Modern Society The Sixties Attack

“Modern Society: The Sixties Attack,” is about a young college student, who lost his family in a car accident while he was texting and driving. After the fatal accident, young David was put in an adoption house where he learned about hacking. He blamed social media for the cause of his family's death and hated modern society for what it had become. The influence, cyberbullying, and the false lifestyle it displayed. The narrator explores David's journey as he uses his hacking ability to destroy social media platforms and erase data from servers around the world, aiming to revert society to a supplier time of the 1960s when people used to spend time with their families and in nature. Unlike modern society where people spend their time scrolling endlessly on their cellphones. However, David realized his plan was not as easy as he thought. Will David’s plan make things better for society, or will it just cause more problems? The book takes you along David’s journey as he tries to find justice and make things right that are dangerous and failing.

Showdown is a study of America's oldest, most representative film genre, the Western movie from the perspective of social allegory. It assesses scores of major and minor films to show how Westerns function as vehicles for contemporary social and political critiques of American life.

The 1960s were a colorful, tumultuous age that transformed American society. Ever since the decade ended, Americans have debated the changes that it unleashed. While most liberals argue that the era’s eff ects were mainly positi ve and long overdue, conservati ves perceive the 1960s as a disastrous ti me that has left ruinous legacies for us. Stuck in the Sixti es analyzes conservati ves’ views about the 1960s era and its legacies by examining their discourse about such sixti es fi gures and movements as John F. Kennedy, Marti n Luther King, Jr., the civil-rights movement, the Warren Court, the Great Society, the Vietnam War, the anti war movement, the New Left , and the counterculture. The book reveals that, for a generati on, a focus on att acking and reversing the legacies of the 1960s has been essenti al to the conservati ve Republican agenda.

Radicalism and the Revolt Against Reason is a work that continues to have a steady and large scale impact on political and social theory fifty years since its first appearance. A study of how radical thought modifies its actions and ideologies in a time of unrealized and frustrated expectations, the focus is on Georges Sorel and the Europe of the fin de siècle, a time when socialist revolution was forcefully set aside by liberal reform. In a technique that presaged contemporary period, radical demands did not simply dissolve or disappear, they profoundly changed emphasis from the impersonal forces of history to highly personal forces of individual will. This edition includes a substantial brand new introduction by the author.

Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s.

Here, Birnbaum traces the decline and fall of social reform in Europe and America. He shows, for example, that William Howard Taft railed against socialism, by which he meant anything restricting the market.

Systemic and political hostility against the 'left', real and contrived, has been a key, yet under-recognized aspect of the history of the modern world for the past two hundred years. By the 1820s, the new, exploitative and destabilizing character of capitalist industrial production and its accompanying market liberalizations began creating necessities among the working classes and their allies for the new, self-protective politics of 'socialism'. But it is evident that, for the new economic system to sustain itself, such oppositional politics that it necessitated had to be undermined, if not destroyed, by whatever means necessary. Through the imperialism of the later 19th century, and with significant variations, this complex and often highly destructive dialectical syndrome expanded worldwide. Liberals, conservatives, extreme nationalists, fascists, racists, and others have all repeatedly come aggressively and violently into play against 'socialist' oppositions. In this book, Philip Minehan traces the patterns of such hostility and presents numerous crucial examples of it: from Britain, France, Germany and the United States; the British in India; European fascism, the United States and Britain as they operated in China and Indochina; from Kenya, Algeria and Iran; and from Central and South America during the Cold War. In the final chapters, Minehan addresses the post-Cold War, US-led triumphalist wars in the Middle East, the ensuing refugee crises, neo-fascism, and anti-environmentalist politics, to show the ways that the syndrome within which anti-leftist antagonism emerges, in its neoliberal phase since the 1970s, remains as self-destructive and dangerous as ever

This compelling book explores the challenges to theory, politics, and human identity that we face on the threshold of the third millennium. It follows on the successor of Best and Kellner's two previous books, Postmodern Theory, acclaimed as the best critical introduction to the field - and The Postmodern Turn, which provides a powerful mapping of postmodern developments developments in the arts, politics, science, and theory. In The Postmodern Adventure, Best and Kellner analyze a broad array of literary, cultural, and political phenomena from fiction, film, science, and the Internet, to globalization and the rise of a transnational image culture.