Modern Life

From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.

The modern world is at once exciting, complicated, ridiculous, confusing, and tedious, but ever changing and always fascinating. Based on his keen observations of daily life from his unique perspective, French artist Jean Jullien uncovers the humor and simple beauty that exists in the people, places, and things that surround him. Understanding that visual communication can often be the most direct and immediately understood, Jullien cleverly and candidly reveals in his artwork the hilarious realities and universal truths of human behavior and modern life that connect us all. Seamlessly transcending the boundaries of commercial art and graphic illustration, his bold and playful drawing and painting style has attracted a diverse range of clients and delighted everyday fans of his comic and irreverent sensibility all over the world. In addition to his successful body of work, his wonderfully creative daily postings of his art on his very popular Instagram are his musings of the moment whether mini objets d art, found art enhanced by silly doodles, or sketchbook drawings. teNeues is proud to present the first monograph of this young and talented artist, Jean Jullien: Modern Life."

Do gentlemen wear shorts? What are the rules regarding interior decor in a high-security prison? Is it ever acceptable to send Valentine's cards to one's pets? The twenty-first century is an age of innumerable social conundrums. Around every corner lies a potential faux pas waiting to happen. But if you've ever struggled for the right response to an unwelcome gift or floundered for conversation at the dinner party from hell, fear not: help is at hand. In Rules for Modern Life, Sir David Tang, resident agony uncle at the Financial Times, delivers a satirical masterclass in navigating the social niceties of modern life. Whether you're unsure of the etiquette of doggy bags or wondering whether a massage room in your second home would be de trop, Sir David has the answer to all your social anxieties - and much more besides.

This early work by Franz Boas was originally published in 1928 and we are now republishing it with a brand new introductory biography. 'Anthropology and Modern Life' is a work on the study of humans and their lives in various societies. Franz Boas was born on July 9th 1958, in Minden, Westphalia. Even though Boas had a passion the natural sciences, he enrolled at the University at Kiel as an undergraduate in Physics. Boas completed his degree with a dissertation on the optical properties of water, before continuing his studies and receiving his doctorate in 1881. Boas became a professor of Anthropology at Columbia University in 1899 and founded the first Ph.D program in anthropology in America. He was also a leading figure in the creation of the American Anthropological Association (AAA). Franz Boas had a long career and a great impact on many areas of study. He died on 21st December 1942.

It is a commonplace that the modern world cannot be experienced as enchanted--that the very concept of enchantment belongs to past ages of superstition. Jane Bennett challenges that view. She seeks to rehabilitate enchantment, showing not only how it is still possible to experience genuine wonder, but how such experience is crucial to motivating ethical behavior. A creative blend of political theory, philosophy, and literary studies, this book is a powerful and innovative contribution to an emerging interdisciplinary conversation about the deep connections between ethics, aesthetics, and politics. As Bennett describes it, enchantment is a sense of openness to the unusual, the captivating, and the disturbing in everyday life. She guides us through a wide and often surprising range of sources of enchantment, showing that we can still find enchantment in nature, for example, but also in such unexpected places as modern technology, advertising, and even bureaucracy. She then explains how everyday moments of enchantment can be cultivated to build an ethics of generosity, stimulating the emotional energy and honing the perceptual refinement necessary to follow moral codes. Throughout, Bennett draws on thinkers and writers as diverse as Kant, Schiller, Thoreau, Kafka, Marx, Weber, Adorno, and Deleuze. With its range and daring, The Enchantment of Modern Life is a provocative challenge to the centuries-old ''narrative of disenchantment,'' one that presents a new ''alter-tale'' that discloses our profound attachment to the human and nonhuman world.

Franz Boas (1858–1942) is widely regarded as the founder of American anthropology. He influenced an astonishing variety of scholars and researchers, from the anthropologists Margaret Mead and Ruth Benedict, to the philosopher W. E. B. DuBois, and novelist Zora Neale Hurston. Towards the end of his life he also lectured widely in an attempt to educate the public on the dangers of Nazi ideology. Anthropology and Modern Life demonstrates the incredibly rich and fertile range of Boas’s thought, engaging with controversies that resonate loudly today: the problem of race and racial types; heredity versus environment; the significance of intelligence tests; open versus closed societies; the ‘nature versus nurture debate’; and nationality and nationalism. Believing passionately that science should be used to break down racial and cultural barriers, from the book's very opening Boas shatters the myth that anthropology is simply a collection of ‘curious facts about exotic peoples’. Thanks to Boas's influence, anthropologists and other social scientists began to see that differences among the races resulted not from physiological factors, but from historical events and circumstances, and that race itself was a cultural construct. This Routledge Classics edition includes a new Foreword by Regna Darnell and an Introduction and Afterword by Herbert S. Lewis, who details Franz Boas's life, influence, and ideals. "In writing the present book I desired to show that some of the most firmly rooted opinions of our times appear from a wider point of view as prejudices, and that a knowledge of anthropology enables us to look with greater freedom at the problems confronting our civilization." - Franz Boas, Anthropology and Modern Life

Ryan Ferrier (Regular Show) and Ian McGinty (Adventure Time) continue BOOM! Studios’ partnership with Nickelodeon with all-new stories about everyone’s favorite wallaby! When Rocko faces unemployment, a terrible living situation, and increasingly slim job prospects, he is forced to find out just how far he is willing to go to get a job. Includes a bonus short story by KC Green where Ed Bighead finds himself in the dentist chair of Dr. Hutchison!

Red Grooms is a cross between Marcel Duchamp and P. T. Barnum. Working in a brash, freewheeling style, Grooms has explored the raucous spectacle of life around him since his career began in the 1950s. This catalogue, which accompanied an exhibition of the same name at the Palmer Museum of Art, brings together forty of his works to demonstrate that even his most whimsical creations have serious implications. Many of the mixed-media constructions in Red Grooms and the Heroism of Modern Life reflect upon America's love affair with sports, business, and celebrity. The mixture of parody and homage in Grooms's portraits of such stars as Pablo Picasso and Fats Domino charges all his depictions of American popular culture, from bulky football players and haggard shoppers to a brightly colored Ferris wheel. In her essay for this catalogue, Joyce Henri Robinson contends that Grooms should be should be considered a contemporary counterpart to Charles Baudelaire's Parisian flaneur. Much like this famed character, she observes, Grooms approaches the world around him as a spectacle filled with novel forms of heroism. In this regard, the key work in the catalogue is an installation centered upon a full-scale version of a New York City bus. Grooms's Bus tempers revelation of the gritty realities of urban life with humor and flashes of poetry.