Mmm Skyscraper I Love You

Originated by Tomato, this work is closely related to the message and imagery of techno band Underworld's music, creating a typographic map of a journey through the streets of New York.

James Piazza is a Western New York-based archivist and music historian. He developed a series of multimedia presentations on experimental music, ambient sound, archival techniques for digital audio, and lectures on personal media servers for large file libraries. His primary goal is to create a greater public understanding and awareness of 20th century music and sound. Piazza founded Innerspace Labs as an independent music archive chiefly communicating with the public via The Innerspace Connection music blog. He manages a library of over 300,000 soundworks focusing on ambient and experimental recordings. This book comprises the first 12 years of our publications showcasing highlights of the Archive, as well as select previously unpublished works.

In 1999, Underworld's Karl Hyde began writing a public diary. Every day since then, Hyde has documented his thoughts, lyrical works-in-progress, poetry, and biographical essays alongside "found" visuals. For the last sixteen years, these entries have collectively created an on-going, utterly unique monologue on Underworld's website. I Am Dogboy handpicks a selection of diary entries and rearranges them to create an autobiographical narrative that takes Hyde from childhood through to the exploratory early years of Underworld, an electronic act who have been peerless for the last 25 years. Spliced throughout the narrative are standalone/abstract poetic pieces that offer occasional snapshots of life on the road and in the studio and give an insight into Hyde's singular style of lyric writing. The book is beautifully designed by John Warwicker -- Hyde's long time collaborator and co-founder of the Tomato collective. Karl Hyde and John Warwicker have previously published the typographic books Mmm... Skyscraper I Love You and In The Belly of St Paul.

National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry

For every copy of the paperback version sold on the Troubador website, the author will donate £1.50 to Macmillan Cancer Support ** All copies that are pre-ordered in the UK before 1pm on 18th December will be delivered in time for Christmas ** The Opening Ceremony of the Olympic Games in 2012 was celebrated as the greatest ceremony ever. It won over critics and the general public, and made the nation proud. Now you can discover exactly how the incredible spectacle was put together, and transformed into what the world saw on the night. The Pandemonium segment of the Opening Ceremony of the Olympic Games was met with disbelief and awe, and has been widely acclaimed as the most spectacular part of the show. Making Pandemoniumdescribes the entire rehearsal process of the volunteers from a performer’s perspective. Nadeem Masood was one of the volunteers lucky enough to perform on the night. In this book, he takes the reader through the application process, the auditions, and every single rehearsal that led up to the final show. He describes first-hand the highs and the lows, the commitments and sacrifices, working with Danny Boyle and everything that the volunteers were put through. Interspersed with accounts of the preparations that were taken, Masood also touches on the Games Maker experience, giving readers an insight into the entire process that led to volunteers being granted the rare privilege of hosting the Olympic Games. Making Pandemonium will give readers a whole new perspective of the greatest Olympic Games that the world has ever seen. This book will identify with readers interested in sports, memoirs and Olympic history, as well as those who enjoyed watching the ceremony itself.

This is the go-to guide for designers as it outlines and details the essential color design skills needed to create successful, meaningful, and aesthetically compelling designs. Along with hands-on projects, it offers unique insights into strategy and business when working in the real world with real clients. Color Works starts with basic information on color practices and fundamentals, and then delves more deeply into theory and application on a project-by-project basis. Illustrated with real-world projects and case studies, this book offers a behind-the-scenes take on the design process and the necessary steps to go from concept to final outcome, including the challenges encountered along the way.

Fatherland is a bold, ambitious show about contemporary fatherhood in all its complexities and contradictions. Created by Frantic Assembly's Scott Graham, Karl Hyde from Underworld and playwright Simon Stephens (Punk Rock, The Curious Incident of the Dog in the Night-Time), this daring collage of words, music and movement confronts the complexities and contradictions of contemporary fatherhood. A vivid, urgent and deeply personal portrait of 21st-century England at the crossroads of past, present and future, the play is inspired by conversations with fathers and sons from the writers' home towns in the heart of the country. Tender and tough, honest and true, Fatherland is a vital and necessary show about what we were, who we are and what we'd like to become. The world premiere of Fatherland took place at the Royal Exchange Theatre, Manchester on 5 July 2017 as part of Manchester International Festival. This is a revised version of the original text which coincides with performances in London at the Lyric Hammersmith as part of LIFT 2018.