Modern Color

Many challenges hinder the historical study of early modern color. These essays offer a way forward through the category of ‘color worlds’—constituted by practices, concepts and objects—and examine the emergence of the languages and objects used to communicate between them.

This title was first published in 2002. This really is a text that will fill a long-felt want. A key figure in that history is Amédée Ozenfant, painter, critic and friend of Le Corbusier, who in the first half of this century founded a school in London where he conducted experiments and wrote about color in architecture. Those experiments have been reconstructed for the book, which also includes reprints of his most important articles on the subject. This book provides a fascinating survey of this most contemporary topic that will inspire and inform designers and architects. Color has often been regarded as the final dressing of a building, subject to the vagaries of fashion and left to the client to select. There have been a number of studies of polychromy in the architecture of the more distant past, particularly in relation to modern conservation practices, but there is little or nothing on the architectural color of recent times, and especially within Modernism.

Modern Color—An Illustrated Guide to Dyeing Fabric for Modern Quilts by Kim Eichler- Messmer shows you how to dye fabric by hand for an artisanal, luminescent look. Includes instructions on setting up a home dye studio with minimal equipment and teaches key mixing techniques. Make any color you want, including any value (lightness and darkness) and gradation, allowing for an unlimited palette and endless inspiration. Go ahead, take a dip!

Fred Herzog's bold use of colour in the 1950s and 60s set him apart at a time when the only art photography taken seriously was in black and white. His early use of color make him a forerunner of "New Colour" photographers such as Stephen Shore and William Eggleston, who received widespread acclaim in the 1970s. Herzog images were all taken on Kodachrome, a slide film with a sharpness and tonal range that, until recently, could not be reproduced in prints, and his choice of medium limited his exhibition opportunities. However, recent advances in digital technology have made high-quality prints of his work possible, and in the past few years his substantial and influential body of work has been available to a wider audience. Fred Herzog: Photographs showcases this innovative artist's impressive oeuvre in a beautifully crafted volume of early color and urban street photography. Providing authoritative texts are four titans of the art community: Jeff Wall anchors Herzog's place in the history of photography, Claudia Gochmann sets his work in an international context and Sarah Milroy and Douglas Coupland provide additional commentary.

A Cultural History of Color in the Modern Age covers the period 1920 to the present, a time of extraordinary developments in colour science, philosophy, art, design and technologies. The expansion of products produced with synthetic dyes was accelerated by mass consumerism as artists, designers, architects, writers, theater and filmmakers made us a 'color conscious' society. This influenced what we wore, how we chose to furnish and decorate our homes, and how we responded to the vibrancy and chromatic eclecticism of contemporary visual cultures.The volume brings together research on how philosophers, scientists, linguists and artists debated color's polyvalence, its meaning to different cultures, and how it could be measured, manufactured, manipulated and enjoyed. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Anders Steinvall is Senior Lecturer in English Linguistics at Umeå University, Sweden. Sarah Street is Professor of Film at the University of Bristol, UK. Volume 6 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

Discover innovative painting and mixed-media art techniques the most inspired way possible: through rainbows of color! In Mixed Media Color Studio, you’ll learn color and design ideas that will boost your creative intuition. Based on Kellee Wynne Conrad’s popular former online True Colors Art Program, the lessons include color explorations designed to strengthen skills and confidence. You’ll learn how to develop your own unique style using acrylic paint, pastels, graphite, ink, and more. See how to mix colors to make signature palettes and get inspired to try new, exciting combinations of colors, materials, and methods that will take your artwork and imagination further. The imaginative projects include expert information on how to work with colors to evoke moods, emotions, and energy for dynamic landscapes, calming seascapes, vibrant abstract florals, layered architectural pieces, and much more. Discover easy techniques that add texture, details, and interest to your artwork. As with the original True Colors program, guest artists contribute exciting artwork, creating an expanded artistic repertoire filled with fresh styles and ideas. Mixed Media Color Studio also includes: How to create texture with a variety of mediums and tools Ideas for creating your own decorate collage papers using gel plate printing techniques Simple techniques for mixing compelling color palettes Tips for overcoming the fear of the blank page How to expand creativity and boost confidence by making art in an array of styles Easy ways to create pleasing compositions Dive into this incredible world of color and allow your creativity to flow!

Color authority Dan Margulis introduces a disciplined, automated method of obtaining quality images in minutes

Charts color exploration and expression from the 1600s to the present day through painters' tools, art, ephemera, and literature Throughout history, artists, scientists, and philosophers have attempted to explain and order the visible color spectrum. Color: A Visual History from Newton to Modern Color Matching Guides offers the fascinating history of how color has been recorded, explored, and understood. Using an extraordinary collection of original color material that includes charts, wheels, artists' palettes, and swatches, the book showcases centuries of significant scientific discoveries and artistic exploration. It celebrates the visual quality and beauty of various color theories over time and highlights the creativity of their design and codification. The book showcases everything from fourteenth-century illuminated manuscripts to Moses Harris's The Natural System of Colours (ca. 1769), and from 1814's Werner's Nomenclature of Colours to Paul Klee's color harmonies to highlight the fascinating interactions of science and art. This stunning display of shades, tints, and tones is an authoritative guide for anyone working in the arts, as well as anyone passionate about color in their personal lives, homes, and surroundings.