Modern Tyrants

Along with its much vaunted progress in scientific and economic realms, the twentieth century has witnessed the rise of the most brutal and oppressive regimes in the history of humankind. Even with the collapse of Marxism, current instances of "ethnic cleansing" remind us that tyranny persists in our own age and shows no sign of abating. Daniel Chirot offers an important and timely study of modern tyrants, both revealing the forces that allow them to come to power and helping us to predict where they may arise in the future.

Along with its much vaunted progress in scientific and economic realms, the twentieth century has witnessed the rise of the most brutal and oppressive regimes in the history of humankind. Even with the collapse of Marxism, current instances of "ethnic cleansing" remind us that tyranny persists in our own age and shows no sign of abating. Daniel Chirot offers an important and timely study of modern tyrants, both revealing the forces that allow them to come to power and helping us to predict where they may arise in the future.

A history of tyranny from Achilles to today's Jihadists, this volume shows why tyrannical temptation is a permanent danger.

It is the opinion of the author that most, if not all, of the regimes led by dictators or tyrants would not have existed had there been a solid and thriving middle class in the country in question. A strong middle class coupled with a democratic society is the most powerful bulwark against the rise to power of men or women with extreme ideologies.

Original Scholarly Monograph

As conventional understanding would have it, the sometimes brutal business of governing can only be carried out at the price of distance from art, while poetic beauty best fl ourishes at a distance from actions executed at the pole of power. Dramatically contradicting this idea is the fact that violent rulers are often the greatest friends of art, and indeed draw attention to themselves as artists. Why do tyrants of all people often have a particularly poetic vein? Where do terror and fi ction meet? The cultural history of totalitarian regimes is unwrapped in ten case studies, in a comparative perspective. The book focuses on the phenomenon that many of the great despots in history were themselves writers. By studying the artistic ambitions of Nero, Mussolini, Stalin, Hitler, Mao Zedong, Kim Il-sung, Gaddafi, Saddam Hussein, Saparmurat Nyyazow and Radovan Karadzic, the studies explore the complicated relationship between poetry and political violence, and open our eyes for the aesthetic dimensions of total power. The essays make an important contribution to a number of fields: the study of totalitarian regimes, cultural studies, biographies of 20th century leaders. They underscore the frequent correlation between tyrannical governance and an excessive passion for language, and prove that the merging of artistic and political charisma tends to justify the claim to absolute power.