Money Jungle

Money Jungle
Author: Benjamin Chesluk
Publsiher: Rutgers University Press
Total Pages: 248
Release: 2007-09-11
Genre: Social Science
ISBN: 9780813543819

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For more than a century, Times Square has mesmerized the world with the spectacle of its dazzling supersigns, its theaters, and its often-seedy nightlife. New York City’s iconic crossroads has drawn crowds of revelers, thrill-seekers, and other urban denizens, not to mention lavish outpourings of advertising and development money. Many have hotly debated the recent transformation of this legendary intersection, with voices typically falling into two opposing camps. Some applaud a blighted red-light district becoming a big-budget, mainstream destination. Others lament an urban zone of lawless possibility being replaced by a Disneyfied, theme-park version of New York. In Money Jungle, Benjamin Chesluk shows that what is really at stake in Times Square are fundamental questions about city life—questions of power, pleasure, and what it means to be a citizen in contemporary urban space. Chesluk weaves together surprising stories of everyday life in and around the Times Square redevelopment, tracing the connections between people from every level of this grand project in social and spatial engineering: the developers, architects, and designers responsible for reshaping the urban public spaces of Times Square and Forty-second Street; the experimental Midtown Community Court and its Times Square Ink. job-training program for misdemeanor criminals; encounters between NYPD officers and residents of Hell’s Kitchen; and angry confrontations between city planners and neighborhood activists over the future of the area. With an eye for offbeat, telling details and a perspective that is at once sympathetic and critical, Chesluk documents how the redevelopment has tried, sometimes successfully and sometimes not, to reshape the people and places of Times Square. The result is a colorful and engaging portrait, illustrated by stunning photographs by long-time local photographer Maggie Hopp, of the street life, politics, economics, and cultural forces that mold America’s urban centers.

Civic Jazz

Civic Jazz
Author: Gregory Clark
Publsiher: University of Chicago Press
Total Pages: 211
Release: 2015-02-25
Genre: Music
ISBN: 9780226218359

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Jazz is born of collaboration, improvisation, and listening. In much the same way, the American democratic experience is rooted in the interaction of individuals. It is these two seemingly disparate, but ultimately thoroughly American, conceits that Gregory Clark examines in Civic Jazz. Melding Kenneth Burke’s concept of rhetorical communication and jazz music’s aesthetic encounters with a rigorous sort of democracy, this book weaves an innovative argument about how individuals can preserve and improve civic life in a democratic culture. Jazz music, Clark argues, demonstrates how this aesthetic rhetoric of identification can bind people together through their shared experience in a common project. While such shared experience does not demand agreement—indeed, it often has an air of competition—it does align people in practical effort and purpose. Similarly, Clark shows, Burke considered Americans inhabitants of a persistently rhetorical situation, in which each must choose constantly to identify with some and separate from others. Thought-provoking and path-breaking, Clark’s harmonic mashup of music and rhetoric will appeal to scholars across disciplines as diverse as political science, performance studies, musicology, and literary criticism.

Make It New

Make It New
Author: Bill Beuttler
Publsiher: Lever Press
Total Pages: 304
Release: 2019-10-01
Genre: Music
ISBN: 9781643150055

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As jazz enters its second century it is reasserting itself as dynamic and relevant. Boston Globe jazz writer and Emerson College professor Bill Beuttler reveals new ways in which jazz is engaging with society through the vivid biographies and music of Jason Moran, Vijay Iyer, Rudresh Mahanthappa, The Bad Plus, Miguel Zenón, Anat Cohen, Robert Glasper, and Esperanza Spalding. These musicians are freely incorporating other genres of music into jazz—from classical (both western and Indian) to popular (hip-hop, R&B, rock, bluegrass, klezmer, Brazilian choro)—and other art forms as well (literature, film, photography, and other visual arts). This new generation of jazz is increasingly more international and is becoming more open to women as instrumentalists and bandleaders. Contemporary jazz is reasserting itself as a force for social change, prompted by developments such as the Black Lives Matter, #MeToo movements, and the election of Donald Trump.

Blutopia

Blutopia
Author: Graham Lock
Publsiher: Duke University Press
Total Pages: 342
Release: 1999
Genre: Biography & Autobiography
ISBN: 0822324407

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An analysis of the portrayal of African American life, history, and possibility in the work of three important jazz composers.

Essential Jazz Records

Essential Jazz Records
Author: Max Harrison,Charles Fox,Eric Thacker
Publsiher: Bloomsbury Publishing
Total Pages: 609
Release: 1999-12-01
Genre: Social Science
ISBN: 9780567269690

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First published in 1984 and reissued to coincide withthe publication of the second volume, this selection of the 250 best jazz records traces the earliest roots of the music to the beginnings of the modern jazz era. Volume One's focus is on LP collections of 78 rpm originals and nearly every significant musician--both familiar and obscure--of early 20th-century jazz is listed. For each record listed, full details of personnel, recording dates and locations are provided.

Word on the Treet

Word  on the  Treet
Author: Leo Haviland
Publsiher: Dog Ear Publishing
Total Pages: 624
Release: 2011
Genre: Communication
ISBN: 9781457505652

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"Words on the Street" is an experienced insider's analysis of Wall Street language. This informative and entertaining exploration of marketplace rhetoric focuses on metaphors derived from the fascinating arenas of games, love, war, politics, religion, the fine arts, and natural physical science. This expose reviews that wordplay in the context of the American Dream. Armies of books describe marketplace structure and instruments, recount economic history, or unveil personalities and strategies of heroic (or scandalous) individuals and institutions. "Words on the Street" is different. It enlightens Wall Street professionals, Main Street audiences, policy makers, and academics regarding Wall Street talk and its implications. Wall Street and American Dream rhetoric reflect and shape marketplace perspectives and thereby influence quests to make, keep, and manage money. Therefore Wall Street propaganda has major financial consequences for both Wall Street insiders and Main Street. "Words" may change marketplace viewpoints, including dogmas related to investment. This cultural investigation shows how investors and other players are persuaded to venture into and stay within stock, interest rate, currency, and commodity arenas. The opportunity to make money is a very incomplete explanation. The book is extensively documented from financial sources and via references to literature, film, and music. This study of Wall Street's language and rhetorical methods benefits Wall Street professionals, Main Street residents, businesses, politicians, and regulators seeking insight on how and why Wall Street sermons attract and convince them. Enticed by the oratory of Wall Street and its allies, many millions of Main Street dwellers around the globe have marched into and remained within Wall Street, often to "invest." The recent worldwide economic crisis underlines the importance of Wall Street marketplaces, even for those who have not carried their own money directly to Wall Street tables. "Words on the Street" demolishes the scientific ambitions and claims, not only of Wall Street, but also of economics and other social "sciences." "Words" investigates and discredits the counterfeit science (alleged objectivity) of the influential armies of would-be Newtons, Einsteins, Darwins, and Fords roaming throughout Wall Street and economics. Its analysis of Wall Street language in the context of the American Dream will fascinate American history scholars and students. Finally, "Words" provides an innovative yet persuasive explanation of cultural reasoning and how it differs from scientific rationality. Leo Haviland has three decades of experience in the Wall Street trading environment. Leo has worked for Goldman Sachs, Sempra Energy Trading, and other institutions. In his research and sales career in stock, interest rate, foreign exchange, and commodity battlefields, he has dealt with numerous and diverse financial institutions and individuals. He is a graduate of the University of Chicago (Phi Beta Kappa) and the Cornell Law School.

Better Git It in Your Soul

Better Git It in Your Soul
Author: Krin Gabbard
Publsiher: Univ of California Press
Total Pages: 336
Release: 2016-02-08
Genre: Music
ISBN: 9780520963740

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Charles Mingus is one of the most important—and most mythologized—composers and performers in jazz history. Classically trained and of mixed race, he was an outspoken innovator as well as a bandleader, composer, producer, and record-label owner. His vivid autobiography, Beneath the Underdog, has done much to shape the image of Mingus as something of a wild man: idiosyncratic musical genius with a penchant for skirt-chasing and violent outbursts. But, as the autobiography reveals, he was also a hopeless romantic. After exploring the most important events in Mingus’s life, Krin Gabbard takes a careful look at Mingus as a writer as well as a composer and musician. He digs into how and why Mingus chose to do so much self-analysis, how he worked to craft his racial identity in a world that saw him simply as “black,” and how his mental and physical health problems shaped his career. Gabbard sets aside the myth-making and convincingly argues that Charles Mingus created a unique language of emotions—and not just in music. Capturing many essential moments in jazz history anew, Better Git It in Your Soul will fascinate anyone who cares about jazz, African American history, and the artist’s life.

Are We Rich Yet

Are We Rich Yet
Author: Amy Edwards
Publsiher: Univ of California Press
Total Pages: 383
Release: 2022-06-14
Genre: Business & Economics
ISBN: 9780520385467

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'A wonderful growth' : investment culture from 1840 to 1980 -- Over the counter : speculation and the small investor -- Shopping for shares: The rise of financial consumerism -- 'The moneymen's Sunday sermon': the making of a mass-market financial advice industry -- Yuppies : finance and investment in popular culture -- Are we rich yet? : investment clubs and investor activism.