Mongrel Nation

The first cultural history of African, Asian, and Caribbean immigrants to the United Kingdom from 1948 to the present

The debate over the affair between Thomas Jefferson and Sally Hemings rarely rises above the question of "Did they or didn’t they?" But lost in the argument over the existence of such a relationship are equally urgent questions about a history that is more complex, both sexually and culturally, than most of us realize. Mongrel Nation seeks to uncover this complexity, as well as the reasons it is so often obscured. Clarence Walker contends that the relationship between Jefferson and Hemings must be seen not in isolation but in the broader context of interracial affairs within the plantation complex. Viewed from this perspective, the relationship was not unusual or aberrant but was fairly typical. For many, this is a disturbing realization, because it forces us to abandon the idea of American exceptionalism and re-examine slavery in America as part of a long, global history of slaveholders frequently crossing the color line. More than many other societies--and despite our obvious mixed-race population--our nation has displayed particular reluctance to acknowledge this dynamic. In a country where, as early as 1662, interracial sex was already punishable by law, an understanding of the Hemings-Jefferson relationship has consistently met with resistance. From Jefferson’s time to our own, the general public denied--or remained oblivious to--the possibility of the affair. Historians, too, dismissed the idea, even when confronted with compelling arguments by fellow scholars. It took the DNA findings of 1998 to persuade many (although, to this day, doubters remain). The refusal to admit the likelihood of this union between master and slave stems, of course, from Jefferson’s symbolic significance as a Founding Father. The president’s apologists, both before and after the DNA findings, have constructed an iconic Jefferson that tells us more about their own beliefs--and the often alarming demands of those beliefs--than it does about the interaction between slave owners and slaves. Much more than a search for the facts about two individuals, the debate over Jefferson and Hemings is emblematic of tensions in our society between competing conceptions of race and of our nation.

Lost in the argument over the existence of a sexual relationship between Thomas Jefferson and Sally Hemings are equally urgent questions about a history that is more complex, both sexually and socially, than most of us realise. The author seeks to uncover this complexity, as well as the reasons it is so often obscured.

The Mongrel Mob of Aotearoa New Zealand is notorious for extreme violence, and they have long been regarded as the nations monsters. In layers of apparent contradictions, their icon is the British bulldog wearing a Nazi helmet, while their members are largely indigenous Maori. The Mongrel Mobs symbols arose as both a goading response to a history of colonial subjugation of Maori, and a proclamation of war against the (white) state. Mongrelism offers a communion with this impenetrable fraternity. Monumental portraits illustrate Mob members assertion of membership and pride in their identity. Artefact studies and brutal first person narratives are drawn from the Mob corpus, mirroring the landscapes that bare the brooding environments where Mob members live. Mongrelism examines how the gang brands itself to itself to uphold its hierarchy and history, and find core values usually lauded by society: perseverance, resilience, and loyalty. The publication takes the form of a gang handbook. The order and grouping of images is the result of consultation with members and hews to their geographic, familial and hierarchical relationships. An unedited Mob voice dominates the written section. Rotmans images have become a part of Mob history and their visual mythology. Ongoing consultation and engagement has been integral. Rotman is a fourth generation white New Zealander, his forebears were among the first to settle in the region that became the epicentre of the Mob genesis. The process of colonisation and the atomisation of indigenous communities can be argued to have resulted in the Mongrel Mob. IMongrelism, as in the history of the nation, the narratives intertwine.

Mongrel Nation surveys the history of the United Kingdom’s African, Asian, and Caribbean populations from 1948 to the present, working at the juncture of cultural studies, literary criticism, and postcolonial theory. Ashley Dawson argues that during the past fifty years Asian and black intellectuals from Sam Selvon to Zadie Smith have continually challenged the United Kingdom’s exclusionary definitions of citizenship, using innovative forms of cultural expression to reconfigure definitions of belonging in the postcolonial age. By examining popular culture and exploring topics such as the nexus of race and gender, the growth of transnational politics, and the clash between first- and second-generation immigrants, Dawson broadens and enlivens the field of postcolonial studies. Mongrel Nation gives readers a broad landscape from which to view the shifting currents of politics, literature, and culture in postcolonial Britain. At a time when the contradictions of expansionist braggadocio again dominate the world stage, Mongrel Nation usefully illuminates the legacy of imperialism and suggests that creative voices of resistance can never be silenced.Dawson “Elegant, eloquent, and full of imaginative insight, Mongrel Nation is a refreshing, engaged, and informative addition to post-colonial and diasporic literary scholarship.” —Hazel V. Carby, Yale University “Eloquent and strong, insightful and historically precise, lively and engaging, Mongrel Nation is an expansive history of twentieth-century internationalist encounters that provides a broader landscape from which to understand currents, shifts, and historical junctures that shaped the international postcolonial imagination.” —May Joseph, Pratt Institute Ashley Dawson is Associate Professor of English at the City University of New York’s Graduate Center and the College of Staten Island. He is coeditor of the forthcoming Exceptional State: Contemporary U.S. Culture and the New Imperialism.

A book to challenge the status quo, spark a debate, and get people talking about the issues and questions we face as a country!

A cutting exploration of how cities drive climate change while being on the frontlines of the coming climate crisis How will climate change affect our lives? Where will its impacts be most deeply felt? Are we doing enough to protect ourselves from the coming chaos? In Extreme Cities, Ashley Dawson argues that cities are ground zero for climate change, contributing the lion’s share of carbon to the atmosphere, while also lying on the frontlines of rising sea levels. Today, the majority of the world’s megacities are located in coastal zones, yet few of them are adequately prepared for the floods that will increasingly menace their shores. Instead, most continue to develop luxury waterfront condos for the elite and industrial facilities for corporations. These not only intensify carbon emissions, but also place coastal residents at greater risk when water levels rise. In Extreme Cities, Dawson offers an alarming portrait of the future of our cities, describing the efforts of Staten Island, New York, and Shishmareff, Alaska residents to relocate; Holland’s models for defending against the seas; and the development of New York City before and after Hurricane Sandy. Our best hope lies not with fortified sea walls, he argues. Rather, it lies with urban movements already fighting to remake our cities in a more just and equitable way. As much a harrowing study as a call to arms Extreme Cities is a necessary read for anyone concerned with the threat of global warming, and of the cities of the world.