Monsignor Quixote

Driven away from his parish by a censorious bishop, Monsignor Quixote sets off across Spain accompanied by a deposed renegade mayor as his own Sancho Panza, and his noble steed Rocinante – a faithful but antiquated SEAT 600. Like Cervantes’s classic, this comic, picaresque fable offers enduring insights into our life and times.

*A 2011 National Book Award Finalist* A spellbinding story of renunciation, conversion, and radicalism from Pulitzer Prize-finalist biographer Deborah Baker What drives a young woman raised in a postwar New York City suburb to convert to Islam, abandon her country and Jewish faith, and embrace a life of exile in Pakistan? The Convert tells the story of how Margaret Marcus of Larchmont became Maryam Jameelah of Lahore, one of the most trenchant and celebrated voices of Islam's argument with the West. A cache of Maryam's letters to her parents in the archives of the New York Public Library sends the acclaimed biographer Deborah Baker on her own odyssey into the labyrinthine heart of twentieth-century Islam. Casting a shadow over these letters is the mysterious figure of Mawlana Abul Ala Mawdudi, both Maryam's adoptive father and the man who laid the intellectual foundations for militant Islam. As she assembles the pieces of a singularly perplexing life, Baker finds herself captive to questions raised by Maryam's journey. Is her story just another bleak chapter in a so-called clash of civilizations? Or does it signify something else entirely? And then there's this: Is the life depicted in Maryam's letters home and in her books an honest reflection of the one she lived? Like many compelling and true tales, The Convert is stranger than fiction. It is a gripping account of a life lived on the radical edge and a profound meditation on the cultural conflicts that frustrate mutual understanding.

'A fast-paced thriller that twists and twists again. Kyle Perry can sure spin a mighty tale.' – Chris Hammer On the Tasman Peninsula, nestled amidst the largest sea-cliffs in the southern hemisphere, is Shacktown. Here the Dempsey family have run a drug ring for generations, using the fishing industry and the deadly Black Wind as cover. But when thirteen-year-old Forest Dempsey walks out of the ocean, bruised and branded, everything is at risk – because Forest has been presumed dead for the last seven years. Mackerel Dempsey, out of jail on strict bail conditions, is trying to change his fate, doing his best to keep out of trouble before his next court date. His cousin Ahab has renounced the family altogether, in favour of working to keep the town and its fragile tourism economy safe. But in their search for answers about Forest, both Mackerel and Ahab can’t help but be drawn back into the underworld. What happened to the boy all those years ago? And does it have anything to do with the infamous drug kingpin Blackbeard, who is rumoured to be moving in on Shacktown? When secrets long thought buried at sea wash up on shore, generations of the Dempsey family must stand up for what they believe in, even if it means sacrificing everything. But in the gritty fight between right and wrong, blood isn’t always thicker than water, and everyone is at risk of being pulled under... From the bestselling breakout author of The Bluffs comes a heart-stopping new thriller set on the rugged coast of Tasmania about family bonds and betrayals, and the hidden dangers that lurk in the deep... Praise for Kyle Perry: ‘The Bluffs establishes Perry as a fierce new talent.' Apple Books ‘The narrative races along, pulling the reader from page to page with a freight-train momentum that starts with the first word and ends with the final full stop.’ The Examiner ‘A spine-tingling and absorbing crime thriller about small-town secrets and mythic bush tales. This atmospheric read will keep you turning the pages until the very end.’ Who Weekly ‘A riveting story that will give even a seasoned thriller reader goosebumps.’ Better Reading

An easy-riding, ball-busting comedy of bad manners, this is one of the most surprising and entertaining literary debuts of recent years. Pablo Baloo Miralles, a fat, useless and flatulent thirty-year-old, is the black sheep of his obscenely wealthy family. While he dedicates his days to online philosophy chatrooms and his nights to whatever pleasures he can find, his brother, 'The First,' is president of his booming family business. But, when 'The First' suddenly disappears, Pablo finds himself being sucked into a hair-raising, mind-bending adventure - an adventure in which he must use all of his well-honed survival instincts to come out alive.

Graham Greene was always deeply interested in the role played by the subconscious in his writing, and the private world of his dreams was one that he nurtured carefully, recording it almost daily in his dream diaries. Selecting from these dream diaries, he prepared this small treasure for publication just before his death in 1991— a last gift from a great writer to delight and entertain his readers.

This is the story of Francis Andrews, a young man whose betrayal of his fellow smugglers has left a man dead. Fearing vengeance, he flees and takes refuge in the house of a young, isolated woman who persuades him to give evidence against his accomplices in court. But neither she nor Andrews is aware that to both criminals and authority, treachery is as great a crime as smuggling.

Ziolkowski explores the religious implications of the figure of Don Quixote in Western literature from Cervantes to the present.While scholars and critics in the past have often called attention to the secularizing tendency of modern literature, to the numerous fictional adaptations of the Christ figure on the one hand, and the innumerable literary descendants of Don Quixote on the other, this study is the first to examine a lineage of characters in whom the images of the alleged savior and the mad knight are combined.After considering Don Quixote as the first modern novel, and taking into account its relationship to religion, society, and censorship in seventeenth-century Spain, Ziolkowski traces the history and fate of Don Quixote, the character, through a series of religious transformations over the centuries, focusing on three novels that adapt the Quixote figure: Henry Fielding's Joseph Andrews, Fyodor Dostoevsky's The Idiot, and Graham Greene's Monsignor Quixote. Ziolkowski argues that, given the increased secularization and decline of religious consciousness over the last several centuries, any pursuit of religious values or ideas becomes questionable and this appears &"quixotic&" insofar as it stands in contradiction to the sociohistorical context. He concludes that religious existence, for the few who pursue it in suffering, which means that the religious person feels temporally displaced for adhering to a seemingly obsolete faith and lifestyle.