Mondo Dc

Filling an important gap in the literary world, The Richard Peabody Reader is a wide-ranging selection of this great writer's poetry and prose. As a publisher, Peabody's steadfast dedication to that which is new, challenging, innovative, and dynamic has won him a wide reputation among writers whose work he has championed. This volume demonstrates those same values, embodied in nearly four decades of fiercely smart, sophisticated, and often very funny writing. From his first collection of poems, I'm in Love with the Morton Salt Girl, to his most recent collection of short stories, Blue Suburban Skies, Peabody has established and developed a thoroughly unique voice, both warm and piercing, to deliver content that ranges from the hilarious, as in the short story "Flea Wars," to the bittersweet, as in the poem "The Other Man is Always French," to the elegiac, as in the poem in "Civil War Pieta," to the absurd, as in the rollicking farce of the short story, "Bad Day at Ikea." Peabody's aesthetic is all-embracing—strands of punk, beat, experimental, feminist, and political protest literary influences blend with the purely romantic to create a body of work that is both profound and pleasing.

"Chock-full of gorgeous pieces of art, many of which I would love to hang on my wall, Batman: The Animated Series: The Phantom City Creative Collection, is one of my favorite pieces." – DC Comics News Mondo is proud to present Batman: The Animated Series: The Phantom City Creative Collection, a visually breathtaking celebration of the Emmy Award–winning series. Known for their limitless passion and incredible ingenuity for film and television posters, Mondo turns their attention to the highly acclaimed show Batman: The Animated Series. The show first aired in 1992 and was instantly met with critical praise for its sophisticated writing and distinctive, noir-influenced art style, generating an intense following that still exists today. Over the years, Mondo has received global recognition for their astonishing artisanal posters, and their creations for Batman: The Animated Series are no exception. The studio has partnered exclusively with the award-winning artist at Phantom City Creative, Inc., Justin Erickson, in order to bring this show to life in a striking and unparalleled way. Filled with Erikson’s slick graphic design as well as beautifully rendered illustrations, this Batman: The Animated Series art book is a one-of-a-kind tribute to one of the greatest animated shows of all time.

Summoning iconic outlaws and rebels such as Johnny Appleseed, Casanova, and Bonnie and Clyde, the poems in this collection seek to alter and turn back the mass mediated tendency to find "the great awakening in a/car; nirvana in a hamburger,/a genie in a tube/of toothpaste." The poems direct this discontent with the real world, not into another call for action or mere complaint, but into a performance that enacts the very change it seeks. This is the point where poems become rituals of countercultural resistance played out in prayers and offerings to mother ocean and the White Goddess, or as magic spells to actualize the Ancient Egyptian's "coming day": a new dawn that awaits the weary traveler through the long night of the dead. The long poem that leads the volume, Thus Glad for Nightmares, uses a scatalogical fantasy to playfully criticize the manufacturing of the American dystopia. The generous selection of shorter works that follow continues the silly-serious satire in conceits that involve Geronimo as a drag king taking over television to replay Custers Last Stand; Blackbeard emparting hobo wisdom over a campfire tea break; crowds of rioting hobos, the rise of the primordial Babylonian goddess Tiamat, and a giant beaver raging like King Lear. Funny, angry, ridiculous, mocking and outrageous by turns, these spells satirize the conventions of sexuality, business, television, family, property, violence, materialism, and rebellion in ways that are sure to delight even those who claim they dont like poetry.

An Economic History of Europe provides students with a comprehensive introduction to European economic history from the fifteenth century to the present day. Individual chapters offer brief references to previous historical periods and events, with special attention given to core themes concerning economic development, and an analysis of their change through time and space. Core themes examined in each period include: the increasing prominence of industry international trade demand and supply dynamics agriculture. The unique structure of this text enables students not only to gain a firm grounding in the long-term evolution of the European economy, but also provides an historical overview of the economic development of individual countries. Individual contributors analyze the shift from the modern to the contemporary period and offer a broad explanation of the historical roots of the problems that face today's economic development. This key text is indispensable reading for students in economics, economic history, development economics and history.

This volume, featuring sixteen contributions from leading Roman historians and archaeologists, sheds new light on approaches to the economic history of urban craftsmen and traders in the Roman world, with a particular emphasis on the imperial period. Combining a wide range of research traditions from all over Europe and utilizing evidence from Italy, the western provinces, and the Greek-speaking east, this edited collection is divided into four sections. It first considers the scholarly history of Roman crafts and trade in the nineteenth and twentieth centuries, focusing on Germany and the Anglo-Saxon world, and on Italy and France. Chapters discuss how scholarly thinking about Roman craftsmen and traders was influenced by historical and intellectual developments in the modern world, and how different (national) research traditions followed different trajectories throughout the nineteenth and twentieth centuries. The second section highlights the economic strategies of craftsmen and traders, examining strategies of long-distance traders and the phenomenon of specialization, and presenting case studies of leather-working and bread-baking. In the third section, the human factor in urban crafts and trade-including the role of apprenticeship, gender, freedmen, and professional associations-is analysed, and the volume ends by exploring the position of crafts in urban space, considering the evidence for artisanal clustering in the archaeological and papyrological record, and providing case studies of the development of commercial landscapes at Aquincum on the Danube and at Sagalassos in Pisidia.