Modern Jazz Theory And Practice The Post Bop Era Book With Online Audio By Steve Rochinski

(Berklee Guide). Learn to use and understand advanced jazz harmony! This book reveals the post-bop jazz innovations established by such iconic jazz artists as John Coltrane, Wayne Shorter, Clare Fischer, Herbie Hancock, and Chick Corea, as taught at Berklee College of Music. You will learn techniques such as multitonic systems, the principles of non-functional pattern development, unusual use of deceptive motion and resolution of dominants, frequent modulation, use of specialized voicing techniques, and tension-driven melody/harmony relationships. You will learn to: construct advanced jazz sonorities and contexts; build sophisticated, expressive melodies based on advancedchord progressions; understand how chord progressions relate to the psychology ofmusical expectation; articulate nuanced musical sensibilities for harmonicobscurity, surprise, and ambiguity; use characteristic post-bop conceptual approaches to harmonicprogressions, such as multitonic systems and the Axis System; create non-functional chord patterns, with depth and clearcontour; and more!

Af indholdet: Jazz chord structures. Chord/scale relationships. Jazz chord progressions. Sources of chromaticism in jazz improvisation

How do we bridge the gap between theory and the music we love? This book aims to establish as close a relationship as possible between theory, the ear and our instrument. 'Jazz Theory - Think Listen Play' is a comprehensive approach to improvisation, translating knowledge into sound, developing out musical imagination and finding our 'inner voice', which then guides us on our instrument. It will be a rewarding journey for any aspiring musician, music teacher and Jazz player. Always remember - there is no truth in theory, only in music. Enjoy!

Jazz superimpositions is not a conventional music method book. It rather gathers together various harmonic tools that can be used with superimposition, substitution and reharmonisation techniques. The main idea is to provide the reader with various devices in order to be able to superimpose/substitute them onto any original harmonic progression. It has been written for any musician but especially for guitarists, in both the English and French languages. The book includes the following sections: How to use the book The harmonic tools, organised by: Triads Shell voicings Arpeggios Pentatonics Bop scales Symmetrical scales (Messiaen Modes) Hexatonics (triad pairs) Some of N. Slonimsky's "thesaurus" patterns applied to superimposition. Each one of the harmonic tools in the above-mentioned list is described with: Standard notation A circle of fifth diagram Fingerings for guitar players A superimposition table The superimposition table is the core of the book. It provides quick access to the melodic scale, which is superimposed every half step from the root to the major seventh. The intervals created are given and the types of chords on which the superimposition can be played are suggested.

(Berklee Guide). Learn jazz harmony, as taught at Berklee College of Music. This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.

This book teaches the ideas behind adding chords to melodies. It begins with basic chords and progressions, and moves to more complex ideas. With an introduction and two appendices. Two CDs of additional material.

All great musicians have one thing in common---to a great extent they know what the harmony of a song is as they hear it. Do you? If not, here is a practical guide to get you up to speed. Written by Berklee professor Roberta Radley, it uses contemporary music to help you see how ear training is invaluable for your own musical needs.

(Jazz Instruction). Primarily a music theory reference, Modalogy presents a unique perspective on the origins, interlocking aspects, and usage of the most common scales and modes in occidental music. Anyone wishing to seriously explore the realms of scales, modes, and their real-world functions will find the most important issues dealt with in meticulous detail within these pages. Logical illustrations accompany in-depth examinations of chordal harmonies, cadential motions, and progressions. This book is perfect for both music students and teachers, as either a course in itself or to augment any theory curriculum.