Modernism In Serbia

The first comprehensive study of the modern movement in Serbian architecture.

Revealing a vibrant and intertwined artistic scene in the Balkans On the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918–1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged ‘on the very edge’ between territorial and cultural, new and old, modern and traditional identities. With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in pluralism and globalism. On the Very Edge addresses issues of artistic identities and cultural geographies and aims to enrich contextualized studies of modernism and its variants in the Balkans and Europe, while simultaneously re-mapping and adjusting the prevailing historical canon. Contributors Jelena Bogdanović (Iowa State University), Lilien Filipovitch Robinson (George Washington University), Igor Marjanović (Washington University in St. Louis), Miloš R. Perović (University of Belgrade), Jasna Jovanov (The Pavle Beljanski Memorial Collection and University EDUCONS, Novi Sad), Svetlana Tomić (Alfa University, Belgrade), Ljubomir Milanović (Serbian Academy of Sciences and Arts), Bojana Popović (Museum of Applied Art in Belgrade), Anna Novakov (Saint Mary’s College of California), Aleksandar Kadijević (University of Belgrade), Tadija Stefanović (University of Belgrade), Dragana Ćorović (University of Belgrade), Viktorija Kamilić (independent scholar), Marina Djurdjević (Museum of Science and Technology, Belgrade), Nebojša Stanković (Princeton University), Dejan Zec (Institute for Recent History of Serbia)

Fifty-one texts illustrate the evolution of modernism in Eastern Europe. Essays, articles, poems, or excerpts from longer works offer new opportunities of possible comparisons of the respective national cultures. The volume focuses on the literary and scientific attempts at squaring the circle of individual and collective identities. Often outspokenly critical of the romantic episteme, these texts reflect a more sophisticated and critical stance than in the preceding periods. At the same time, rather than representing a complete rupture, they often continue and confirm the romantic identity narratives, albeit with "other means". The volume also presents the ways national minorities sought to legitimize their existence with reference to their cultural and institutional peculiarity.

Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines the ways in which Ancient Greek and Roman culture were appropriated by a global set of authors from the late nineteenth to early twentieth centuries.

This new, thoroughly updated fifth edition of Bradt's Serbia remains the most acclaimed guide available to a country which in recent years has welcomed an increasing number of foreign tourists to discover its attractive rolling countryside, lively cities, excellent food and friendly people. Development of tourism infrastructure continues apace in Serbia and this new edition reflects all the changes and trends of recent years, including Belgrade's increasing popularity as a weekend break destination, the continued evolution and rising quality of accommodation across all price brackets in both the capital and beyond, the development of Belgrade's Savamala riverfront area, the rise in popularity of bird-watching holidays, the possibilities for wine tours, and the increase in visitors to the EXIT festival held annually in Novi Sad and to the Guca trumpet festival in central Serbia. Particularly notable since the previous edition is Serbia's dramatic improvement in English-language facilities for visitors, with many towns and cities now having tourist information centres with helpful staff, all of which are detailed in this guide. Written by an expert author, the Bradt guide to Serbia offers up-to-date background information on the country's geography, history, economy, politics and people, as well as a strong emphasis on culture and the arts - music, literature, cinema and art - and on natural history, including a thorough overview of Serbia's best wildlife sites. Comprehensive and up-to-date listings of the best places to stay and eat according to budget are covered, along with reliable public transport information to enable you to travel independently with confidence. This guide recommends facilities and places of interest that will hold appeal for all types of visitor - from impecunious young travellers seeking a fun-filled city break to older visitors who prefer a slower pace and wish to immerse themselves in local tradition. Despite burgeoning interest, Serbia remains one of the least known corners of Europe. Belgrade and second city Novi Sad are lively, cosmopolitan and welcoming, while rural Serbia, with its hidden monasteries and gorgeous countryside, is an undiscovered gem. With the Bradt guide you will be able to discover all this intriguing country has to offer.

Notwithstanding the advantages of physical power, the struggle for survival among societies is not merely a matter of serial armed clashes but of the nation's spiritual resources that in the end always decide upon the victory. In Europe, there indeed exist independent countries, insignificant from the point of view of the entire civilization, and born by sheer coincidence, yet, this coincidence, this fancy, or diplomatic ploy that created them can just as easily bring them to an end---the nations that count in the political calculations are only the enlightened ones. Therefore, our nation should not merely grow in power, strengthen its character, and foster in people the feeling of love for homeland, but also---inasmuch as it is possible---breath the fresh breeze of humanity's general progress, feed it to the nation, absorb its creative energy. Until now, we have trusted and lived only in the weary conditions, conditions devoid of health-giving elements---now, as a result the nation's heart beats too slowly and its mind works too tediously. We ought to open our windows to Europe, to the wind of continental change and allow it to air our sultry home, since as not all health comes from the inside, not all disease comes from the outside.

One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism’s legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors – from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others. On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.

This volume is the first collection of essays in English devoted to the work of the outstanding Yugoslavian composer Rudolf Bruči. It approaches Bruči’s work from a remarkably broad number of angles, and the chapters underline that fact that his work was multivalent. The book emphasizes his wider relevance in the ever-expanding field of musicology dealing with the fascinatingly diverse outputs produced in the Balkans in general, but reminds us of the considerable international reputation that the composer enjoyed far beyond the borders of the former Yugoslavia. Bruči’s creative mind was extraordinarily wide-ranging, and this text also explores his engagement with the wider culture around him. In the context of post-war Yugoslavia, an artist was also a cultural worker, expected to carry out many duties, and contribute to the advancement of the country’s self-governing socialist society.