Monster Without A Cause

KEIRA I woke up next to a monster. Literally. As a Hollywood producer I thought I’d seen everything. Until I met Luke. My company passed on his movie pitch—a convoluted story about how monsters are real—but Luke and I have instant chemistry. I don’t expect this sweet, charming guy to be dominant and demanding in bed, but he is, and it’s the best night of my life. The next morning... LUKE I’m exhausted. That’s my only excuse for falling asleep and forgetting to stay human. The moment I saw Keira all I could think was “mine,” and though I messed up the dinner date, once I put my (human) hands on her I knew just what to do. Even better, Keira wasn’t afraid when I got possessive and rough with her delectable body. After a night of passion I fall asleep, and turn back into a monster. Keira’s terrified…but not for long. She’s smarter and braver than anyone I’ve ever met. She and her friends agree to help us, but not everyone is ready to find out that monsters are real...

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"An uncanny and imaginative autobiography of otherness, it offers the fictional record of a writer in the realms of the fantastic shot through with the memories of a pair of Somali-American children growing up in the 1980s. Operating under the sign of two—texts and drawings, brother and sister, black and white, extraordinary and everyday —Monster Portraits multiplies, disintegrates, and blends, inviting the reader to find the danger in the banal, the beautiful in the grotesque. Accumulating into a breathless journey and groundbreaking study, these brief fictions and sketches claim the monster as a fragmentary vastness: not the sum but the derangement of its parts."--Amazon.com.

First Published in 1996. This collection of works is in response to American film scholar and long-term resident of Japan, Donald Richie, words:’ The Japanese failure to come to terms with Hiroshima is one which is shared by everybody in the world today,’ from over thirty years ago, when responding to the Japanese subgenre of cinema which had dealt with the atom bombings of Hiroshima and Nagasaki. Three decades on, the question lingers, does this appraisal remain valid? Hibakusha Cinema is an attempt - perhaps momentarily - to reorient critical focus upon a rarely discussed, yet important feature of Japanese cinema. The essays collected here represent a mix of Japanese and western (pan-Pacific) scholarship harnessing multidisciplinary methodologies, ranging from close textual analysis, archival and historical argument, anthropological assessment, literary and film comparative analyses to psychological and ideological hermeneutics.

The sweeping romance of Passenger meets the dark fantasy edge of This Savage Song in this stunning contemporary fantasy debut from Vanessa Len, where the line between monster and hero is razor thin. Don’t forget the rule. No one can know what you are. What we are. You must never tell anyone about monsters. Joan has just learned the truth: her family are monsters, with terrifying, hidden powers. And the cute boy at work isn’t just a boy: he’s a legendary monster slayer, who will do anything to destroy her family. To save herself and her family, Joan will have to do what she fears most: embrace her own monstrousness. Because in this story…she is not the hero. Dive deep into the world of Only a Monster: hidden worlds dwell in the shadows, beautiful monsters with untold powers walk among humans, and secrets are the most powerful weapon of all.

NOW A #1 NEW YORK TIMES BESTSELLER! An unflinching, darkly funny, and deeply moving story of a boy, his seriously ill mother, and an unexpected monstrous visitor. At seven minutes past midnight, thirteen-year-old Conor wakes to find a monster outside his bedroom window. But it isn’t the monster Conor’s been expecting-- he’s been expecting the one from his nightmare, the nightmare he’s had nearly every night since his mother started her treatments. The monster in his backyard is different. It’s ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth. From the final idea of award-winning author Siobhan Dowd-- whose premature death from cancer prevented her from writing it herself-- Patrick Ness has spun a haunting and darkly funny novel of mischief, loss, and monsters both real and imagined.

In early modern Europe, monstrous births were significant events that were seen alive by many people, and dissected, embalmed and collected after death. Emblematic Monsters is a social history of monstrous births as seen through popular print, scholarly books and the proceedings of learned societies. Representations of monsters are considered in the context of their roles as wonders and emblems, and studies of the anatomy of monsters are discussed along with contemporary theories of their origin. By approaching accounts of monstrous births not only as a literary form but also as descriptions of real-life cases, similarities between the pre-scientific recording of wonders and the scientific case report can be explored. Most impressively, A.W. Bates draws upon his own experience of diagnosis of birth defects to summarise more than two hundred original descriptions of monstrous births and compare them with modern diagnostic categories. Emblematic Monsters is an up-to-date approach to a classical yet under-explored subject: gruesome, compelling and monstrous.

What is the Nameless Monster? Some may call it the dark passenger, it goes by many names and its seeks a name as it devours those who cannot restrain themselves. Will you let the monster have your name? This book shows the insidiousness of how the Nameless Monster affects our society as a whole. Be aware so that you do not let the monster consume you as you walk the path of Illumination during the ushering of the Golden Age of Enlightenment.