Monster Culture In The 21st Century

In the past decade, our rapidly changing world faced terrorism, global epidemics, economic and social strife, new communication technologies, immigration, and climate change to name a few. These fears and tensions reflect an evermore-interconnected global environment where increased mobility of people, technologies, and disease have produced great social, political, and economical uncertainty. The essays in this collection examine how monstrosity has been used to manage these rising fears and tensions. Analyzing popular films and televisions shows, such as True Blood, Twilight, Paranormal Activity, District 9, Battlestar Galactica, and Avatar, it argues that monstrous narratives of the past decade have become omnipresent specifically because they represent collective social anxieties over resisting and embracing change in the 21st century. The first comprehensive text that uses monstrosity not just as a metaphor for change, but rather a necessary condition through which change is lived and experienced in the 21st century, this approach introduces a different perspective toward the study of monstrosity in culture.

"In the past decade, our rapidly changing world faced terrorism, global epidemics, economic and social strife, new communication technologies, immigration, and climate change to name a few. These fears and tensions reflect an evermore-interconnected global environment where increased mobility of people, technologies, and disease have produced great social, political, and economical uncertainty. The essays in this collection examine how monstrosity has been used to manage these rising fears and tensions. Analyzing popular films and televisions shows, such as True Blood, Twilight, Paranormal Activity, District 9, Battlestar Galactica, and Avatar, it argues that monstrous narratives of the past decade have become omnipresent specifically because they represent collective social anxieties over resisting and embracing change in the 21st century. The first comprehensive text that uses monstrosity not just as a metaphor for change, but rather a necessary condition through which change is lived and experienced in the 21st century, this approach introduces a different perspective toward the study of monstrosity in culture."--

In the past decade, our rapidly changing world faced terrorism, global epidemics, economic and social strife, new communication technologies, immigration, and climate change to name a few. These fears and tensions reflect an evermore-interconnected global environment where increased mobility of people, technologies, and disease have produced great social, political, and economical uncertainty. The essays in this collection examine how monstrosity has been used to manage these rising fears and tensions. Analyzing popular films and televisions shows, such as True Blood, Twilight, Paranormal Activity, District 9, Battlestar Galactica, and Avatar, it argues that monstrous narratives of the past decade have become omnipresent specifically because they represent collective social anxieties over resisting and embracing change in the 21st century. The first comprehensive text that uses monstrosity not just as a metaphor for change, but rather a necessary condition through which change is lived and experienced in the 21st century, this approach introduces a different perspective toward the study of monstrosity in culture.

This volume contains discussions and dissections of monsters across multiple media and geographical origins. However, the notable shifts in how we engage monsters and monstrosity feature heavily in this volume. Chapters tackle resurrections of previous series and conversations through films like Jurassic World and Krampus. Others gravitate towards the rebirth of some of the older, tried and true monsters like vampires and zombies, including analyses of Pride And Prejudice + Zombies, The Originals, The Vampire Diaries, iZombie, and Teen Wolf – all of which reinterpreted and reinvented these creatures for the modern audience. While the text serves to address these new iterations of the “Classic” monsters in the cannon, others look at strangers, more fringe monster narratives like Pan’s Labyrinth, The Village, or even the very real parasitic monstrosities of Monsters Inside Me.

Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize The bestselling genre of Frankenfiction sees classic literature turned into commercial narratives invaded by zombies, vampires, werewolves, and other fantastical monsters. Too engaged with tradition for some and not traditional enough for others, these 'monster mashups' are often criticized as a sign of the artistic and moral degeneration of contemporary culture. These hybrid creations are the 'monsters' of our age, lurking at the limits of responsible consumption and acceptable appropriation. This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir's Flux Machine GIFs. Megen de Bruin-Molé uses these monstrous and liminal works to show how the thrill of transgression has been contained within safe and familiar formats, resulting in the mashups that dominate Western popular culture.

WINNER OF THE 26TH ANNUAL DANUTA GLEED LITERARY AWARD SHORTLISTED FOR THE 2022 SCOTIABANK GILLER PRIZE KIRKUS REVIEWS BEST BOOKS OF 2022 THE GLOBE 100: THE BEST BOOKS OF 2022 CBC BOOKS: THE BEST CANADIAN FICTION OF 2022 Featured on CBC's The Next Chapter with Shelagh Rogers TIME MAGAZINE'S 10 BEST FICTION BOOKS OF 2022 LITHUB BEST REVIEWED SHORT STORY COLLECTIONS 2022 LITHUB BEST REVIEWED SCI-FI, FANTASY AND HORROR OF 2022 LONGLISTED FOR THE 2023 JOYCE CAROL OATES PRIZE The debut collection from PEN/Hemingway Award finalist and ‘propulsive storyteller’ (NYT Book Review), with stories that are by turns poignant and pulpy In the twelve unforgettable tales of Lesser Known Monsters of the 21st Century, the strange is made familiar and the familiar strange, such that a girl growing wings on her legs feels like an ordinary rite of passage, while a bug-infested house becomes an impossible, Kafkaesque nightmare. Each story builds a new world all its own: a group of children steal a haunted doll; a runaway bride encounters a sea monster; a vendor sells toy boxes that seemingly control the passage of time; an insomniac is seduced by the Sandman. These visions of modern life wrestle with themes of death and technological consequence, guilt and sexuality, as they unmask the contradictions that exist within all of us. "Lesser Known Monsters of the 21st Century is one of those rare collections that never suffers from which-one-was-that-again? syndrome. Every story here lights a flame in the memory, shining brighter as time goes by rather than dimming. Kim Fu writes with grace, wit, mischief, daring, and her own deep weird phosphorescent understanding." – Kevin Brockmeier, author of The Ghost Variations: One Hundred Stories "When a collection is evocative of authors as disparate as Ray Bradbury and Stephanie Vaughn, the only possible unifier can be originality: and that’s what a reader finds in Kim Fu’s Lesser Known Monsters of the 21st Century. The strangest of concepts are tempered by grounded, funny dialogue in these stories, which churn with big ideas and craftily controlled antic energy." – Naben Ruthnum, author of A Hero of Our Time "How I loved the cool wit of these speculative stories! Filled with wonder and wondering, they’re haunted too by loss and loneliness, their imaginative reach profoundly rooted in the human condition." – Peter Ho Davies, author of A Lie Someone Told You About Yourself "Precise, elegant, uncanny, and mesmerizing – each story in this collection is a crystalline gem. Kim Fu's talent is singularly inventive, her every sentence a surprise and an adventure." – Danya Kukafka, author of Notes on an Execution "Lesser Known Monsters of the 21st Century is for the adventurous reader – someone willing to walk into a story primed for cultural critique and suddenly come across a plot for murder, or to consider the dangers of sea monsters alongside those posed by twenty-first-century ennui. Each story is spectacularly smart, hybrid in genre, and bold with intention. The monsters here are not only fantastical figures brought to life in hyper-reality but also the strangest parts of the human heart. This book is as moving as it is monumental." – Lucy Tan, author of What We Were Promised "Kim Fu's Lesser Known Monsters of the 21st Century crushes the coal-dark zeitgeist between its teeth and spits out diamonds, beautiful but razor-sharp. This will be one of the best short story collections of the year." – Indra Das, author of The Devourers

This book focuses on how the abject spectacle of the ‘monstrous feminine’ has been reimagined by recent and contemporary screen horrors focused on the desires and subjectivities of female monsters who, as anti-heroic protagonists of revisionist and reflexive texts, exemplify gendered possibility in altered cultures of 21st century screen production and reception. As Barbara Creed notes in a recent interview, the patriarchal stereotype of horror that she named ‘the monstrous-feminine’ has, decades later, ‘embarked on a life of her own’. Focused on this altered and renewed form of female monstrosity, this study engages with an international array of recent and contemporary screen entertainments, from arthouse and indie horror films by emergent female auteurs, to the franchised products of multimedia conglomerates, to 'quality' television horror, to the social media-based creations of horror fans working as ‘pro-sumers’. In this way, the monograph in its organisation and scope maps the converged and rapidly changing environment of 21st century screen cultures in order to situate the monstrous female anti-hero as one of its distinctive products.

The simplicity of children's picture books--stories told with illustrations and a few well chosen words or none at all--makes them powerful tools for teaching morals and personal integrity. Children follow the story and see the characters' behaviors on the page and interpret them in the context of their own lives. But unlike many picture books, most children's lives don't feature monsters. This collection of new essays explores the societally sanctioned behaviors imparted to children through the use of monsters and supernatural characters. Topics include monsters as instructors, the normalization of strangers or the "other," fostering gender norms, and therapeutic monsters, among others.