Monsters In The Garden

In The Monster in the Garden, Luke Morgan develops a new conceptual model of Renaissance landscape design, arguing that the monster was a key figure in Renaissance culture and that the incorporation of the monstrous into gardens was not incidental but an essential feature.

Too stuffy inside? All those familiar social realist furnishings, all those comfortable literary tropes. Perhaps a stroll out under the trees, where things are breezier, stranger, more liable to break the rules. You may meet monsters out there, true. But that's the point. Casting its net widely, this anthology of Aotearoa-New Zealand science fiction and fantasy ranges from the satirical novels of the 19th-century utopians &– one of which includes the first description of atmospheric aerobreaking in world literature &– to the bleeding edge of now. Spaceships and worried sheep. Dragons and AI. The shopping mall that swallowed the Earth. The deviant, the fishy and the rum, all bioengineered for your reading pleasure.Featuring stories by some of the country's best known writers as well as work from exciting new talent, Monsters in the Garden invites you for a walk on the wild side. We promise you'll get back safely. Unchanged? Well, that's another question.

Using a tissue sample she believes is from one of her father's experiments in genetic engineering, Frankie accidentally creates a baby monster, which begins to grow at an alarming rate.

We went into our garden, to see if we could see, A monster that I'd heard about, MUCH BIGGER than me. But where do we start in finding this beast? Maybe he's sleeping or enjoying a feast. A delightful adventure story about two brothers trying to look for a monster in their garden and meeting a whole host of garden creatures along the way.

Set in the Maremma region of Southern Tuscany, this novel tells the story of two families against the backdrop of a rapidly transforming country. The Biagini are local ranchers, while the wealthy Sanfilippi belong to Rome's upper middle-class. When Sauro, an ambitious rancher, and Filippo, a hedonistic politician, become business partners, the stories of their families become irrevocably intertwined. As an influx of new money pours into the town, political allegiances, family loyalties, moral codes, and sexual identities all begin to shift. Sauro and Filippo, their wives Miriam and Giulia, and their sons, are the prototypes of the new Italy, ostensibly emancipated from traditional mores, but at the same time, insecure and blinkered. Fifteen-year-old Annamaria, fragile and anxious, struggles to find her place among them. Luckily, a parallel world is taking shape nearby: the Tarot Garden, the monumental sculpture garden created by the French-American artist Niki de Saint Phalle. It is in this magical place, through her conversations with the artist, that Annamaria will slowly find a sense of identity and belonging.

Patrick hears a funny noise in the garden.

Frankie isn't exactly sure what her scientist dad does in his top-secret laboratory, but her neighbors tease her that it must be something awful -- like developing germ warfare. So when Frankie's older brother steals a bit of mysterious goo from their father's lab, she makes sure she gets some to conduct her own experiment. But Frankie never could have anticipated the results...

The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. Based on the novel by Vivien Alcock, this play tells the story of Frankie Stein and her jelly cultivation experiments.