More Basics In Rhythm

(Meredith Music Resource). Includes eight units dealing with metric modulation, mixed meter, artificial rhythmic groups, dotted rhythms, poly rhythms and more. Each unit concludes with a rhythm duet.

(Meredith Music Resource). A collection of short, graduated studies for teaching or learning to read rhythms. Exercises cover all fundamental rhythms, meters, and mixed meters. Ideal as a supplement or primary reading method. Useful for any instrument or voice.

(Meredith Music Resource). A collection of short, graduated studies for teaching or learning to read rhythms. Exercises cover all fundamental rhythms, meters, and mixed meters. Ideal as a supplement or primary reading method. Now even better with the addition of a demonstration CD showcasing the exercises featured in the book. Useful for any instrument or voice.

(Meredith Music Resource). A collection of short, graduated studies for teaching or learning to read rhythms. Exercises cover all fundamental rhythms, meters, and mixed meters. Ideal as a supplement or primary reading method.

Who is this rhythm book for? This book is for you--the struggling musician or the frustrated rhythm teacher. This rhythm music book is for you--the struggling musician, determined to confidently play, quarter note, rhythm patterns, by ear or sight, on your melodic or harmonic instrument. Or, for your music teacher, desperate for a rhythm pedagogy that guides you to elegantly study rhythm and discover your rhythm confidence. What is unique about this book? Firstly, this book does not try to to teach you every rhythm subject or every rhythm guitar vocabulary. This quarter note, rhythm exercises, book focuses you on talking one vocabulary of sixteen rhythms. That's it. Secondly, this rhythmisation book is properly formatted for new rhythm readers with big, easy to read notation pages, supported by easy to read rhythmisation syllables that are easy to see and read. Thirdly, this is a doing rhythm book. Not a thinking or theory one. This book aims to get this vocabulary installed and embedded in your brain and speech, so that you can use this rhythm on your instrument, in the next ninety-nine minutes. Fourthly, this rhythm patterns book is part of a series of rhythm books, each of which focuses on a single rhythm vocabulary. The laser focus ensures you finish the book with a series of practical (mental and speech) rhythm music skills that you can use immediately. Fifthly, this rhythm exercises book, supplements and complements the leading rhythm books available. Other books take you broad and wide. Rhythm books, like this one, drill you narrow and deep. Why should you read this book now? If you want to replace your rhythm uncertainty with rhythm confidence (in the next ninety-nine minutes) you should read this book now. Learning to talk, read, write and play this foundation rhythm vocabulary---in less than the next seventeen minutes---is a ridiculously achievable skill. Why wait a lifetime when you can do this seventeen minute job now? Then, talking this quarter note, rhythm vocabulary: across 33 rhythm conversations and 758 bars of word of mouth rhythms---in as little as the next seventy-two minutes---is as straight forward as straight forward gets. After you have talked this book in 99 minutes you can then talk Rhythm Book 102 Eighth Note Rhythm Patterns in 49 minutes. Then you can read Rhythm Book 103 Sixteenth Note Rhythm Patterns in 25 minutes. What You Will Learn From This Rhythm Learning Book You will learn: - to talk the first Rhythmisation vocabulary: the dobodobo quarter note rhythm patterns - the concept of rhythm levels, rhythm vocabularies, parent rhythm, derived rhythm and more - to talk dobodobo vowel durations, positional and silent consonants in 16 combinations - the principle of rhythmic alternation between strong and weak rhythm. - the concept of tempo rhythm to use with the dobodobo vocabulary - the concept of rhythmic density as a verbal and aural tool - how to read and write rhythm notation and read and write rhythmisation in plain english You will talk and experience - the 16 rhythm dobodobo quarter note rhythmisation vocabulary - 8 attack quarter note dobodobo rhythms and rhythmisations - 7 attack quarter note dobodobo rhythms and rhythmisations - 6 attack quarter note dobodobo rhythms and rhythmisations - 5 attack quarter note dobodobo rhythms and rhythmisations - 4 attack quarter note dobodobo rhythms and rhythmisations - 3 attack quarter note dobodobo rhythms and rhythmisations - 2 attack quarter note dobodobo rhythms and rhythmisations - 1 attack quarter note dobodobo rhythms and rhythmisations - 5 quarter note dobodobo syncopations native to the vocabulary - 758 one bar and 323 two bar quarter note phrases - all 758 bars in tempo between MM60 and MM128 After this book, you should read Rhythm 102 Eight Note Rhythm Patterns and master the next level of rhythm.

(Instructional). A continuation of Basic Rhythmic Training , this collection of progressive rhythmic drills is designed to increase a music student's proficiency in executing and understanding Rhythm. The exercises begin very simply and proceed to more complex meters, beat divisions and polyrhythms. The book can be used as a supplement to any method, or as a drill book for the musician who wishes to solidify and expand his/her rhythmic abilities.

Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings