar of the subject, has provided a bibliography of further reading for anglophone readers.

In The Cult of Mithras in Late Antiquity David Walsh examines how and why the cult of Mithras vanished from the Roman Empire by the early 5th century C.E.