Modernist Semis And Terraces In England

Between the two World Wars, there was an unprecedented need for new houses in Britain which resulted in a building boom. While only a small percentage of this building took the form of Modernism, there was still a significant number of semis and terraces built for the workers and middle-class families in the 1920s and 1930s built in this style. This book examines these modest Modernist houses within the broader context of the Modern Movement in Europe, as well as the inter-war building boom in suburban Britain. Illustrated with line drawings and photographs of more than 30 examples from around the country, and based on little-known contemporary material such as catalogues, advertisements, radio broadcasts and letters, it shows how these houses speak of a time of political, social and artistic unrest, and a world where the avant-garde architects sought to capture the spirit of modern technology in their designs for the average home owner. While the Modernist houses never became popular with the general public, the fact that so many are still standing and now sought after by twenty-first century families speak for their endurance and special appeal.

In Designing the British Post-War Home Fiona Fisher explores the development of modern domestic architecture in Britain through a detailed study of the work of the successful Surrey-based architectural practice of Kenneth Wood. Wood’s firm is representative of a geographically distinct category of post-war architectural and design practice - that of the small private practice that flourished in Britain’s expanding suburbs after the removal of wartime building restrictions. Such firms, which played an important role in the development of British domestic design, are currently under-represented within architectural histories of the period. The private house represents an important site in which new spatial, material and aesthetic parameters for modern living were defined after the Second World War. Within a British context, the architect-designed private house remained an important ‘vehicle for the investigation of architectural ideas’ by second generation modernist architects and designers. Through a series of case study houses, designed by Wood’s firm, the book reconsiders the progress of modern domestic architecture in Britain and demonstrates the ways in which architectural discourse and practice intersected with the experience, performance and representation of domestic modernity in post-war Britain.

Everyone deserves a decent and affordable home, a truth (almost) universally acknowledged. But housing in the UK has been in a state of crisis for decades, with too few homes built, too often of dubious quality, and costing too much to buy, rent or inhabit. It doesn’t have to be like this. Bringing together a wealth of experience from a wide range of housing experts, this completely revised edition of The Housing Design Handbook provides an authoritative, comprehensive and systematic guide to best practice in what is perhaps the most contentious and complex field of architectural design. This book sets out design principles for all the essential components of successful housing design – including placemaking, typologies and density, internal and external space, privacy, security, tenure, and community engagement – illustrated with case studies of schemes by architecture practices working across the UK and continental Europe. Written by David Levitt and Jo McCafferty – two recognised authorities in the field – and with contributions from more than twenty other leading practitioners, The Housing Design Handbook is an essential reference for professionals and students in architecture and design as well as for government bodies, housing associations and other agencies involved in housing.

This book focuses on the contemporary fired clay brick to explore themes of home and house, homeownership, materiality, and sense of place. It investigates why, despite an increasing number of alternative materials, brick remains at the forefront of what people, in the UK in particular, expect homes to be built of, and how brick is indelibly entwined with what home means – something materially stable and financially secure, affording a located sense of place. Through observation of the building process and interviews with bricklayers, foremen, planners, developers, and homebuyers in England, Felicity Cannell traces the embedded meanings of a mundane, ubiquitous artefact, and reveals the tensions and contradictions in today’s use of brick to signify the traditional home. Although easing the planning process and leading to quick sales, the way brick is used in mass market housing today considerably restricts its capacities, notably decoration, flexibility, and strength: the very qualities which have historically positioned this tremendously versatile material as the superlative building block. Overall, the book adds complexity to the study of home and prompts debate about why we build the way we do.

Books about history using real life memories recorded specifically for the purpose are rare, Live, Work & Play is just such a book. Created from the hundreds of reminiscences of the residents of the town gathered by the WGC Heritage Trust and put into historical context by Prof Mark Clapson , one of the UK's leading social historians, the book offers a unique insight into the creation of the UK's second garden city. Timed to appear at the start of 2020, when Welwyn Garden City achieves its 100th year, the history of Sir Ebenezer Howard's final masterpiece, with all its imperfections, is laid out for all to read. Now thriving and at ease with itself WGC is an example of how to create homes for its community. Created as a Garden City in 1920, developed as a New Town from 1948 the lessons it offers are invaluable to both developers and governments alike.

An accessible and affordable overview of 100 iconic Modernist houses from around the world, ranging from the early twentieth century to the present day

What was it like to live in Britain during the Second World War? What kind of house did the average family live in? How did people cope with the ever-present threat of air-raids, not to mention the hardship of food and clothes rationing? How was a typical suburban home built? What were the choices open to householders when it came to interior decoration and furnishing? How did the war affect the domestic routines of an average household? The demands of a nation at war had many other far-reaching effects on the average home. How did women cope with bringing up a family single-handedly after their husbands were conscripted for military service? How did they use the rations and keep up their families spirits? What was it like to 'Make do and Mend' or 'Dig for Victory', or to sleep in an Anderson shelter? By looking at the lives of ordinary people who inhabited the semi-detached world of suburbia, Mike Brown and Carol Harris have painted a vivid picture of daily life on the Home Front in wartime Britain.

This text tells the story of the most successful house-type in British history, of which more than four million were built between the first and second world wars. Jensen tracks the phenomenal rise and subsequent fall of the speculatively-built semi, from the Georgian, Victorian and Edwardian to the 1920s, 30s and beyond.