Momas Baby Papa S Maybe The Secrets Out

Look who's all grown up, and No longer green to the Game; you know... that funny little thing called life. Yup the one and only infamous, "Drip Baby to the high Heel Diva" In a ballpark of her madam Celeste No longer being looked at as a night walking eye candy for peeping toms, after hour politicians, and natives of the nation’s capital Celeste though.

Two lifelong friends are about to discover the hard side of life in The Big Easy after a heinous crime is committed . . . The Secret of Newberry 1950s New Orleans couldn't be sweeter for Ivory "Bones" Arcineaux and Hampton Bynote. Friends since meeting at an illegal gambling house outside Newberry, Louisiana, they indulge themselves with all the fine women, good food, and wild nights they can handle. All seems good in N'awlins-especially for Hampton, who plans to make a clean break from riotous living after falling for the woman of his dreams, classy Magnolia Holiday. But the love of a good woman may not be enough to pull Hampton from the brink of disaster when his pal Bones murders a white city councilman during a simple robbery gone wrong. Now with the local police and FBI hot on their trails, Hampton and Bones must decide whether friendship is worth losing their freedom-and possibly their lives. "McGlothin creates a sizzling slice of life in 1947 . . . He weaves convincing historical elements into a fast-moving caper." -- Publishers Weekly on Ms. Etta's Fast House

A tale of love, lust, and mistrust, Momma's Baby, Daddy's Maybe reveals the secrets that break homes as well as hearts. The Jacobs's siblings have done a good job of masking their secrets behind finely wrought facades, hidden agendas, and questionable paternity...until the day it all starts to unravel. Faced at last with the truth, Kennedy, Simone, and Derrick Jacobs find themselves vulnerable and exposed, determined to salvage the lives they have made for themselves. Passions run high in this debut novel by Jamise L. Dames, and as the Jacobs try desperately to untangle themselves from a web of deceit, they learn how tragedy can move toward truth, and the strongest of all ties. Three women. Three men. One truth. Kennedy Jacobs has it all: beauty, brains, and the confidence to match. She also has the man that sister Simone has officially declared off-limits. With sass, class, and strength to spare, Kennedy takes the world by storm -- until tragedy jumps up and slaps her in the face. Simone Jacobs wants it all. She has the expensive home, the VP position at a top accounting firm, and a new man who tickles more than her fancy. But something is missing. Just when it seems that this something is within reach and her life is coming together, someone starts to tear it apart at the seams. Derrick Jacobs is a handsome Wall Street exec, a fully equipped ladies' man who can't be tied down by any woman. With charming good looks, a chiseled body, and a very healthy bank account, Derrick Jacobs can move mountains...but will his secrets cause them to crumble? A stunning novel of family ties and family lies.

This incisive study takes on one of the grimmest secrets in America's national life—the history of lynching and, more generally, the public punishment of African Americans. Jacqueline Goldsby shows that lynching cannot be explained away as a phenomenon peculiar to the South or as the perverse culmination of racist politics. Rather, lynching—a highly visible form of social violence that has historically been shrouded in secrecy—was in fact a fundamental part of the national consciousness whose cultural logic played a pivotal role in the making of American modernity. To pursue this argument, Goldsby traces lynching's history by taking up select mob murders and studying them together with key literary works. She focuses on three prominent authors—Ida B. Wells-Barnett, Stephen Crane, and James Weldon Johnson—and shows how their own encounters with lynching influenced their analyses of it. She also examines a recently assembled archive of evidence—lynching photographs—to show how photography structured the nation's perception of lynching violence before World War I. Finally, Goldsby considers the way lynching persisted into the twentieth century, discussing the lynching of Emmett Till in 1955 and the ballad-elegies of Gwendolyn Brooks to which his murder gave rise. An empathic and perceptive work, A Spectacular Secret will make an important contribution to the study of American history and literature.

In this study the author analyses similarities, differences and contradictions in the cultural norms about gender expressed in proverbs she has found in oral and written sources from over 150 countries. Grouping the proverbs into categories as the female body, love, sex, childbirth and the female power, the author examines shared patterns in ideas about women and how men see them.

Women confuse, frustrate, and excite Kirk. His sexy stepmother tries seducing him. His childhood sweetheart cheats with his bully boss. In disgust, he runs to a new life. A life where he is the seducer. No woman will claim his heart again. Sex, his tormenter, is now his weapon. His singer stage presence brings a regular shower of room keys and lingerie. Kirk holds the record for bedroom calisthenics, but sometimes worries that he can’t remember their names or faces. His surrogate father agent fails his virility test with a fatal heart attack. That tilts Kirk’s world. His new agent is the mysterious, beautiful Adriana. She seduces him. He can’t tear away from her gravitational pull. This goddess comes with a past she reveals one thrill at a time. Three killers from California hunt them. They flee to Wisconsin from Las Vegas a day before Kirk’s lawyer is brutally murdered. Kirk’s stepmother has seduced an attack gorilla that will charge at her command. Will she make the killers an ally? Kirk meets a gun-happy local deputy, and a man who just beat his enemy to death for insulting his sister. They’re done running. Kirk unpacks his Glock 17.

We are living through the wrack of the White Male. As the compact between social hierarchy, inherited privilege, and race (reinforced by gender and other normative categories) shows signs of buckling, his rage and resentment threaten us all. For he is a thing possessed: possessed by his own love of possession, and born to a sense that the world belongs to him and him alone. The spoils of oppression lie coiled inside him, a glut he can't digest, and murder beckons behind the respect that he conceives of as his due." A hybrid of critical essay and memoir, and Rough Notes to Erasure contributes to a growing body of work that wrestles with the tacit and embodied nature of privilege and prejudice, and it contributes not only via argument but also through style. Taking inspiration from feminist/queer poetics and what Fred Moten calls “the black avant-garde,” these rough notes address the remainder that gets lost in explicit argument, which is the flesh. Where privilege roils through history, and empire whets the appetites. But also where the world catches on its own fractalization by thought, feeling, and desire; and language recovers, for a moment or two, the power to entangle us with our mother tongue.

Specters of Democracy examines how figurations of blackness were used to illuminate the fraught relationship between citizenship, equality, and democracy in the antebellum U.S. Through close readings of Frederick Douglass, William Wells Brown, Frances Ellen Watkins Harper, and Walt Whitman (on aurality), and Herman Melville, William J. Wilson, and a host of genre painters (on visuality), the book reveals how the difficult tasks of representing African Americans-both enslaved and free-in imaginative expression was part of a larger dilemma concerning representative democracy itself.