Mn Na H Ireann

Michael Hopkinson's Green Against Green is the definitive study of the Irish civil war, putting in perspective a bitter and passionate conflict, the legacy of which still divides Irish society today. Widely praised and frequently cited as the most authoritative work on the subject, it continues to hold its place as one of the finest works on modern Irish history. Unlike the Easter Rising and the War of Independence, the Irish Civil War has been largely overlooked by historians, put off by the messy divisions between former War of Independence allies and its continued importance in modern Irish society: even now, the rival parties in the conflict form the basis for two of the largest political parties in Ireland. In Green Against Green, Michael Hopkinson addresses this gap in Irish historical writing, looking closely at the reasons for the outbreak of civil war, the major figures who directed it, how it was fought and its impact across Ireland. This major achievement of historical scholarship traces the history and course of the war from 1912 to its conclusion, starting with a sketch of the background to the divisions which surfaced during the war and continuing through to the functioning of the post-civil war Irish State. This groundbreaking work, 'a dispassionate account of the most passionate times' (Irish Times), captures the confused loyalties and localised, often personal, violence that characterised one of the most critical, and least studied, formative events in modern Irish history. Green Against Green: Table of Contents Preface PART I. 1912-1921 - The Background to the Treaty Divisions, 1912-1918 - The Anglo-Irish War, January 1919-July 1921, and the Truce Period - The Treaty Negotiations - The Treaty Split - The Irish Question in the United States PART II. FROM THE TREATY TO THE ATTACK ON THE FOUR COURTS - The Political and Constitutional Background in Early 1922 - The Military Split - De Valera and the Military and Political Developments - Military Developments after the Army Convention - The North, from Treaty to Attack on the Four Courts - Social and Governmental Problems - The Search for Unity - The Constitution - The June Election and the Assassination of Sir Henry Wilson PART III. THE OPENING OF THE WAR - The Attack on the Four Courts - Dublin Fighting PART IV. THE EARLY CIVIL WAR - The Military and Political Background to the Fighting - The War in the Localities: July-August 1922 - The Opening of the Guerrilla Phase of the War - The Death of Collins - The Establishment of the Third Dáil - Peace Initiatives - The Formation of the Republican Government - The First Executions - The British Government and the Early Civil War - The Southern Unionists and the Civil War - The Civil War and the Railways - The War in the Localities: September 1922-January 1923 PART V. THE WAR'S END - The Free State—Government and Army: January-April 1923 - The Republicans and the Civil War: January-April 1923 - The War in the Localities: January-April 1923 - The North and the Civil War - Exile Nationalism: The United States and Britain in the Civil War - The Ceasefire PART VI. THE POST-WAR PERIOD - The Republicans - The Post-War Free State Government and Army - The Republican Hunger-Strike, October-November 1923 Conclusion

An entirely new interpretation of modern American portraiture based on the history of sexual difference. Hide/Seek: Difference and Desire in American Portraiture, companion volume to an exhibition of the same name at the National Portrait Gallery, Smithsonian Institution, traces the defining presence of same-sex desire in American portraiture through a seductive selection of more than 140 full-color illustrations, drawings, and portraits from leading American artists. Arcing from the turn of the twentieth century, through the emergence of the modern gay liberation movement in 1969, the tragedies of the AIDS epidemic, and to the present, Hide/Seek openly considers what has long been suppressed or tacitly ignored, even by the most progressive sectors of our society: the influence of gay and lesbian artists in creating American modernism. Hide/Seek shows how questions of gender and sexual identity dramatically shaped the artistic practices of influential American artists such as Thomas Eakins, Romaine Brooks, Marsden Hartley, Georgia O'Keeffe, Charles Demuth, Jasper Johns, Robert Rauschenberg, Andrew Wyeth, Andy Warhol, Robert Mapplethorpe, and many more—in addition to artists of more recent works such as Felix Gonzalez-Torres, Glenn Ligon, Catherine Opie, and Cass Bird. The authors argue that despite the late-nineteenth-century definition and legal codification of the “homosexual,” in reality, questions of sexuality always remained fluid and continually redefined by artists concerned with the act of portrayal. In particular, gay and lesbian artists—of but not fully in the society they portrayed—occupied a position of influential marginality, from which vantage point they crafted innovative and revolutionary ways of painting portraits. Their resistance to society's attempt to proscribe them forced them to develop new visual vocabularies by which to code, disguise, and thereby express their subjects' identities—and also their own. Bringing together for the first time new scholarship in the history of American sexuality and new research in American portraiture, Hide/Seek charts the heretofore hidden impact of gay and lesbian artists on American art and portraiture and creates the basis for the necessary reassessment of the careers of major American artists—both gay and straight—as well as of portraiture itself.

The Irish Citizen Army (ICA) was born from the Dublin Lockout of 1913, when industrialist William Martin Murphy ‘locked out’ workers who refused to resign from the Irish Transport and General Workers’ Union, sparking one of the most dramatic industrial disputes in Irish history. Faced with threats of police brutality in response to the strike, James Connolly, James Larkin and Jack White established the ICA in the winter of 1913. By the end of March 1914, the ICA espoused republican ideology and that the ownership of Ireland was ‘vested of right in the people of Ireland’. The ICA was in the process of being totally transformed, going on to provide significant support to the IRA during the 1916 Rising. Despite Connolly’s execution and the internment of many ICA members, the ICA reorganised in 1917, subsequently developing networks for arms importation and ‘intelligence’, and later providing operative support for the War of Independence in Dublin. The most extensive survey of the movement to date, The ‘Labour Hercules’ explores the ICA’s evolution into a republican army and its legacy to the present day.

This collection explores how the British left has interacted with the ‘Irish question’ throughout the twentieth century, the left’s expression of solidarity with Irish republicanism and relationships built with Irish political movements. Throughout the twentieth century, the British left expressed, to varying degrees, solidarity with Irish republicanism and fostered links with republican, nationalist, socialist and labour groups in Ireland. Although this peaked with the Irish Revolution from 1916 to 1923 and during the ‘Troubles’ in the 1970s–80s, this collection shows that the British left sought to build relationships with their Irish counterparts (in both the North and South) from the Edwardian to Thatcherite period. However these relationships were much more fraught and often reflected an imperial dynamic, which hindered political action at different stages during the century. This collection explores various stages in Irish political history where the British left attempted to engage with what was happening across the Irish Sea. The chapters in this book were originally published in the journal, Contemporary British History.

A union list of serials commencing publication after Dec. 31, 1949.